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Undesired babies, in this case little girls, were dropped off in the famous convent, conservatory and orphanage of the Ospedale della Pietà in Venice, where Vivaldi was a violin teacher and main composer for a long time. Many of these girls, once adults, became musicians and quite a few of them reached the highest level of recognition. For one of these pupils, by the name of Anna-Maria dal Violin (the “dal Violin” wasn’t her last name, but rather a nickname highlighting her ability as a musician), Vivaldi wrote twenty-five concertos, a shining proof of her tremendous mastery; to the extent that, it seems, people came from afar to listen to her perform. Listen only in fact, not see her, as young ladies had to play behind a screen so that it was impossible to have the slightest glimpse at their appearance. But Rousseau did manage to catch one in 1743: "If you are so desirous," said an ambassador to him, "to see those little girls, it will be an easy matter to satisfy your wishes. I entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love, which I had never before experienced. Mr le Blond presented to me, one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia − she was horrid. Come, Cattina − she had but one eye. Come, Bettina − the smallpox had entirely disfigured her. Violinist Midori Seiler, accompanied by the Concerto Köln, selected a nice handful of concertos written for the aforementioned Anna-Maria. Granted we’ll never know how she played, but one can get an idea of a few of her tendencies, as the young lady kept a musical journal in which she wrote a few variants for the second movement of the Concerto RV270a that can be heard here. In parallel, this selection also features a concerto by Galuppi and another by Albinoni, that are both in a similar vein, although they weren’t written for Anna-Maria. In tune with the custom/etiquette of the Ospedale, the Concerto Köln didn’t hesitate to add in the partition a few moments of woodwinds doubling on the chords: flutes, oboes and even chalumeau, the ancestor of the clarinet that Vivaldi himself used a few times in his concertos. © SM/Qobuz
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Concerto for Strings in C Minor, RV 120 (Antonio Vivaldi)
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Violin Concerto per Anna Maria in E-Flat Major, RV 260 (Antonio Vivaldi)
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto a quattro No. 1 in G Minor (Baldasare Galuppi)
Concerto Köln - Baldasare Galuppi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Baldasare Galuppi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Baldasare Galuppi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Violin Concerto in G major (Antonio Vivaldi)
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto for Strings in A Major, RV 158 (Antonio Vivaldi)
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Violin Concerto per Anna Maria in E Major, RV 270a (Antonio Vivaldi)
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Sinfonia in F Major, RV 140 (Antonio Vivaldi)
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto a cinque for Strings in B-Flat Major, Op. 10 No. 1 (Tomaso Albinoni)
Concerto Köln - Tomaso Albinoni, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Tomaso Albinoni, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Concerto Köln - Tomaso Albinoni, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Violin Concerto per Anna Maria in D Minor, RV 248 (Antonio Vivaldi)
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Midori Seiler, Violin - Concerto Köln - Antonio Vivaldi, Composer
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
Albumbeschreibung
Undesired babies, in this case little girls, were dropped off in the famous convent, conservatory and orphanage of the Ospedale della Pietà in Venice, where Vivaldi was a violin teacher and main composer for a long time. Many of these girls, once adults, became musicians and quite a few of them reached the highest level of recognition. For one of these pupils, by the name of Anna-Maria dal Violin (the “dal Violin” wasn’t her last name, but rather a nickname highlighting her ability as a musician), Vivaldi wrote twenty-five concertos, a shining proof of her tremendous mastery; to the extent that, it seems, people came from afar to listen to her perform. Listen only in fact, not see her, as young ladies had to play behind a screen so that it was impossible to have the slightest glimpse at their appearance. But Rousseau did manage to catch one in 1743: "If you are so desirous," said an ambassador to him, "to see those little girls, it will be an easy matter to satisfy your wishes. I entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love, which I had never before experienced. Mr le Blond presented to me, one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia − she was horrid. Come, Cattina − she had but one eye. Come, Bettina − the smallpox had entirely disfigured her. Violinist Midori Seiler, accompanied by the Concerto Köln, selected a nice handful of concertos written for the aforementioned Anna-Maria. Granted we’ll never know how she played, but one can get an idea of a few of her tendencies, as the young lady kept a musical journal in which she wrote a few variants for the second movement of the Concerto RV270a that can be heard here. In parallel, this selection also features a concerto by Galuppi and another by Albinoni, that are both in a similar vein, although they weren’t written for Anna-Maria. In tune with the custom/etiquette of the Ospedale, the Concerto Köln didn’t hesitate to add in the partition a few moments of woodwinds doubling on the chords: flutes, oboes and even chalumeau, the ancestor of the clarinet that Vivaldi himself used a few times in his concertos. © SM/Qobuz
About the album
- 1 disc(s) - 27 track(s)
- Total length: 01:22:25
- 1 Digital booklet
- Main artists: Midori Seiler Concerto Köln
- Composer: Various Composers
- Label: Berlin Classics
- Area: Italie
- Genre: Klassiek Concertmuziek Concerten voor viool
- Period: Baroque Music
2018 Berlin Classics/Edel Germany GmbH 2018 Berlin Classics/Edel Germany GmbH
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