Lukas Geniušas Prokofiev: Piano Sonata No. 2 & No. 5 - 10 Pieces, Op. 12

Prokofiev: Piano Sonata No. 2 & No. 5 - 10 Pieces, Op. 12

Lukas Geniušas

Verschenen op 30 november 2018 bij Mirare

Hoofdartiest: Lukas Geniušas

Genre: Klassiek > Kamermuziek > Piano solo

Onderscheidingen: Diapason d'or ( januari 2019) - Choc de Classica ( februari 2019) - Gramophone Editor's Choice ( april 2019) - Le Choix de France Musique ( januari 2019)

Inbegrepen: 1 Booklet

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Through his “brilliance and maturity” (as described by The Guardian) the Russian-Lithuanian pianist Lukas Geniušas has established himself on the international scene as one of the most interesting artists of his generation. He has appeared in London's Wigmore Hall, Amsterdam's Concertgebouw, Milan's Salle Verdi, Moscow's Conservatory and Roque d'Anthéron, and with orchestras such as the Philharmonique de Radio France, the National de Lyon, the NHK of Tokyo, the Saint Petersburg Philharmonic, the Russian National Orchestra, the list goes on... He has chosen here a Prokofiev programme combining early works from his younger years (the Ten Pieces Op. 12 which is a junior work and yet so intimately prokofievian already!) with the work from his first stage of maturity (Second Sonata from 1912) and the work from his full maturity (the Fifth Sonata). Even better, this Fifth Sonata was written "for the first time" in 1923 after his time in Paris, then revised three decades later under the constraint, undoubtedly, of the infamous Jdanov decree which had accused the composer of all anti-Soviet evils, but also due to a very personal concern (he wanted to purify the piano gesture). In a way this work seems almost "Parisian" as it has so many similarities with Poulenc's style. © SM/Qobuz

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Album : 1 album - 17 tracks Totale duur : 00:59:25

    Piano Sonata No. 2 Op. 14 (Sergei Prokofiev)
  1. 1 I. Allegro ma non troppo

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  2. 2 II. Scherzo. Allegro marcato

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  3. 3 III. Andante

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  4. 4 VI. Vivace

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  5. Piano Sonata No. 5, Op. 38/135
  6. 5 I. Allegro tranquillo

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  7. 6 II. Andantino

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  8. 7 III. Un poco allegretto

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  9. 10 Pieces for Piano, Op. 12
  10. 8 I. March

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  11. 9 II. Gavotte

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  12. 10 III. Rigaudon

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  13. 11 IV. Mazurka

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  14. 12 V. Capriccio

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  15. 13 VI. Legenda

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  16. 14 VII. Prelude

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  17. 15 VIII. Allemande

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  18. 16 IX. Humorous Scherzo

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer

  19. 17 X. Scherzo

    Lukas Geniušas, Piano - Sergei Prokofiev, Composer Auteursrecht : Mirare Mirare

  • Beschrijving van het album
  • Through his “brilliance and maturity” (as described by The Guardian) the Russian-Lithuanian pianist Lukas Geniušas has established himself on the international scene as one of the most interesting artists of his generation. He has appeared in London's Wigmore Hall, Amsterdam's Concertgebouw, Milan's Salle Verdi, Moscow's Conservatory and Roque d'Anthéron, and with orchestras such as the Philharmonique de Radio France, the National de Lyon, the NHK of Tokyo, the Saint Petersburg Philharmonic, the Russian National Orchestra, the list goes on... He has chosen here a Prokofiev programme combining early works from his younger years (the Ten Pieces Op. 12 which is a junior work and yet so intimately prokofievian already!) with the work from his first stage of maturity (Second Sonata from 1912) and the work from his full maturity (the Fifth Sonata). Even better, this Fifth Sonata was written "for the first time" in 1923 after his time in Paris, then revised three decades later under the constraint, undoubtedly, of the infamous Jdanov decree which had accused the composer of all anti-Soviet evils, but also due to a very personal concern (he wanted to purify the piano gesture). In a way this work seems almost "Parisian" as it has so many similarities with Poulenc's style. © SM/Qobuz

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Mirare

Created in 2001 by René Martin, the Mirare label draws a link between the classical stage and the recording industry. Initiator of renowned festivals (La Folle Journée de Nantes, Cadenet ...), René Martin wanted to keep a phonographic record of musical events that he organized: "Having founded Mirare is the only logical to complement all of these activities and festivals. Among the artists we strive to help you discover, you have those who have not yet had more than one label, and with whom we have long established a complicity" His intuition proved correct. Despite the crisis of the disc, Mirare enjoy continued success in the hopes aroused by Martin: his twelve annua...

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