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Lautten Compagney|War & Peace - 1618:1918

War & Peace - 1618:1918

Lautten Compagney

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From the beginning of the dreadful Thirty Years War, which devastated Europe from 1618 onwards, to the end of the no less dreadful “war to end all wars” (which tragically did not) in 1918, the Lautten Compagney musical ensemble here explores all the various music that surrounds war: music that condemns it, sings about it, tries to escape from it or tries to lift people’s spirits. It’s a bold move to mix Heinrich Schütz, Samuel Scheidt, Johann Hildebrand and Heinrich Isaac (all of whom, in one way or another, suffered in the Thirty Years War) with Friedrich Holländer (who signed the music of L'Ange bleu, among others) and Hanns Eisler (with his sometimes dodecaphonic accentuation) - especially if, in the case of 20th century composers, the accompaniment is entrusted to baroque instruments! 

The ensemble even extends the range a little further to include Satie with an effective instrumentation of Gnossienne played on these very old instruments, which underlines both the timelessness of this music and its resolutely archaic aspect. And it works, very well in fact; the exquisite quality of the musicians and singers helps no doubt, but the concept itself is very wholesome, even if it is a little iconoclastic. The dark aspects found in the vast majority of these works span over centuries, from one massacre to another, and Callot's Misères de la guerre could just as easily have been written in 1915 instead of 1633, by swapping the halberds for bayonet rifles. © SM/Qobuz

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War & Peace - 1618:1918

Lautten Compagney

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1
Lieder eines armen Mädchens: Die Hungerkünstlerin (Arr. for Soprano and Baroque Ensemble)
00:03:43

Friedrich Hollaender, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Bo Wiget, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

2
Erbarm dich mein, SWV 447
00:02:36

Heinrich Schütz, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

3
Es geht ein dunkle Wolk herein
00:02:33

Hanns Eisler, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Bo Wiget, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

4
Galliard Cantus XX
00:02:04

Samuel Scheidt, Composer - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

5
Ich steh in Angst und Pein
00:02:00

Simon Dach, Lyricist - Heinrich Albert, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

6
Krieges-Angst-Seufftzer: Ach! Herr! Du Erbarmer der Menschen
00:01:13

Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Johann Hildebrand, Composer

(P) 2018 Sony Music Entertainment Germany GmbH

7
Elegie I (Arr. for Soprano and Baroque Ensemble)
00:03:29

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

8
Krieges-Angst-Seufftzer: Nun, Herr, du bist ja ein Allmächtiger
00:01:15

Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Johann Hildebrand, Composer

(P) 2018 Sony Music Entertainment Germany GmbH

9
Gnossienne No. 3 (Arr. for Baroque Ensemble)
00:03:23

Erik Satie, Composer - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

10
Vanitas! Vanitatum Vanitas! Die Herrlichkeit der Erden
00:02:26

Heinrich Isaac, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Andreas Gryphius, Lyricist

(P) 2018 Sony Music Entertainment Germany GmbH

11
Lieder eines armen Mädchens: Wiegenliled an eine Mutter (Arr. for Soprano and Baroque Ensemble)
00:03:20

Friedrich Hollaender, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Bo Wiget, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

12
Bet, Kindlein, bet
00:00:50

Anonymous, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

13
Und es sind die finstren Zeiten (Arr. for Soprano and Baroque Ensemble)
00:01:10

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Bo Wiget, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

14
Über den Selbstmord (Arr. for Soprano and Baroque Ensemble)
00:01:39

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor - Bo Wiget, Adapter

(P) 2018 Sony Music Entertainment Germany GmbH

15
In illo tempore (Die Gans)
00:03:08

Melchior Franck, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

16
Galliard Battaglia, SSWV 59
00:01:39

Samuel Scheidt, Composer - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

17
Schnitter Tod
00:03:48

Anonymous, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

18
O barmherziger Vater
00:04:01

Andreas Hammerschmidt, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

19
Psalmen Davids, Op. 2: Lobe den Herren, SWV 39
00:05:06

Heinrich Schütz, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist - Wolfgang Katschner, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

DISC 2

1
Ludi musici I: No. 5, Paduan à 4, SSWV 43
00:05:06

Samuel Scheidt, Composer - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

2
Letzte Rede einer vormals stolzen und gleich jetzt sterbenden Jungfrauen (Arr. for Soprano and Baroque Ensemble)
00:02:40

Simon Dach, Lyricist - Heinrich Albert, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

3
Lieder eines armen Mädchens: Wenn ick mal tot bin (Arr. for Soprano and Baroque Ensemble)
00:03:02

Friedrich Hollaender, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

4
Gymnopédie No. 1 (Arr. for Baroque Ensemble)
00:02:50

Erik Satie, Composer - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

5
Von Gott woll ich nicht lassen
00:02:36

Samuel Scheidt, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

6
Und ich werde nicht mehr sehen das Land (Arr. for Soprano and Baroque Ensemble)
00:02:04

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

7
An den kleinen Radioapparat (Arr. for Soprano and Baroque Ensemble)
00:01:04

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

8
Die Kunst des Küssens
00:02:06

Andreas Hammerschmidt, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

9
Lieder eines armen Mädchens: In den Abendwind geflüstert (Arr. for Soprano and Baroque Ensemble)
00:03:42

Friedrich Hollaender, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

10
Verleih uns Frieden gnädiglich, SWV 372
00:02:29

Heinrich Schütz, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

11
Lieder eines armen Mädchens: Currende (Arr. for Soprano and Baroque Ensemble)
00:02:59

Friedrich Hollaender, Composer - Dorothee Mields, Soprano - Lautten Compagney, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor - Bo Wiget, Adapter - Benjamin Dreßler, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

Albumbeschreibung

From the beginning of the dreadful Thirty Years War, which devastated Europe from 1618 onwards, to the end of the no less dreadful “war to end all wars” (which tragically did not) in 1918, the Lautten Compagney musical ensemble here explores all the various music that surrounds war: music that condemns it, sings about it, tries to escape from it or tries to lift people’s spirits. It’s a bold move to mix Heinrich Schütz, Samuel Scheidt, Johann Hildebrand and Heinrich Isaac (all of whom, in one way or another, suffered in the Thirty Years War) with Friedrich Holländer (who signed the music of L'Ange bleu, among others) and Hanns Eisler (with his sometimes dodecaphonic accentuation) - especially if, in the case of 20th century composers, the accompaniment is entrusted to baroque instruments! 

The ensemble even extends the range a little further to include Satie with an effective instrumentation of Gnossienne played on these very old instruments, which underlines both the timelessness of this music and its resolutely archaic aspect. And it works, very well in fact; the exquisite quality of the musicians and singers helps no doubt, but the concept itself is very wholesome, even if it is a little iconoclastic. The dark aspects found in the vast majority of these works span over centuries, from one massacre to another, and Callot's Misères de la guerre could just as easily have been written in 1915 instead of 1633, by swapping the halberds for bayonet rifles. © SM/Qobuz

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