What is a Qobuzissime? It’s an award presented by Qobuz for a first or second album.

Pop or Reggae, Metal or Classical, Jazz or Blues, no genre is excluded. More often than not the award is presented to a newly discovered artist.

Sometimes it might be a particularly quirky or a crossover album from a discography.

The important aspects are uniqueness, sincerity and quality. We look for these things in the recording, the project and the sound identity.





Albums

€ 15,99
€ 13,49

Operafragmenten - Verschenen op 5 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
For her first recital with orchestra album, young Franco-Danish soprano Elsa Dreisig had the idea of presenting five pairs of songs in which each part of the pair is ambiguously related to the other, like a mirror’s reflection. This process leads to striking juxtapositions of different musical styles, dramatic moments, historical periods and contrasting voices; classicism and romanticism complement each other, terror answers joy, and the result is a view of the feminine soul all its facets. The first pairing involves two mirrors: the one in which Marguerite from Gounod's Faust admires herself and Thaïs's mirror in Massenet's opera (Thaïs). There follows Puccini's vision of Manon Lescaut, and then Manon (sans Lescaut) as imagined by Massenet. Following this we have Juliette, this is a rather daring pairing of the largely-forgotten early romantic German composer Daniel Steibelt with Gounod's Juliette. Elsa Dreisig then moves onto the two famous Figaros, one from Rossini's Barber (Rosina) and the other from Mozart's Marriage, with the gentle tones of the Countess. Finally, and more daring still, we end with the Salome of the Hérodiade by Massenet, a tender young woman who is not after anyone's head; and then Strauss's Salome, with her sanguinary madness. Probably in order to avoid the temptation of comparisons with other recordings, our singer has opted for the 1907 French version – note that this work by Oscar Wilde was itself originally written in French. This is the most extraordinary selection that one could hope for in a first recording from any artist, all accompanied by the Montpelier Orchestra, conducted by Michael Schønwandt. © SM/Qobuz
€ 16,49
€ 10,99

Operafragmenten - Verschenen op 28 september 2018 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
The first solo album from the excellent youngster Julien Behr, who has already played at the Paris Opéra, the Théâtre des Champs-Elysées, the Bordeaux and Lyon Opera Houses and cities such as Salzburg, Vienna, London, Cologne and many other great venues as well as making recordings of various lyrical works including L’Enfant et les sortilèges with Bavarian Radio. As debut albums go, he has made a daring choice in selecting some of the more unknown areas of French opera rather than the more popular pieces from Don José, Romeo, Faust and other big names. Instead, he has taken some gems from the Romantic repertoire (if we extend it up to the First World War for the sake of argument) which are little-heard of. From Gounod, he has selected Cinq-Mars ; from Bizet, La Jolie fille de Perth (one of Bizet's most exquisite passages); from Thomas, Mignon; and then, better-known but still uncommon, Léhar The Merry Widow; Godard, Jocelyn; and Delibes Lakmé. His diction is utterly impeccable; his transparent and airy voice evokes Heddle Nach or Jussi Björling, which serves the repertoire perfectly. The album closes with a few hits from the Romantic repertoire such as Vous qui passez sans me voir by Charles Trenet – well, the lyrics are from the Fou chantant, while the music is by Johnny Hess and Paul Misraki, and the song was originally written for Jean Sablon – evidence of Behr's love of lighter genres, for sure. . © SM/Qobuz
€ 15,99
€ 13,49

Klassiek - Verschenen op 26 oktober 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism