Categories:
Cart 0

Your cart is empty

Mariss Jansons - Mahler : Symphony No. 9

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Mahler : Symphony No. 9

Bavarian Radio Symphony Orchestra, Mariss Jansons

Digital booklet

Available in
logo Hi-Res
24-Bit 48.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Language available : english

Mariss Jansons has recorded Gustav Mahler's symphonies for Simax, LSO Live, and RCO Live, but this 2017 release of the Symphony No. 9 in D major is only his second Mahler recording for BR Klassik, following the 2009 release of the Symphony No. 7. Jansons' commitment to Mahler's music is undeniable, as his specialization in late Romantic repertoire might suggest, but the results of his recorded performances with the Oslo Philharmonic, the London Symphony Orchestra, and the Royal Concertgebouw Orchestra have been somewhat variable, so choosing among them can be difficult. Fortunately, this recording of the Ninth is first-rate, and listeners who have previously felt lukewarm about Jansons' Mahler may have a performance to believe in. Striking a balance between Mahler's extremes of caustic aggression and sublime resignation and creating a coherent whole, Jansons and the Bavarian Radio Symphony Orchestra perform with clarity and precision, and give the Ninth a consistency that makes musical and expressive sense. Jansons maintains a steady flow between highs and lows, and doesn't push the limits, so his interpretation is less reminiscent of Bernstein and closer to the measured approach of Haitink. The closeness of the recording gives the musicians a chamber-like feeling in many passages, though the microphone placement captures climaxes with stunning sound.
© TiVo

More info

Mahler : Symphony No. 9

Mariss Jansons

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 70 million songs with an unlimited streaming plan.

Listen to this album and more than 70 million songs with your unlimited streaming plans.

Symphony No. 9 in D Major (Gustav Mahler)

1
I. Andante comodo (Live)
Symphonieorchester Des Bayerischen Rundfunks
00:27:59

Symphonieorchester Des Bayerischen Rundfunks, Orchestra - Mariss Jansons, Conductor - Gustav Mahler, Composer

(C) 2017 BR-Klassik (P) 2017 BR-Klassik

2
II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (Live)
Symphonieorchester Des Bayerischen Rundfunks
00:15:45

Symphonieorchester Des Bayerischen Rundfunks, Orchestra - Mariss Jansons, Conductor - Gustav Mahler, Composer

(C) 2017 BR-Klassik (P) 2017 BR-Klassik

3
III. Rondo-Burleske. Allegro assai. Sehr trotzig (Live)
Symphonieorchester Des Bayerischen Rundfunks
00:13:48

Symphonieorchester Des Bayerischen Rundfunks, Orchestra - Mariss Jansons, Conductor - Gustav Mahler, Composer

(C) 2017 BR-Klassik (P) 2017 BR-Klassik

4
IV. Adagio. Sehr langsam und noch zurückhaltend (Live)
Symphonieorchester Des Bayerischen Rundfunks
00:23:10

Symphonieorchester Des Bayerischen Rundfunks, Orchestra - Mariss Jansons, Conductor - Gustav Mahler, Composer

(C) 2017 BR-Klassik (P) 2017 BR-Klassik

Album Description

Mariss Jansons has recorded Gustav Mahler's symphonies for Simax, LSO Live, and RCO Live, but this 2017 release of the Symphony No. 9 in D major is only his second Mahler recording for BR Klassik, following the 2009 release of the Symphony No. 7. Jansons' commitment to Mahler's music is undeniable, as his specialization in late Romantic repertoire might suggest, but the results of his recorded performances with the Oslo Philharmonic, the London Symphony Orchestra, and the Royal Concertgebouw Orchestra have been somewhat variable, so choosing among them can be difficult. Fortunately, this recording of the Ninth is first-rate, and listeners who have previously felt lukewarm about Jansons' Mahler may have a performance to believe in. Striking a balance between Mahler's extremes of caustic aggression and sublime resignation and creating a coherent whole, Jansons and the Bavarian Radio Symphony Orchestra perform with clarity and precision, and give the Ninth a consistency that makes musical and expressive sense. Jansons maintains a steady flow between highs and lows, and doesn't push the limits, so his interpretation is less reminiscent of Bernstein and closer to the measured approach of Haitink. The closeness of the recording gives the musicians a chamber-like feeling in many passages, though the microphone placement captures climaxes with stunning sound.
© TiVo

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Songs In The Key Of Life

Stevie Wonder

Songs In The Key Of Life Stevie Wonder

Innervisions

Stevie Wonder

Innervisions Stevie Wonder

Talking Book

Stevie Wonder

Talking Book Stevie Wonder

What's Going On

Marvin Gaye

What's Going On Marvin Gaye
More on Qobuz
By Mariss Jansons

Shchedrin: Carmen Suite - Respighi: Pini di Roma (Live)

Mariss Jansons

Rachmaninoff : The Bells & Symphonic Dances

Mariss Jansons

Stravinsky : Le Sacre du printemps - The Firebird Suite

Mariss Jansons

New Year's Concert 2016 / Neujahrskonzert 2016

Mariss Jansons

New Year's Concert 2012 (Concert du Nouvel An 2012)

Mariss Jansons

Playlists

You may also like...

Road to the Sun

Pat Metheny

Road to the Sun Pat Metheny

Debussy, Szymanowski, Hahn, Ravel

Fanny Robilliard

Seasons: Orchestral Music of Michael Fine

The Royal Scottish National Orchestra

Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra

Debussy – Rameau

Víkingur Ólafsson

Debussy – Rameau Víkingur Ólafsson

All Shall Not Die - Haydn String Quartets

Quatuor Hanson

In your panoramas...
Undervalued: a Look Back on Female Composers

From Sappho of Mytilene to Kaija Saariaho and Clara Schumann, several women have managed to break through the macho codes of the milieu and become composers. While the classical music landscape has been largely dominated by men in recent centuries, the work of their female colleagues, whether pioneers or contemporaries, is just as fascinating. Here we put eleven undervalued figures of female composition in the spotlight.

The Stylish Henry Mancini

Sophistication, humour, sensitivity… These are the words that often come to mind when describing Henry Mancini’s music. 23 years after his death, he is still seen as a major and influential pop composer. No doubt because, in addition to his glossy and light works for which he is renowned (notably Breakfast at Tiffany’s and The Pink Panther), he also knew how to display the complexity of his musical language in more tormented compositions.

Nils Frahm, An Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

In the news...