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Lisa Batiashvili|Tchaikovsky, Sibelius: Violin Concertos

Tchaikovsky, Sibelius: Violin Concertos

Staatskapelle Berlin

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The Georgian-German violinist Lisa Batiashvili has quietly reached the point of being one of the cognoscenti's players in mainstream repertory, with a free-spirited manner married to formidable technique in such a way as to bring to mind the greats of the past. Here she has warm-hearted support from an obviously energized Daniel Barenboim and the Berlin Staatskapelle, with strong engineering from Deutsche Grammophon in the Funkhaus Natepastraße in Berlin. The result is a superior recording of some well-worn repertory concertos. This isn't a single artistic statement; the two concertos were recorded a year apart. But each one is grasped as a living, breathing entity. Get the technical prowess out of the way by sampling the blistering finale of the Sibelius Violin Concerto in D minor, Op. 47, and turn then to the Tchaikovsky opening movement, where Batiashvili cultivates a restrained purity of expression that Jascha Heifetz would have loved. In the extremely dark, slow movement of the ostensibly less sentimental Sibelius, however, Batiashvili pours on the emotion. Each of the six movements here seems to tell a story in the best Romantic tradition, and in addition to marking a stage in the ascent of a new star, the album handsomely marks Barenboim's diamond jubilee. Highly recommended.

© TiVo

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Tchaikovsky, Sibelius: Violin Concertos

Lisa Batiashvili

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Concerto for Violin and Orchestra in D Major, Op. 35, TH 59 (Pyotr Illitch Tchaïkovski)

1
I. Allegro moderato
00:19:40

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Friedemann Engelbrecht, Producer - Pyotr Ilyich Tchaikovsky, Composer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Recording Engineer, StudioPersonnel

℗ 2016 Deutsche Grammophon GmbH, Berlin

2
II. Canzonetta. Andante
00:07:06

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Friedemann Engelbrecht, Producer - Pyotr Ilyich Tchaikovsky, Composer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Recording Engineer, StudioPersonnel

℗ 2016 Deutsche Grammophon GmbH, Berlin

3
III. Finale. Allegro vivacissimo
00:10:08

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Friedemann Engelbrecht, Producer - Pyotr Ilyich Tchaikovsky, Composer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Recording Engineer, StudioPersonnel

℗ 2016 Deutsche Grammophon GmbH, Berlin

Concerto for Violin and Orchestra in D Minor, Op. 47 (Jean Sibelius)

4
I. Allegro moderato - Molto moderato e tranquillo - Allegro molto - Moderato assai - Allegro moderato
00:17:00

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Jean Sibelius, Composer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer

℗ 2016 Deutsche Grammophon GmbH, Berlin

5
II. Adagio di molto
00:08:42

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Jean Sibelius, Composer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer

℗ 2016 Deutsche Grammophon GmbH, Berlin

6
III. Allegro ma non tanto
00:07:35

Daniel Barenboim, Conductor, MainArtist - Staatskapelle Berlin, Orchestra, MainArtist - Jean Sibelius, Composer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer - Lisa Batiashvili, Violin, MainArtist, AssociatedPerformer

℗ 2016 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

The Georgian-German violinist Lisa Batiashvili has quietly reached the point of being one of the cognoscenti's players in mainstream repertory, with a free-spirited manner married to formidable technique in such a way as to bring to mind the greats of the past. Here she has warm-hearted support from an obviously energized Daniel Barenboim and the Berlin Staatskapelle, with strong engineering from Deutsche Grammophon in the Funkhaus Natepastraße in Berlin. The result is a superior recording of some well-worn repertory concertos. This isn't a single artistic statement; the two concertos were recorded a year apart. But each one is grasped as a living, breathing entity. Get the technical prowess out of the way by sampling the blistering finale of the Sibelius Violin Concerto in D minor, Op. 47, and turn then to the Tchaikovsky opening movement, where Batiashvili cultivates a restrained purity of expression that Jascha Heifetz would have loved. In the extremely dark, slow movement of the ostensibly less sentimental Sibelius, however, Batiashvili pours on the emotion. Each of the six movements here seems to tell a story in the best Romantic tradition, and in addition to marking a stage in the ascent of a new star, the album handsomely marks Barenboim's diamond jubilee. Highly recommended.

© TiVo

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