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Hilary Hahn|Paganini / Spohr: Violin Concertos incld. Listening Guide

Paganini / Spohr: Violin Concertos incld. Listening Guide

Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue

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Overwrought and not particularly well played, violinist Hilary Hahn's 2006 recording of Paganini's First Violin Concerto and Spohr's Eighth Violin Concerto is not especially attractive. Although it would be easy to say that Hahn's histrionic style, with its swoops, slides, slurs, and trills, made this all a matter of taste -- and to a certain extent, of course, that's true -- it's her playing that ultimately sinks her performances. Hahn's thrill-a-bar style may be delightful to those who revere the high-voltage style of Heifetz, but it may also be unappealing to those who prefer the smoother tone and more refined style of Grumiaux. But even those who prefer their thrills non-stop may be put off by Hahn's surprisingly sloppy technique. Her intonation is repeatedly sour, her tone is frequently coarse, and her technique is often not up to the music. Nor are Hahn's interpretations up to the music. While both Paganini's and Spohr's concertos were conceived as highly dramatic works, Hahn's execution is simply too emotional. The crescendos scream, the pianissimos whisper, the glissandos wail, the double-stops shriek, and the pizzicatos are like slaps in the face. Eiji Oue and the Swedish Radio Symphony Orchestra abet and encourage her performances, but this is clearly Hahn's show from start to finish. Deutsche Grammophon's recording sounds like the microphones were too far away from the orchestra and too close to the soloist.

© TiVo

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Paganini / Spohr: Violin Concertos incld. Listening Guide

Hilary Hahn

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Violin Concerto No. 1 in D Major, Op. 6 (-)

1
I. Allegro maestoso
Eije Oue
00:21:37

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Niccolò Paganini, Composer - Salvatore Accardo, Composer, Cadenzor - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Emile Sauret, Composer, Cadenzor - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

2
II. Adagio
Eije Oue
00:05:39

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Niccolò Paganini, Composer - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

3
III. Rondo (Allegro spirituoso)
Eije Oue
00:10:26

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Niccolò Paganini, Composer - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

Violin Concerto No. 8 in A Minor, Op. 47 (Im Form einer Gesangsszene) (Spohr, Louis)

4
I. Recitative - Allegro molto
Spohr
00:04:05

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Louis Spohr, Composer - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

Violin Concerto No. 8 in A minor, Op. 47 (Im Form einer Gesangsszene) (Spohr, Louis)

5
2. Adagio - Andante
Spohr
00:07:43

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Louis Spohr, Composer - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

Violin Concerto No. 8 in A Minor, Op. 47 (Im Form einer Gesangsszene) (Spohr, Louis)

6
III. Allegro moderato
Spohr
00:08:03

Swedish Radio Symphony Orchestra, Orchestra, MainArtist - Louis Spohr, Composer - Thomas Frost, Producer, Recording Producer - Eije Oue, Conductor, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Stephan Flock, Editor, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer

℗ 2006 Deutsche Grammophon GmbH, Berlin

7
Hilary Hahn's approach to this recording and her interpretation of these
Hilary Hahn
00:02:45

Not Applicable, ComposerLyricist - Hilary Hahn, MainArtist

℗ 2006 Deutsche Grammophon GmbH, Berlin

8
The operatic aspect of these pieces
Hilary Hahn
00:00:56

Not Applicable, ComposerLyricist - Hilary Hahn, MainArtist

℗ 2006 Deutsche Grammophon GmbH, Berlin

9
The Spohr is undeservedly less well-known
Hilary Hahn
00:01:26

Not Applicable, ComposerLyricist - Hilary Hahn, MainArtist

℗ 2006 Deutsche Grammophon GmbH, Berlin

10
Preparing these pieces for the recording
Hilary Hahn
00:00:52

Not Applicable, ComposerLyricist - Hilary Hahn, MainArtist

℗ 2006 Deutsche Grammophon GmbH, Berlin

11
Performing these pieces on stage
Hilary Hahn
00:02:41

Not Applicable, ComposerLyricist - Hilary Hahn, MainArtist

℗ 2006 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

Overwrought and not particularly well played, violinist Hilary Hahn's 2006 recording of Paganini's First Violin Concerto and Spohr's Eighth Violin Concerto is not especially attractive. Although it would be easy to say that Hahn's histrionic style, with its swoops, slides, slurs, and trills, made this all a matter of taste -- and to a certain extent, of course, that's true -- it's her playing that ultimately sinks her performances. Hahn's thrill-a-bar style may be delightful to those who revere the high-voltage style of Heifetz, but it may also be unappealing to those who prefer the smoother tone and more refined style of Grumiaux. But even those who prefer their thrills non-stop may be put off by Hahn's surprisingly sloppy technique. Her intonation is repeatedly sour, her tone is frequently coarse, and her technique is often not up to the music. Nor are Hahn's interpretations up to the music. While both Paganini's and Spohr's concertos were conceived as highly dramatic works, Hahn's execution is simply too emotional. The crescendos scream, the pianissimos whisper, the glissandos wail, the double-stops shriek, and the pizzicatos are like slaps in the face. Eiji Oue and the Swedish Radio Symphony Orchestra abet and encourage her performances, but this is clearly Hahn's show from start to finish. Deutsche Grammophon's recording sounds like the microphones were too far away from the orchestra and too close to the soloist.

© TiVo

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