Weyes Blood Titanic Rising

Titanic Rising

Weyes Blood

Verschenen op 5 april 2019 bij Sub Pop Records

Hoofdartiest: Weyes Blood

Genre: Pop/Rock > Rock > Alternative en Indie

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Much like the band that rises above the icy, raging waters in Gavin Bryars' pivotal 1970s experimental piece The Sinking of the Titanic, Natalie Mering is fully aware of everything that's gone wrong with the world on her fourth Weyes Blood album. And yet she doesn't let the trappings of technology and our woeful alone/together world pull her down into the depths of an unshakeable depression. The singer/multi-instrumentalist/producer is too busy making widescreen anthems instead, ones that ride the line between AM radio dials and slightly more alien sounds: the queasy intro of "A Lot's Gonna Change," the gurgling synths of "Movies," the palate-cleansing ambient pads of "Titanic Rising." Sweet but never saccharine, tracks like "Something to Believe" and "Wild Time" are downright triumphant by the time they fade to black. They reach for the heavens with their hooks even when they let their guard down lyrically. Because if the ship's going down, at least we're all going down together right? © Andrew Parks / Qobuz
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Album : 1 album - 10 tracks Totale duur : 00:42:22

  1. 1 A Lot's Gonna Change

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  2. 2 Andromeda

    Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  3. 3 Everyday

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  4. 4 Something to Believe

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  5. 5 Titanic Rising

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  6. 6 Movies

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  7. 7 Mirror Forever

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer - Brian D'Addario, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  8. 8 Wild Time

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  9. 9 Picture Me Better

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  10. 10 Nearer to Thee

    Kenny Gilmore, Mixer - Weyes Blood, MainArtist - Jonathan Rado, Producer - Natalie Mering, Composer, Lyricist, Producer - Brian D'Addario, Composer Auteursrecht : 2019 Sub Pop Records 2019 Sub Pop Records

  • Beschrijving van het album
  • Much like the band that rises above the icy, raging waters in Gavin Bryars' pivotal 1970s experimental piece The Sinking of the Titanic, Natalie Mering is fully aware of everything that's gone wrong with the world on her fourth Weyes Blood album. And yet she doesn't let the trappings of technology and our woeful alone/together world pull her down into the depths of an unshakeable depression. The singer/multi-instrumentalist/producer is too busy making widescreen anthems instead, ones that ride the line between AM radio dials and slightly more alien sounds: the queasy intro of "A Lot's Gonna Change," the gurgling synths of "Movies," the palate-cleansing ambient pads of "Titanic Rising." Sweet but never saccharine, tracks like "Something to Believe" and "Wild Time" are downright triumphant by the time they fade to black. They reach for the heavens with their hooks even when they let their guard down lyrically. Because if the ship's going down, at least we're all going down together right? © Andrew Parks / Qobuz

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Genre

Alternative en Indie in het magazine

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Pop/Rock in het magazine

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