Gautier Capucon - Martha Argerich - Renaud Capuçon Schumann : Cello Concerto & Chamber Works (Live)

Schumann : Cello Concerto & Chamber Works (Live)

Gautier Capucon - Martha Argerich - Renaud Capuçon

Verschenen op 18 januari 2019 bij Warner Classics

Hoofdartiest: Gautier Capuçon

Genre: Klassiek > Concertmuziek > Concerten voor cello

Onderscheidingen: Diapason d'or / Arte ( februari 2019) - Le Choix de France Musique ( februari 2019)

Inbegrepen: 1 Booklet

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French cellist Gautier Capuçon does not lack for charisma (or talent), and he has emerged as a major star. The Erato label seems to have tried to capitalize on that with the design of this album, featuring photos by the American Jamie Beck that cast Capuçon as a kind of Byronic figure. It may be a bit over the top, but classical music needs stars. The contents of the album, however, may not quite live up to the heroic concept. They consist of live performances recorded between 2009 and 2015, not of new material. Schumann wrote more music for cello than other composers did, and assembling them in a single program may have made sense. But the sound universes of the Cello Concerto in A minor, Op. 129, and the various chamber pieces are entirely different. The major attraction here is the concerto, a work that has been revaluated upward in recent years as performers have clarified its knotty lines. Historically oriented performance works well with Schumann, and there is a historical reading by Argentine cellist Sol Gabetta with the Kammerorchester Basel. But Capuçon offers a fine modern-instrument option, and an important contributor to its success is octogenarian conductor Bernard Haitink, leading the Chamber Orchestra of Europe. Sample the precise interplay between Capuçon and Haitink in the first movement, which makes the music seem to unfold inevitably. The concerto never drags, and Capuçon sounds gorgeous. The chamber works were recorded at the Verbier Festival in Switzerland with pianist Martha Argerich, and, in the case of the Fantasiestücke, Op. 88, Capuçon's brother Renaud on violin. Despite the august collaborators, these readings feature differing approaches from the principals and don't quite jell, either interpretively or sonically. Nevertheless, this is an album Capuçon's fans will want, and the reading of the concerto is an important addition to its growing discography.
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Album : 1 album - 17 tracks Totale duur : 01:18:10

    Cello Concerto in A Minor, Op. 129 (Robert Schumann)
  1. 1 I. Nicht zu schnell (Live)

    Gautier Capucon, Cello - Chamber Orchestra of Europe - Bernard Haitink, Conductor - Robert Schumann, Composer Auteursrecht : © 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

  2. 2 II. Langsam (Live)

    Gautier Capucon, Cello - Chamber Orchestra of Europe - Bernard Haitink, Conductor - Robert Schumann, Composer Auteursrecht : © 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

  3. 3 III. Sehr lebhaft (Live)

    Gautier Capucon, Cello - Chamber Orchestra of Europe - Bernard Haitink, Conductor - Robert Schumann, Composer Auteursrecht : © 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

  4. Adagio and Allegro in A-Flat Major, Op. 70
  5. 4 I. Langsam, mit innigem Ausdruck (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2011 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2011 Parlophone Records Limited, a Warner Music Group Company

  6. 5 II. Allegro, rasch und feurig (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2011 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2011 Parlophone Records Limited, a Warner Music Group Company

  7. Phantasiestücke, Op. 73
  8. 6 I. Zart und mit Ausdruck (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2012 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2012 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  9. 7 II. Lebhaft, leicht (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2012 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2012 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  10. 8 III. Rasch und mit Feuer (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2012 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2012 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  11. 5 Stücke im Volkston, Op. 102
  12. 9 I. Mit Humor - Vanitas vanitatum (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2013 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2013 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  13. 10 II. Langsam (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2013 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2013 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  14. 11 III. Nicht schnell, mit viel Ton zu spielen (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2013 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2013 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  15. 12 IV. Nicht zu rasch (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2013 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2013 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  16. 13 V. Stark und markiert (Live)

    Martha Argerich, Piano - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2013 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2013 RSI Radiotelevisione Svizzera under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

  17. Phantasiestücke, Op. 88
  18. 14 I. Romanze. Nicht schnell, mit innigem Ausdruck (Live)

    Martha Argerich, Piano - Renaud Capuçon, Violin - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2010 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2010 Parlophone Records Limited, a Warner Music Group Company

  19. 15 II. Humoreske. Lebhaft (Live)

    Martha Argerich, Piano - Renaud Capuçon, Violin - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2010 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2010 Parlophone Records Limited, a Warner Music Group Company

  20. 16 III. Duett. Langsam und mit Ausdruck (Live)

    Martha Argerich, Piano - Renaud Capuçon, Violin - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2010 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2010 Parlophone Records Limited, a Warner Music Group Company

  21. 17 IV. Finale. Im Marsch-Tempo (Live)

    Martha Argerich, Piano - Renaud Capuçon, Violin - Gautier Capuçon, Cello - Robert Schumann, Composer Auteursrecht : © 2010 & 2019 Parlophone Records Limited, a Warner Music Group Company - ℗ 2010 Parlophone Records Limited, a Warner Music Group Company

  • Beschrijving van het album
  • French cellist Gautier Capuçon does not lack for charisma (or talent), and he has emerged as a major star. The Erato label seems to have tried to capitalize on that with the design of this album, featuring photos by the American Jamie Beck that cast Capuçon as a kind of Byronic figure. It may be a bit over the top, but classical music needs stars. The contents of the album, however, may not quite live up to the heroic concept. They consist of live performances recorded between 2009 and 2015, not of new material. Schumann wrote more music for cello than other composers did, and assembling them in a single program may have made sense. But the sound universes of the Cello Concerto in A minor, Op. 129, and the various chamber pieces are entirely different. The major attraction here is the concerto, a work that has been revaluated upward in recent years as performers have clarified its knotty lines. Historically oriented performance works well with Schumann, and there is a historical reading by Argentine cellist Sol Gabetta with the Kammerorchester Basel. But Capuçon offers a fine modern-instrument option, and an important contributor to its success is octogenarian conductor Bernard Haitink, leading the Chamber Orchestra of Europe. Sample the precise interplay between Capuçon and Haitink in the first movement, which makes the music seem to unfold inevitably. The concerto never drags, and Capuçon sounds gorgeous. The chamber works were recorded at the Verbier Festival in Switzerland with pianist Martha Argerich, and, in the case of the Fantasiestücke, Op. 88, Capuçon's brother Renaud on violin. Despite the august collaborators, these readings feature differing approaches from the principals and don't quite jell, either interpretively or sonically. Nevertheless, this is an album Capuçon's fans will want, and the reading of the concerto is an important addition to its growing discography.

Details over de originele opname:

Live recordings : Amsterdam Concertgebouw, Netherlands, 12-13.XI.2015 (1-3) - Auditorio Stelio Molo Lugano, Switzerland : June 2010 (4-5) – 22.VI.2011 (6-8) – 25.VI.2012 (9-13) – June 2009 (14-17)

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Warner Classics

Warner Classics and its sister label Erato together comprise one of the world’s leading global classical music recording companies. In 2013, with WMG’s acquisition of Parlophone Label Group, the renowned EMI Classics roster and catalog became part of Warner Classics. The label exclusively records such acclaimed artists as Alison Balsom, Emmanuel Pahud, Sir Antonio Pappano, and distinguished organisations like the Orchestra dell’Accademia Nazionale di Santa Cecilia and l’Arpeggiata. Warner Classics is the custodian of an unrivaled catalogue of recordings by international superstars Nigel Kennedy, Kiri Te Kanawa, Itzhak Perlman, Sir Simon Rattle, André Previn, and Ricca...

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