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Symfonieën - Verschenen op 28 juni 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 16 oktober 2020 | Sony Classical

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Klassiek - Verschenen op 9 september 2016 | Challenge Classics

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Klassiek - Verschenen op 23 augustus 2019 | Reference Recordings

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Symfonieën - Verschenen op 1 januari 2016 | Universal Music Group International

Hi-Res Onderscheidingen 5 de Diapason - 4F de Télérama
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Symfonische muziek - Verschenen op 5 mei 2017 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
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Klassiek - Verschenen op 23 oktober 2020 | Phi

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Composed in 1866 for the inauguration of a votive chapel in Linz Cathedral, Anton Bruckner’s Mass No. 2 is a fine example of modernity blended with a centuries-old religious tradition, in that wind instruments are set in dialogue with choral writing inspired by Gregorian chant. Shorter in duration but scored for chorus and large orchestra with four soloists, his Te Deum of 1881 was acclaimed by such illustrious contemporaries as Hans Richter and Mahler, while the composer, usually very self-critical, opined that the score of this work would make God ‘judge him kindly’. Like the eminent interpreter of the sacred repertory he is, Philippe Herreweghe here conveys with great fervour his vision of these two major religious works of the second half of the nineteenth century. © Phi
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Klassiek - Verschenen op 29 november 2019 | Berlin Philharmonic Orchestra

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Klassiek - Verschenen op 1 januari 2016 | Orfeo

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Klassiek - Verschenen op 1 januari 2000 | Warner Classics

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Klassiek - Verschenen op 16 november 2010 | PentaTone

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Klassiek - Verschenen op 20 maart 2020 | Gramola Records

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Bruckner's Second, like most of his symphonies, underwent numerous changes and revisions during the composer's lifetime, in this case on the advice of his patron, Hofkapellmeister Herbeck, before the first publication by Bruckner himself, "so as not to overwhelm the audience". The sheet music of the very first 'unheard' version lies in the archive of the Sankt Florian Abbey, from which the prominent Bruckner researcher William Carragan reconstructed the first untouched version of this great symphony. This version is presented as live recording from the "Bruckner Tage 2019" with the Altomonte Orchestra under the baton of Remy Ballot. The Altomonte Orchestra St. Florian was founded in 1996, the 100th anniversary of Anton Bruckner's death, by Augustinus Franz Kropfreiter (1936-2003, composer, organist and regens chori of St Florian) and Thomas Wall (solo cellist) on the basis of an initiative and with the support of the mayor Mag. Eva Reisinger. Since 2003 Matthias Giesen (Music University Vienna, organist and, from 2003 to 2017, regens chori of St. Florian) has been the conductor of the Altomonte Orchestra, while Rémy Ballot has been the "Principal Guest Conductor" since 2013. The orchestra's name refers to the Baroque painters Martino and Bartolomeo Altomonte, who with their frescoes gave the formal state rooms of the monastery of St. Florian their unique and incomparable atmosphere. The Altomonte Orchestra regards the cultivation of the music tradition and church music in St Florian as a special responsibility. © Gramola
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Klassiek - Verschenen op 1 november 2019 | Sony Classical

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Klassiek - Verschenen op 15 november 2019 | Accentus Music

Hi-Res Booklet Onderscheidingen 5 de Diapason
It would be a fool’s errand to look for foreshadowings of Bruckner’s future greatness in this Requiem, which he wrote at the age of 24. Copying from one’s models is a formative experience for young artists, who needs must pass through that stage in order to learn their own art and find their own vocabulary. Taking in various influences, including the clear mark of Mozart, this budding composer finds his way to a mysticism which would go on to be the motor of all his future works, especially his nine fabulous symphonies, all of which are monuments to divinity.Here is a Bruckner who is already finding his own path, brought to life by the soloists, the Akademie für Alte Musik Berlin, and the splendid Berlin RIAS Kammerchor, with an inspired Łukasz Borowicz conducting; the programme is rounded off by a few isolated liturgical pieces. Note also the stunning Aeuqale, two short pieces for three trombones written by the young composer for the funeral of his aunt Rosalie Mayrhofer in 1847, and which anticipate the harmonic strategies that would become so typical of Bruckner’s writing for brass sections in his later great works. © François Hudry/Qobuz
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Symfonieën - Verschenen op 1 maart 2019 | Decca Music Group Ltd.

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Klassiek - Verschenen op 5 april 2011 | PentaTone

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Klassiek - Verschenen op 19 april 2019 | MUNCHNER PHILHARMONIKER GBR

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Klassiek - Verschenen op 4 september 2020 | MUNCHNER PHILHARMONIKER GBR

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Klassiek - Verschenen op 1 januari 2008 | PentaTone

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Klassiek - Verschenen op 1 januari 2016 | Orfeo