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Sacred Oratorios - Verschenen op 25 oktober 2019 | Alia Vox

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Klassiek - Verschenen op 25 oktober 2019 | Sony Classical

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Klassiek - Verschenen op 1 oktober 2019 | Brilliant Classics

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Concertmuziek - Verschenen op 11 mei 2018 | naïve classique

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Concertos for viola d'amore represent a fairly atypical part of Vivaldi's work, and he was probably the first composer to write pieces for this work in the solo concerto format. The viola d'amore was certainly well-liked for its soft, suggestive sound, which evoked the moods and climes of the orient thanks, in particular to its sympathetic strings which vibrate with those strings the player bows. But it was little-used because of its complex tuning and objective difficulties involved in playing it. In fact, the instrument would be tuned in different ways to fit the tonality of the piece being played – the famous scordatura, so finicky for the musicians – and it is believed that Vivaldi wrote these specifically for one of the musicians at Venice's Pietá: the famous Anna-Maria. Another characteristic of these concertos for viola d'amore, the rapid movements are also much longer and fuller than in most of Vivaldi's writing, for example in the seven string concertos which figure at the start of the album, or in the miniatures which were intended as showcases for the talent of the greatest possible number of soloists in the public concerts at the Pietá. A little curiosity is offered up here in the shape of the original concerto La Conca RV163, whose themes mimic the sound of the "conca", a kind of large marine conch used as an instrument since prehistoric times. The recording includes a conch being sounded at the start of the first movement by way of explanation. © SM/Qobuz
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Concerten voor viool - Verschenen op 28 augustus 2008 | Alpha

Hi-Res Booklet Onderscheidingen Choc de Classica
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Operafragmenten - Verschenen op 23 november 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
This new Vivaldi album marks a double anniversary, the thirty-year anniversary of the close collaboration between Cecilia Bartoli and the famous English label Decca, and the twenty-year anniversary of the very successful first Vivaldian opus. This time leaving behind Giovanni Antonini and his Il Giardino Armonico ensemble, Cecilia Bartoli has selected French musicians well versed in Vivaldi’s music, as if to demonstrate the universal nature of the Red Priest’s compositions. In fact, Jean-Christophe Spinosi and his Ensemble Matheus have distinguished themselves with Vivaldi’s instrumental music since their early days. They started off their collaboration with five concerts, dedicated of course to the Venetian composer, in Munich, Prague, Baden-Baden and Versailles. For their first recording together they selected ten opera titles, nine of which weren’t featured on the 1999 album. The plethora of Vivaldi operas provides an endless supply to recitalists who can easily put together, as is the case here, an extremely lively programme featuring the most beautiful gems of an extraordinarily expansive composer whose melodic liveliness has been a constantly fascinating topic. This release is also beautiful in itslef (accessible on your Qobuz account), as it features a photo book containing beautiful portraits of Cecila Bartoli taken by Roman photographer Viviane Purdom, who has devoted her life to masterfully shooting great classical musicians. Happy anniversary indeed! © François Hudry/Qobuz
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Klassiek - Verschenen op 1 januari 1998 | Decca Music Group Ltd.

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Concerten voor viool - Verschenen op 23 september 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Award - Gramophone Editor's Choice - Le Choix de France Musique
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Kamermuziek - Verschenen op 15 juli 2013 | naïve classique

Hi-Res Booklet Onderscheidingen Diapason d'or - 10 de Répertoire - Gramophone Editor's Choice - Hi-Res Audio
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Klassiek - Verschenen op 31 juli 2007 | harmonia mundi

Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 10 de Classica-Répertoire
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Klassiek - Verschenen op 17 oktober 2014 | Erato - Warner Classics

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Klassiek - Verschenen op 20 november 1981 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 6 september 2019 | Glossa

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With her version of Vivaldi’s Four Seasons, Leila Schayegh continues her exploration of the violin repertory, always combining musical insight, virtuosic brilliance and historical understanding. Over the last years, the Swiss musician has become one of the leading violinists of her generation (and is helping the next one, thanks to her position as professor in the Schola Cantorum Basiliensis). On this dazzling new exhibition, Schayegh – who plays a late 17th-century Andrea Guarneri instrument – is joined by the fine and colourful ensemble Musica Fiorita, directed by Daniela Dolci. The opera composer Vivaldi is omnipresent in all of these four violin concertos, also thanks to the use of elements of Baroque theatre: the sounds of wind machines or bird whistles contribute to making this a delightful, fascinating and “different” version of one of the most recorded works of all times. The album also includes Vivaldi’s Follia (Sonata Op. 1 No. 12) and the Ciaccona from the Violin Concerto in D major. An essay by Schayegh herself complement a project which will be a pleasurable surprise for lots of listeners. © Glossa
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Volledige opera's - Verschenen op 16 november 2018 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
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Klassiek - Verschenen op 19 mei 2014 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 1 januari 2000 | Decca Music Group Ltd.

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Klassiek - Verschenen op 1 januari 2012 | Decca Music Group Ltd.

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 20 september 2019 | Universal Music B.V.

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Klassiek - Verschenen op 23 maart 2018 | Decca Music Group Ltd.

Hi-Res Booklet
An organist (he worked with Gaston Litaize in Paris), choirmaster, and conductor, Diego Fasolis is a vital part of baroque music. In 1995 he founded the Vanitas ensemble in Lugano, and then I Barocchisti (“the Baroques”) which represents the refoundation of the famous Società cameristica di Lugano set up by Loehrer in 1961 to which we owe the first great recordings of Claudio Monteverdi's Madrigals. The ensemble took a great leap forward in its new incarnation under Fasolis' baton. The Barocchisti recordings have been showered with awards and great international soloists regularly come to collaborate with them, including Philippe Jaroussky, Maurice Steger, Max Emanuel Cencic, and, in recent years, Cecilia Bartoli who has set up a close collaboration. With Russian soprano Julia Lezhneva and Argentine counter-tenor Franco Fagioli, I Barocchisti offer us a particularly joyful vision of two of Vivaldi's vocal masterpieces, wreathed in the same slightly-naive halo as worn by the Madonnas painted in all of Venice's churches. The motet Nulla in mundo pax for soprano and continuo completes this radiant Vivaldi album with its image of an ideal world nestled in a comforting bubble. © François Hudry/Qobuz