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Klassiek - Verschenen op 23 augustus 2019 | Bru Zane

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Liederen (Frankrijk) - Verschenen op 22 juni 2018 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 étoiles de Classica
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Kwartetten - Verschenen op 20 april 2018 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
On the occasion of the bicentenary of Charles Gounod’s birth, this first complete string quartet (including two unpublished ones) on period instruments reveals an unknown part of his production, dominated by vocal music. Composer of the very end of the 19th century, Gounod and his five quartets are the worthy heir of the Viennese classicism tradition. The lyrical accents of the Quartet in G minor or the airy lightness of the Scherzo of the Petit Quatuor evoke nothing less than the names of Schubert and Mendelssohn. The musicians of the Quatuor Cambini-Paris (Julien Chauvin, Karine Crocquenoy, Pierre-Éric Nimylowycz and Atsushi Sakaï) gracefully reproduce these pages, full of gravity and sweetness. © Aparté/Little Tribeca
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Klassiek - Verschenen op 29 maart 2019 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
After winning the Prix de Rome for his cantata Fernand in 1839 and spending two years in Rome, Gounod should have gone on to study in Germany, but he managed in 1842 to persuade the authorities that he should remain in Rome to work on a symphony. In 1843 he visited Mendelssohn who (while trying to dissuade him from wasting his time on Goethe’s Faust!) urged him to write another symphony. We do not know how much of the First Symphony Gounod had completed by then, but it is not surprising that Mendelssohn figures as one of the key influences on both symphonies. After performances of individual movements in 1855, premieres were given of the First on 4 March that year and of the Second on 13 February 1856. Yan Pascal Tortelier and his Iceland Symphony Orchestra demonstrate outstanding precision and musicality in these unjustly neglected works. © Chandos
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Klassiek - Verschenen op 11 oktober 2010 | Warner Classics

Onderscheidingen The Qobuz Ideal Discography
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Volledige opera's - Verschenen op 14 september 2018 | Bru Zane

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Klassiek - Verschenen op 19 november 2013 | PentaTone

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Opera - Verschenen op 12 juli 2019 | Naxos

Hi-Res Booklet
The international success of after its premiere in 1859 completely overshadowed all of Gounod’s subsequent operas. He had known Goethe’s masterpiece for two decades and brought to the text his gifts for memorable melody and rich orchestration. Added to this, the plot of Faust’s ageing and the heroine Marguerite’s redemption, offered the opportunity for the most spectacular stage effects. Heard here in its 1864 London version with an additional air and without spoken dialogue or ballet, Faust represents 19th-century French opera at its peak. © Naxos
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Religieuze vocale muziek - Verschenen op 15 januari 2018 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
It might be hard to believe that there could still exist a "discographic world first" when it came to the works of Gounod, and harder still to imagine that it could be such a substantial piece as this. And yet… Saint François d’Assise, a little oratorio in two parts first performed in 1891, has remained obscure up until now, to the point that its very existence has proved something of a surprise. And then all of a sudden, in 1996, the manuscript came back to light quite by accident: and here is its first recording, although several recordings had been made since its rediscovery. Gounod's last oratorio, of rather more modest proportions than Rédemption or Mors et Vita, with its great unity and flavoursome, carefully-tailored archaisms, conjures up both Franciscan austerity and that fullness of sound for which Gounod had such a knack. According to the composer himself: "I wanted the first of the two tableaux to be a musical translation of that beautiful tableau by Murillo showing Christ on the cross leaning over to St. Francis and putting his arm around his neck. The second tableau would be a translation of that fine work by Giotto, The Death of St Francis, surrounded by his brothers. " Let the listener be guided by his own lights. The album is rounded off with Hymne à Sainte Cécile, also by Gounod, and then Légende de Sainte Cécile by Liszt, written in 1874; and it should come of no surprise that the work is sung in French: it is, after all, the work's original language. © SM/Qobuz
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Volledige opera's - Verschenen op 27 januari 2009 | Naxos

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Klassiek - Verschenen op 19 oktober 2009 | Warner Classics

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Religieuze cantates - Verschenen op 12 januari 2018 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 étoiles de Classica
An icon of French Romanticism thanks to the enduring popularity of his operas Faust and Roméo et Juliette, Charles Gounod competed three times for the prestigious Prix de Rome between 1837 and 1839. Thus he composed three unpublished cantatas for soloists and orchestra, including Marie Stuart et Rizzio and La Vendetta, which he never had the opportunity to hear in performance. Revealed for the first time, these three cantatas, fine examples of French Romanticism, show a young composer with a remarkable flair for opera. In the end Fernand won him the coveted prize, carrying with it the privilege of a three-year stay (from 1840) at the Villa Medici in Rome. While there he produced several sacred compositions, which have also remained unknown until now. His splendid Messe vocale for unaccompanied choir, written in a neo-Palestrinian style, deserves a place on the programme of every vocal ensemble. © Palazzetto Bru Zane
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Religieuze vocale muziek - Verschenen op 3 maart 2011 | Mirare

Booklets Onderscheidingen 5 de Diapason - Choc de Classica - Exceptional Sound Recording
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Klassiek - Verschenen op 6 maart 2020 | Rondeau

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 1962 | BnF Collection

Hi-Res Booklet
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Klassiek - Verschenen op 18 september 2012 | American Symphony Orchestra

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Volledige opera's - Verschenen op 25 november 2005 | Warner Classics

Onderscheidingen The Qobuz Ideal Discography
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Klassiek - Verschenen op 1 januari 1998 | Decca Music Group Ltd.