What is a Qobuzissime? It’s an award presented by Qobuz for a first or second album.

Pop or Reggae, Metal or Classical, Jazz or Blues, no genre is excluded. More often than not the award is presented to a newly discovered artist.

Sometimes it might be a particularly quirky or a crossover album from a discography.

The important aspects are uniqueness, sincerity and quality. We look for these things in the recording, the project and the sound identity.





Albums

50 albums gesorteerd op Price: from least expensive to most expensive en gefilterd op Klassiek
€ 17,49
€ 12,49

Klassiek - Verschenen op 1 januari 2014 | Deutsche Grammophon Classics

Hi-Res Booklet Onderscheidingen Choc de Classica - Qobuzism - Hi-Res Audio
€ 13,49
€ 8,99

Volledige opera's - Verschenen op 2 augustus 2011 | Naxos

Hi-Res Booklet Onderscheidingen Choc de Classica - Qobuzism - Hi-Res Audio
€ 15,99
€ 11,49

Kwartetten - Verschenen op 20 oktober 2014 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Qobuzism
€ 16,99
€ 14,49

Opera - Verschenen op 7 oktober 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Qobuzism
As Mozart wrote to his father in 1778: "I love it when an aria fits a singer as perfectly as a suit". This, by reasoning, means that virtually all of his greatest melodies – for both prima donna and secondary (supporting) roles - were designed for a specific type of voice. This means that anyone who wants to tackle numerous Mozart roles must know how to adapt their suit accordingly – no simple task, to say the least. Swiss soprano coloratura Regula Mühlemann, with her sumptuous, clear and precise vocals, has perfectly adapted to all of these melodies, as well as the wide range of genres, styles and characters explored. Among the works, one will find Exultate, Jubilate and also a melody that Mozart had written to be inserted in The Barber of Seville by Paisiello, although this did not materialize and Mozart left the work unfinished. Regula Mühlemann, whom we have already witnessed in Salzburg, Berlin, Paris, Zurich, and many other prestigious cities and settings, is accompanied here by the Basel Chamber Orchestra conducted by Umberto Benedetti Michelangeli, the nephew of famous Italian pianist Arturo Benedetti Michelangeli. © SM / Qobuz
€ 16,99
€ 14,49

Klassiek - Verschenen op 6 november 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen Qobuzism - 5 Sterne Fono Forum Klassik
It was in 2012 that Latvian Peteris Vasks composed Klātbūtne (Presence) for cello and string orchestra, on the instigation of Sol Gabetta. A whole world separates this recent work, inscribed in a rather tonal language  - in line, for example, of Schnittke, and sometimes Shostakovich  - to 1978's Grāmata čellam for solo cello, with which Sol Gabetta ends this new recording. This latter work, in two movements: Fortissimo and Pianissimo, is still tinged with the vanguard of the time, at least in the way it was designed by Witold Lutosławski and Krzysztof Penderecki. With Klātbūtne, Vasks offers some of the most moving and profound of today's written music to the cello of Sol Gabetta, who certainly knows how to draw out the true substance of the piece. We will also hear Musique du soir for cello and organ, an infinitely soft and beautiful melody, rooted in a nostalgia worthy at times of Gabriel Fauré himself . © SM / Qobuz
€ 12,24€ 17,49
€ 8,74€ 12,49

Kamermuziek - Verschenen op 25 september 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Qobuzism - Hi-Res Audio
€ 12,24€ 17,49
€ 8,74€ 12,49

Trio´s - Verschenen op 24 februari 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica - Qobuzism - Hi-Res Audio
€ 12,24€ 17,49
€ 8,74€ 12,49

Concertmuziek - Verschenen op 1 januari 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Record of the Month - Diapason d'or / Arte - Qobuzism - Hi-Res Audio
€ 17,49
€ 12,49

Concertmuziek - Verschenen op 6 november 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Qobuzism - Hi-Res Audio
€ 20,99
€ 13,99

Klassiek - Verschenen op 20 november 2015 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism
€ 14,99
€ 9,99

Operafragmenten - Verschenen op 28 september 2018 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
The first solo album from the excellent youngster Julien Behr, who has already played at the Paris Opéra, the Théâtre des Champs-Elysées, the Bordeaux and Lyon Opera Houses and cities such as Salzburg, Vienna, London, Cologne and many other great venues as well as making recordings of various lyrical works including L’Enfant et les sortilèges with Bavarian Radio. As debut albums go, he has made a daring choice in selecting some of the more unknown areas of French opera rather than the more popular pieces from Don José, Romeo, Faust and other big names. Instead, he has taken some gems from the Romantic repertoire (if we extend it up to the First World War for the sake of argument) which are little-heard of. From Gounod, he has selected Cinq-Mars ; from Bizet, La Jolie fille de Perth (one of Bizet's most exquisite passages); from Thomas, Mignon; and then, better-known but still uncommon, Léhar The Merry Widow; Godard, Jocelyn; and Delibes Lakmé. His diction is utterly impeccable; his transparent and airy voice evokes Heddle Nach or Jussi Björling, which serves the repertoire perfectly. The album closes with a few hits from the Romantic repertoire such as Vous qui passez sans me voir by Charles Trenet – well, the lyrics are from the Fou chantant, while the music is by Johnny Hess and Paul Misraki, and the song was originally written for Jean Sablon – evidence of Behr's love of lighter genres, for sure. . © SM/Qobuz
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 3 november 2017 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism - 5 étoiles de Classica
Aside from Elgar’s fascinating and obligatory Falstaff composed in 1913 (a Symphonic Study according to the partition, but in reality a symphonic poem in the grand tradition of Strauss— about whom Elgar probably thought when he wrote his masterpiece, and the rather present solo cello cannot help but remind us of Strauss’ Don Quixote, composed sixteen years earlier), the album distinguishes itself by a few melodies with orchestra from the same Elgar, a repertoire unfortunately too often neglected and yet of breathtaking beauty (we hear, in a pinch, the Sea Pictures performed from time to time, but that’s all folks). And when you know that it’s the now very famous baritone Roderick Williams on the mic, we can only applaud the initiative of Andrew Davis and the BBC Philharmonic to feature these splendors once again. Elgar proves to us here that, far from just being a great master of large symphonic-vocal soundscapes in the form of oratorio (we obviously think about The Dream of Gerontius, The Apostles and The Music Makers), he handles the miniature with genius. Roderick Williams, one of the most beautiful voices of today’s British scene, grasps these rarities with a joy that is as rare as these pieces. The album closes on a hilarious wink, the Smoking Cantata, a cantata with a ginormous orchestration but that lasts… only 49 seconds, and whose text is limited to: “Kindly, Kindly, kindly do not smoke in the hall or staircase”. It’s the best British humor! Qobuz technical commentary on sound quality The sound quality for this wonderful orchestration is refined; the level ratios are well-judged; and the distances between the consoles are just right, in this airy piece of mixing that renders the lines exceptionally clear. Clear and enveloping reverberation never hides the discourse: the result is a rare evenness between the different families within the orchestra. The tutti certainly aren’t lacking any liveliness, thanks to the remarkably assured dynamic, and when the percussion gets going we discover a beautifully-proportioned hall, which gives the sound room to develop without constraints. Without falling into the very (too?) popular trap of ultra-proximity, and because the acoustics allow it, Chandos has produced a mix which really respects the score, the performance, and the sound scene... what a relief! © SM/Qobuz
€ 14,99
€ 9,99

Kamermuziek - Verschenen op 26 juni 2015 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles de Classica - Qobuzism
€ 14,99
€ 9,99

Klassiek - Verschenen op 7 maart 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Qobuzism - 5 Sterne Fono Forum Klassik
"Nevermind Conversations", that could easily be the title of a rap album, right? But no, dear qobuzian (qobuzzer?), this new recording by Baroque ensemble Nevermind (Anna Besson (flute), Louis Creac'h (violin), Robin Pharo (gamba) and Jean Rondeau (harpsichord)) certainly strike up a spirited conversation between two French Baroque composers, established between French and Italian styles that both deal with fantasy and invention. The two composers: Jean Baptiste Quentin (ca. 1690 - ca. 1742), violinist at the Royal Academy of Music; and Louis-Gabriel Guillemain (1705 - 1770), ordinary musician of the king.© SM/Qobuz
€ 14,99
€ 9,99

Duo´s - Verschenen op 6 mei 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Qobuzism
Marie-Elisabeth Hecker made her entry into the ‘big leagues’ by winning first prize in the Rostropovich Competition in Paris back in 2005. Her international career was simultaneously launched on the back of this great success. Born in 1987 in Zwickau, the young cellist has studied with Steven Iserlis, Bernard Greenhouse and even Gary Hoffman. She has performed as a soloist with the Russian Symphony Orchestra, the Mahler Chamber Orchestra, the Kremerata Baltica, the Mariinsky Orchestra, the Philharmonia Orchestra, the Munich and Dresden Philharmonic Orchestras, the Staatskapelle Berlin, the Vienna Symphony Orchestra, Orchestre de Paris… the list goes on. Her experience has seen her work with conductors such as Yuri Temirkanov, Yuri Bashmet, Gidon Kremer, Valery Gergiev, Fabio Luisi, Marek Janowski, Emmanuel Krivine, Christian Thielemann or even Daniel Barenboim. Here, with her musical partner (and husband) pianist Martin Helmchen for their first duo album; the two musicians met at the Lockenhaus Festival at which time they performed another one of Brahms sonatas: Proust's Madeleine! More than twenty years separate the two sonatas for cello and piano, the first from 1862 – the composer had not yet turned 30 – and the second from 1886, by which time he had nothing left to prove to anyone. Hecker-Helmchen thoroughly master this repertoire. A coup for this first album as a duo. © SM / Qobuz
€ 14,99
€ 9,99

Klassiek - Verschenen op 24 augustus 2016 | Alpha

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica - Qobuzism
Justin Taylor, the winner of the 2015 edition of the celebrated harpsichord competition of the Musica Antiqua Festival in Bruges (which has honoured some of the world’s finest players, including Scott Ross, Christophe Rousset, Pierre Hantaï, Benjamin Alard, and more recently Jean Rondeau), has recorded for Alpha Classics a programme of music by the Forqueray family: Antoine, Michel, Jean-Baptiste, Nicolas-Gilles . . . Those are just some of the first names of a great dynasty of French composers, gambists and organists. Antoine Forqueray, born in 1672, obtained the highly coveted position of Musicien de la Chambre du Roi. He subsequently had, shall we say, a complicated relationship with his son Jean-Baptiste, born in 1699 . . . Envious of the boy’s talent for the viol, Antoine had him imprisoned when he was just sixteen years old! The recital, as well as painting a musical portrait of this unique family, also offers a chance to reflect on the issue of transcription. In fact, the suites performed here on the harpsichord were originally written for viola da gamba. The passage from one instrument to another, from one soundworld to another, sheds new light on the music and allows us to grasp its full originality. © Alpha
€ 14,99
€ 9,99

Klassiek - Verschenen op 1 april 2016 | Arcana

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
€ 14,99
€ 9,99

Klassiek - Verschenen op 6 oktober 2014 | ARTALINNA

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Qobuzism
€ 14,99
€ 9,99

Klassiek - Verschenen op 29 september 2014 | L'empreinte digitale

Hi-Res Booklet Onderscheidingen Qobuzism
€ 15,99
€ 11,49

Piano solo - Verschenen op 2 maart 2015 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles de Classica - Qobuzism