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Black Sabbath - Master of Reality (2009 Remastered Version)

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Master of Reality (2009 Remastered Version)

Black Sabbath

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The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
© Steve Huey /TiVo

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Master of Reality (2009 Remastered Version)

Black Sabbath

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1
Sweet Leaf
00:05:03

Ozzy Osbourne, Composer, Vocals, Writer - Tony Iommi, Composer, Guitar, Writer - Bill Ward, Composer, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Terence "Geezer" Butler, Composer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc. Remastered 2009 (US & Canada) | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest Of World ex. US & Canada)

2
After Forever
00:05:24

Ozzy Osbourne, Vocals - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar - Andy Pearce, Remastering Engineer - Matt Wortham, Remastering Engineer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

3
Embryo
00:00:27

Ozzy Osbourne, Vocals - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

4
Children of the Grave
00:05:15

Ozzy Osbourne, Composer, Lead Vocals, Writer - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Composer, Drums, Writer - John Osbourne, Writer - William Ward, Writer - Terence Butler, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Composer, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc. Remastered 2009 (US & Canada) | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest Of World ex. US & Canada)

5
Orchid
00:01:31

Ozzy Osbourne, Vocals - Tony Iommi, Acoustic Guitar, Writer - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

6
Lord of This World
00:05:23

Ozzy Osbourne, Composer, Vocals, Writer - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Composer, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Terence "Geezer" Butler, Composer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

7
Solitude
00:05:02

Ozzy Osbourne, Lead Vocals, Writer - Tony Iommi, Flute, Piano, Writer, Lead Guitar - Bill Ward, Bells, Drums, Writer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

8
Into the Void
00:06:13

Ozzy Osbourne, Lead Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

Album Description

The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
© Steve Huey /TiVo

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