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Goran Filipec|Liszt : Poems

Liszt : Poems

Goran Filipec

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Liszt : Poems

Goran Filipec

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Consolations, S171a/R12 (First version) (Franz Liszt)

1
No. 1 in E Major (Andante con moto)
00:01:38

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

2
No. 2 in E Major (Un poco più mosso)
00:03:32

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

3
No. 3 in E Major (Lento, quasi recitativo - Andante con moto)
00:05:06

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

4
No. 4 in D Flat Major (Quasi adagio, cantabile con devozione)
00:02:41

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

5
No. 5 in E Major (Andantino)
00:02:52

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

6
No. 6 in E Major (Allegretto)
00:03:39

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

Consolation No. 1, "Album Leaf", S171b (Fragment) (Franz Liszt)

7
Consolation No. 1, "Album Leaf", S171b (Fragment)
00:00:35

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

Sposalizio (First version), S157a (Franz Liszt)

8
Sposalizio (First version), S157a
00:07:26

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

Prolégomènes à la Divina Commedia, S158b (Franz Liszt)

9
Après une lecture du Dante, fantasia quasi sonata (Second version, S158b/R10b)
00:16:07

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

Ballade No. 2 in B Minor (First version), S170a (Franz Liszt)

10
Ballade No. 2 in B Minor (First version), S170a
00:12:50

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

Der Tanz in der Dorfschenke, S514/R181, "Mephisto Waltz No. 1" (Franz Liszt)

11
"Mephisto Waltz No. 1" (1862 revised version)
00:13:34

Goran Filipec, Piano - Franz Liszt, Composer

(C) 2018 Naxos (P) 2018 Naxos

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Wilhelm Kempff: The Most Human of Pianists

An artist of another time, Wilhelm Kempff (1895-1991) believed in inspiration: he took on music as if it were a religion, with a respectful enthusiasm for the masters that came before him. With his velvet touch, sense of phrasing and storytelling quality, Wilhelm Kepff’s art was like that of a waking dream. Half poet, half divine, during a time when expression of emotion triumphed all. He recorded many times the works of his favourite composers, in particular his ‘god’ Beethoven, for whom Kempff is well known and left behind three complete sonatas in keeping with his own maturation and the evolution of his recording technique.

Jorge Bolet, the Epitome of Franz Liszt

Franz Liszt’s music re-emerged in the early 1980’s and for once it was played in a way that was both poetic and lyrical, rather than simply getting the notes out. Jorge Bolet recorded a ground-breaking anthology of the Hungarian composer for DECCA, as well as other recordings for the Spanish label ENSAYO, for RCA in the 1970’s, for EVEREST in 1960, and studio and radio recordings in the 1950’s.

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