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Ian Bostridge - "Requiem, The Pity of War" (Butterworth, Weill, Mahler...)

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"Requiem, The Pity of War" (Butterworth, Weill, Mahler...)

Ian Bostridge - Antonio Pappano

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Two composers who in one way or another sang about the horrors of war, and two who lost their lives in it: Ian Bostridge's takes a successful gamble here, with masterful accompaniment on the piano by Antonio Pappano. The first two are from Kurt Weill with Four Walt Whitman Songs in which the poet laments over the soldiers who died in the War of Succession, and Gustav Mahler, three of whose Lieder(s) taken from Knaben Wunderhorn cruelly and repugnantly evoke the lives of poor young people, peasants and people who are barely through with their school years, sent to be torn apart on every possible and imaginable front. More directly concerned, if one may say so, are George Butterworth - who fell at the Somme in 1916, aged thirty-one, and whose A Shropshire Lad is without a doubt the greatest masterpiece here. Rudi Stephan fell at the Galician front in 1915 aged twenty-eight. His cycle Ich will dir singen ein Hohelied is a climax of unsettling eroticism... Would the fate of German music have been different if this genius had been able to act as a counterbalance, for example, to the emerging dodecaphonic music? Bostridge gives it his all here in this sad centenary of the end of the “war to end all wars”, which we know was tragically not the case. © SM/Qobuz

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"Requiem, The Pity of War" (Butterworth, Weill, Mahler...)

Ian Bostridge

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A Shropshire Lad (George Butterworth)

1
I. "Loveliest of trees"
00:02:38

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

2
II. "When I was one-and-twenty"
00:01:16

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

3
III. "Look not in my eyes"
00:01:52

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

4
IV. "Think no more, lad"
00:01:15

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

5
V. "The lads in their hundreds"
00:02:07

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

6
VI. "Is my team ploughing?"
00:03:07

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - George Butterworth, Composer - Alfred Edward Housman, Poet

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

Ich will dir singen ein Hohelied (Rudi Stephan)

7
I. Kythere
00:01:38

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

8
II. Pantherlied
00:00:47

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

9
III. Abendfrieden
00:01:24

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

10
IV. In Nachbars Garten
00:01:56

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

11
V. Glück zu Zweien
00:01:42

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

12
VI. Das Hohelied der Nacht
00:01:45

Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Rudi Stephan, Composer - Gerda von Robertus, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

Four Walt Whitman Songs (Kurt Weill)

13
I. "Beat! Beat! Drums!"
00:03:21

Kurt Weill, Composer - Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Walt Whitman, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

14
II. "Oh Captain! My Captain!"
00:04:36

Kurt Weill, Composer - Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Walt Whitman, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

15
III. "Come up from the fields, father"
00:05:13

Kurt Weill, Composer - Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Walt Whitman, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

16
IV. Dirge for Two Veterans
00:04:23

Kurt Weill, Composer - Ian Bostridge, Tenor Vocals, MainArtist - Antonio Pappano, Piano - Walt Whitman, Lyricist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

Des Knaben Wunderhorn (Gustav Mahler)

17
XI. Revelge
00:06:45

Ian Bostridge, Tenor Vocals, MainArtist - Gustav Mahler, Composer, Lyricist - Antonio Pappano, Piano

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

18
IX. Wo die schönen Trompeten blasen
00:06:33

Ian Bostridge, Tenor Vocals, MainArtist - Gustav Mahler, Composer, Lyricist - Antonio Pappano, Piano

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

19
XII. Der Tamboursg'sell
00:05:55

Ian Bostridge, Tenor Vocals, MainArtist - Gustav Mahler, Composer, Lyricist - Antonio Pappano, Piano

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

Album Description

Two composers who in one way or another sang about the horrors of war, and two who lost their lives in it: Ian Bostridge's takes a successful gamble here, with masterful accompaniment on the piano by Antonio Pappano. The first two are from Kurt Weill with Four Walt Whitman Songs in which the poet laments over the soldiers who died in the War of Succession, and Gustav Mahler, three of whose Lieder(s) taken from Knaben Wunderhorn cruelly and repugnantly evoke the lives of poor young people, peasants and people who are barely through with their school years, sent to be torn apart on every possible and imaginable front. More directly concerned, if one may say so, are George Butterworth - who fell at the Somme in 1916, aged thirty-one, and whose A Shropshire Lad is without a doubt the greatest masterpiece here. Rudi Stephan fell at the Galician front in 1915 aged twenty-eight. His cycle Ich will dir singen ein Hohelied is a climax of unsettling eroticism... Would the fate of German music have been different if this genius had been able to act as a counterbalance, for example, to the emerging dodecaphonic music? Bostridge gives it his all here in this sad centenary of the end of the “war to end all wars”, which we know was tragically not the case. © SM/Qobuz

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