Your cart is empty

Vilde Frang - Nielsen: Violin Concerto Op. 33 / Tchaikovsky: Violin Concerto Op. 35

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
Nielsen: Violin Concerto Op. 33 / Tchaikovsky: Violin Concerto Op. 35
Vilde Frang, Danish Radio Symphony Orchestra, Eivind Gullberg Jensen
- Released on 4/06/12 by Warner Classics
- Main artist: Vilde Frang
- Genre: Klassiek
- Distinctions: 5 de Diapason
Digital booklet
Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Language available : english
Norwegian violinist Vilde Frang made her debut in 2010 with a pairing of concertos by Sibelius and Prokofiev. She repeats the formula here with works by Nielsen and Tchaikovsky, a somewhat risky move. But the fact is that she's exceptionally good in these repertories. Tchaikovsky's Violin Concerto in D major, Op. 35, is in a way a work constrained by its tremendous virtuosity and the long performing tradition of which it is a part. It's hard to come up with something really new to say to it, but Frang makes a strong contribution with a graceful reading that avoids the tendency to push the big passages of the outer movement to a point just short of (or, in concert, just past) where a string breaks from the effort to get maximum volume out of it. Instead she favors detailed shaping of complicated stretches of passagework. It's quite distinctive, but the real news here is the Nielsen Violin Concerto, Op. 33, which had its premiere in 1912 and is not terribly often performed. It's a complex work in a mixture of idioms, from what annotator David Fanning calls neo-Baroque (actually much of it anticipates the sparkling neo-Mozartian language of the opera Maskarade), to developing figuration that anticipates the structures of Nielsen's symphonic works, to Tchaikovskian passages. These last help tie the program together in a novel way: how did Nielsen, a generation after Sibelius, react to the sounds of Tchaikovsky in his head? The Danish Radio Symphony Orchestra under Eivind Gullberg Jensen is not much more than workmanlike, but this is overall a fresh treatment of some highly familiar music and some that is less so.
© TiVo
Nielsen: Violin Concerto Op. 33 / Tchaikovsky: Violin Concerto Op. 35
Vilde Frang
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then €19.99 / month

Vilde Frang, Violin, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor
© 2012 EMI Records Ltd. ℗ 2012 Parlophone Records Limited, a Warner Music Group Company
Vilde Frang, Violin, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Vilde Frang, Violin, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Vilde Frang, Violin - Carl Nielsen, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor - Vilde Frang/Eivind Gullberg Jensen/Danish National Symphony Orchestra, MainArtist
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Vilde Frang, Violin - Carl Nielsen, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor - Vilde Frang/Eivind Gullberg Jensen/Danish National Symphony Orchestra, MainArtist
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Vilde Frang, Violin - Carl Nielsen, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor - Vilde Frang/Eivind Gullberg Jensen/Danish National Symphony Orchestra, MainArtist
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Vilde Frang, Violin - Carl Nielsen, Composer - Jørn Pedersen, Producer - Danish National Symphony Orchestra, Orchestra - Jan Oldrup, Balance Engineer - Eivind Gullberg Jensen, Conductor - Vilde Frang/Eivind Gullberg Jensen/Danish National Symphony Orchestra, MainArtist
© 2012 EMI Records Ltd. ℗ 2012 Warner Classics, Warner Music UK Ltd
Album Description
Norwegian violinist Vilde Frang made her debut in 2010 with a pairing of concertos by Sibelius and Prokofiev. She repeats the formula here with works by Nielsen and Tchaikovsky, a somewhat risky move. But the fact is that she's exceptionally good in these repertories. Tchaikovsky's Violin Concerto in D major, Op. 35, is in a way a work constrained by its tremendous virtuosity and the long performing tradition of which it is a part. It's hard to come up with something really new to say to it, but Frang makes a strong contribution with a graceful reading that avoids the tendency to push the big passages of the outer movement to a point just short of (or, in concert, just past) where a string breaks from the effort to get maximum volume out of it. Instead she favors detailed shaping of complicated stretches of passagework. It's quite distinctive, but the real news here is the Nielsen Violin Concerto, Op. 33, which had its premiere in 1912 and is not terribly often performed. It's a complex work in a mixture of idioms, from what annotator David Fanning calls neo-Baroque (actually much of it anticipates the sparkling neo-Mozartian language of the opera Maskarade), to developing figuration that anticipates the structures of Nielsen's symphonic works, to Tchaikovskian passages. These last help tie the program together in a novel way: how did Nielsen, a generation after Sibelius, react to the sounds of Tchaikovsky in his head? The Danish Radio Symphony Orchestra under Eivind Gullberg Jensen is not much more than workmanlike, but this is overall a fresh treatment of some highly familiar music and some that is less so.
© TiVo
About the album
- 1 disc(s) - 7 track(s)
- Total length: 01:11:49
- Main artist: Vilde Frang
- Composer: Various Composers
- Label: Warner Classics
- Genre: Klassiek
-
16-Bit CD Quality 44.1 kHz - Stereo
Digital booklet
© 2012 EMI Records Ltd. ℗ 2012 The copyright in this sound recording is owned by EMI Records Ltd.
Distinctions:
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.



Playlists





As the Paris Philharmonic puts on a major exhibition dedicated entirely to his career, it’s the perfect opportunity to take a look back at Charlie Chaplin’s close ties with music. He may be famous as a legendary performer and director, but the man with the iconic bowler hat and cane also composed the music in his films himself.
Richard Wigmore introduces an enduring and vividly communicative dramatic form...
An artist of another time, Wilhelm Kempff (1895-1991) believed in inspiration: he took on music as if it were a religion, with a respectful enthusiasm for the masters that came before him. With his velvet touch, sense of phrasing and storytelling quality, Wilhelm Kepff’s art was like that of a waking dream. Half poet, half divine, during a time when expression of emotion triumphed all. He recorded many times the works of his favourite composers, in particular his ‘god’ Beethoven, for whom Kempff is well known and left behind three complete sonatas in keeping with his own maturation and the evolution of his recording technique.