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Bill Evans|You Must Believe In Spring (Remastered 2022)

You Must Believe In Spring (Remastered 2022)

Bill Evans featuring Eddie Gomez and Eliot Zigmund

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Recorded in August 1977 at Capitol studios in Los Angeles, the poignant You Must Believe in Spring, released 5 months after Bill Evans’ death, is a new pinnacle of pure musical beauty – distilled in sadness. The indispensable Eddie Gómez is obviously in the house, but steps lightly here, less voluble than usual. Drummer Eliot Zigmund, whom he met a year earlier, is equally impressionistic in his delicate use of the sticks and brushes. It’s an unprecedentedly melodic rhythm section that seems to have been designed exclusively to play with Evans… The posthumous album was finalized by Helen Keane, the pianist’s manager and producer, deliberately giving the album a melancholy, even dark tone. Death lurks in every song chosen. B Minor Waltz is dedicated to Ellaine Schultz, the pianist’s ex, who committed suicide by throwing herself under a subway train in 1973. We Will Meet Again is a tribute to Harry Evans, his brother and also a pianist, who committed suicide in 1979 (after the recording sessions). Finally, the theme to Robert Altman’s film M.A.S.H., written by Johnny Mandel, is subtitled Suicide is Painless. Through it all, Bill Evans and his rhythm section glorify and elevate the melancholy on what is without doubt his most. © Marc Zisman/Qobuz

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You Must Believe In Spring (Remastered 2022)

Bill Evans

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1
B Minor Waltz (Remastered 2022)
00:03:17

Bill Evans, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

2
You Must Believe In Spring (Remastered 2022)
00:05:44

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - Michel Legrand, ComposerLyricist - Jacques Demy, ComposerLyricist - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Marilyn Bergman, ComposerLyricist - Alan Bergman, ComposerLyricist - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

3
Gary's Theme (Remastered 2022)
00:04:21

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - GARY MCFARLAND, ComposerLyricist

℗ 2022 Craft Recordings.

4
We Will Meet Again (Remastered 2022)
00:04:04

Bill Evans, Composer, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - Karen Gallinger, ComposerLyricist

℗ 2022 Craft Recordings.

5
The Peacocks (Remastered 2022)
00:06:02

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - JIMMY ROWLES, Composer - Norma Winstone, Author

℗ 2022 Craft Recordings.

6
Sometime Ago (Remastered 2022)
00:04:38

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - SERGIO MIHANOVICH, Composer

℗ 2022 Craft Recordings.

7
Theme From M*A*S*H (Suicide Is Painless) (Remastered 2022)
00:05:58

Bill Evans, Piano, MainArtist, AssociatedPerformer - Michael Altman, ComposerLyricist - Tommy Lipuma, Producer, Recording Producer - JOHNNY MANDEL, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

8
Without A Song (Remastered 2022)
00:08:09

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Vincent Youmans, Composer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Billy Rose, Author - Edward Eliscu, Author - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

9
Freddie Freeloader (Remastered 2022)
00:07:39

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Miles Davis, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

10
All Of You (Remastered 2022)
00:08:12

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Cole Porter, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

Album Description

Recorded in August 1977 at Capitol studios in Los Angeles, the poignant You Must Believe in Spring, released 5 months after Bill Evans’ death, is a new pinnacle of pure musical beauty – distilled in sadness. The indispensable Eddie Gómez is obviously in the house, but steps lightly here, less voluble than usual. Drummer Eliot Zigmund, whom he met a year earlier, is equally impressionistic in his delicate use of the sticks and brushes. It’s an unprecedentedly melodic rhythm section that seems to have been designed exclusively to play with Evans… The posthumous album was finalized by Helen Keane, the pianist’s manager and producer, deliberately giving the album a melancholy, even dark tone. Death lurks in every song chosen. B Minor Waltz is dedicated to Ellaine Schultz, the pianist’s ex, who committed suicide by throwing herself under a subway train in 1973. We Will Meet Again is a tribute to Harry Evans, his brother and also a pianist, who committed suicide in 1979 (after the recording sessions). Finally, the theme to Robert Altman’s film M.A.S.H., written by Johnny Mandel, is subtitled Suicide is Painless. Through it all, Bill Evans and his rhythm section glorify and elevate the melancholy on what is without doubt his most. © Marc Zisman/Qobuz

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Bill Evans in 10 Albums

Without him, Keith Jarrett, Brad Mehldau and a few thousand other jazz pianists would play differently. More than forty years after his death, the legacy of Bill Evans hasn’t lost any of its influence. On the contrary, it is difficult to sort through his bottomless discography without finding even an incidental recording that doesn’t tower above 90% of the competition. Here are 10 of his albums, subjectively selected…

ECM in 10 Albums

“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.

Blue Note in 10 Albums

The most famous of all jazz labels had it all! Five-star artists, original repertoires, ingenious associate artistic directors, exceptional sound recording, sublime album covers, a variety of genres (Bebop, Hard Bop, Soul Jazz, Modal Jazz, Free Jazz)… The label was launched in 1939 by Francis Wolff and Alfred Lion, two Germans who had fled the Nazi regime, and had everything going for it. Qobuz has picked 10 key albums from its ample catalogue. Some of them are celebrated classics. Others are underrated marvels. But all of them played a vital role in shaping Blue Note as a label.

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