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Nils Frahm|Music for Animals

Music for Animals

Nils Frahm

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Music for Animals

Nils Frahm

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1
The Dog with 1000 Faces
00:26:21
2
Mussel Memory
00:13:27
3
Seagull Scene
00:13:09
4
Sheep in Black and White
00:24:47
5
Stepping Stone
00:18:15
6
Briefly
00:27:02
7
Right Right Right
00:07:25
8
World of Squares
00:15:02
9
Lemon Day
00:18:31
10
Do Dream
00:22:36

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In your panoramas...
Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

Nils Frahm, an Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

Erased Tapes, a Not-so-classic Label

Since its birth in 2007, Erased Tapes has made a name for itself as one of the most innovative labels of the last 15 years and enjoyed great commercial success. Although some fail to see past its neoclassical shopfront (Nils Frahm, Ólafur Arnalds), the London-based label explores the outer limits of ambient, electronica and experimental with a catalogue that's smoothly curated by the German Robert Raths. Qobuz takes a closer look.

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