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Kamermuziek - Verschenen op 3 mei 2019 | Alpha

Hi-Res Booklet
After their three recordings dedicated to Dvořák’s Piano Trios No. 3 and No. 4 (the ‘Dumky’), as well as his First and Second Piano Quartets, the Piano Quintets and the Bagatelles, Omri Epstein, Mathieu van Bellen and Ori Epstein conclude their complete cycle of the Czech composer’s chamber music with piano with his first two piano trios: the bond of sympathy between the artists becomes evident as they communicate both their passion for this repertoire and their pleasure in making music together. The Trio in B flat major – the first that has survived – was composed in the spring of 1875, during a period when Dvořák was conceiving and consolidating a more conventional sense of musical form and style. The works of this remarkably prolific year show a distinct crystallisation of Dvořák’s mature melodic style. When the composer began work on his Trio in G minor, in January 1876, he was exhausted after the completion of his opera Vanda, and overcome with grief for the death of his daughter Josefa. He would certainly have known how, back in 1855, his elder colleague Smetana had turned to the genre of the piano trio in similar circumstances, to express his sorrow at the death of his own daughter. © Alpha Classics
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Klassiek - Verschenen op 8 maart 2019 | Sony Classical

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Klassiek - Verschenen op 9 augustus 2019 | TACET Musikproduktion

Dvořák’s 9th symphony paints the town red, for sure. But that’s not all! The strings of András Keller are able to blossom like flowers. They don’t play uniformly but with a seemingly congenital naturalness as if it were easy for 14 violins to sound as homogenously and at the same time as individually as a single violin. Also for the wind it is not the high performance that counts but the sensitivity and the flowing of the music, e. g. the English horn solo in the second movement. The brass: no power play but rich and gentle, always sensitive chords. – The tempi, the transitions, everything flows organically and invites you to go along. That is the great art of legato. Old-fashioned to some people, in fact timeless beautiful. No surprise that one role model for András Keller is Wilhelm Furtwängler. After that and without any showing off the loved by many cellist Miklós Perényi gently carries you off into the mysterious world of the rondo op 68/8 and “Klid” (silent wood) op. 95. Three slavonic dances from op. 46 round off the program. © Tacet
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Opera - Verschenen op 8 maart 2019 | Orfeo

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Klassiek - Verschenen op 13 juni 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 24 mei 2019 | IBS Classical

Hi-Res Booklet
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Klassiek - Verschenen op 17 juni 2019 | Sotelysa Digital

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Klassiek - Verschenen op 26 juli 2019 | Classic

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Klassiek - Verschijnt op 6 september 2019 | TACET Musikproduktion

Booklet
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Symfonieën - Verschenen op 1 november 2016 | Decca

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica
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Klassiek - Verschenen op 17 juni 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 1998 | Decca Music Group Ltd.

Onderscheidingen Gramophone Record of the Year
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Klassiek - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 september 2012 | Sony Classical

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Kamermuziek - Verschenen op 5 oktober 2018 | Ondine

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 3 mei 1980 | Decca Music Group Ltd.

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Rock - Verschenen op 28 juli 2003 | Rhino - Elektra

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Klassiek - Verschenen op 19 juni 2015 | Warner Classics