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Michel Chion - On n'arrête pas le regret

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On n'arrête pas le regret

Michel Chion

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Langue disponible : anglais

This French electro-acoustic composer and writer created these experimental compositions on the theme of childhood, and this CD on Ina GRM exhibits some of his earliest recorded work. "The Time Killing Machine" dates from 1972, and uses the sounds of bells and water as its source, creating an elaborate sound experiment in musique concrète. The 1975 piece "You Can't Stop Regrets" adopts John Cage's pioneering prepared piano technique, and couples it with voices to magnificent effect. This is a challenging and critical work from this avant-garde composer, and is highly recommended as essential listening to those intrigued by the classical musique concrète genre and pioneering early electronic work in general. ~ Sylvie Harrison

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On n'arrête pas le regret

Michel Chion

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Sambas pour un jour de pluie (Michel Chion)

1
Sambas pour un jour de pluie 00:11:37

Michel Chion

2015

La machine à passer le temps (Michel Chion)

2
La machine à passer le temps 00:05:34

Michel Chion

2015

On n'arrête pas le regret (Michel Chion)

3
Coup de soleil sur un vitrail 00:02:12

Michel Chion

2015

4
Cris et babils 00:04:32

Michel Chion

2015

5
Mondnacht 00:01:10

Michel Chion

2015

6
Ronde "Notre-Dame du regret" 00:01:09

Michel Chion

2015

7
Cauchemar en rose 00:03:54

Michel Chion

2015

Album Description

This French electro-acoustic composer and writer created these experimental compositions on the theme of childhood, and this CD on Ina GRM exhibits some of his earliest recorded work. "The Time Killing Machine" dates from 1972, and uses the sounds of bells and water as its source, creating an elaborate sound experiment in musique concrète. The 1975 piece "You Can't Stop Regrets" adopts John Cage's pioneering prepared piano technique, and couples it with voices to magnificent effect. This is a challenging and critical work from this avant-garde composer, and is highly recommended as essential listening to those intrigued by the classical musique concrète genre and pioneering early electronic work in general. ~ Sylvie Harrison

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