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Keith Jarrett - Last Dance

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Last Dance

Keith Jarrett & Charlie Haden

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Last Dance

Keith Jarrett

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1
My Old Flame
00:10:18

Arthur Johnston, Composer - Sam Coslow, Author - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

2
My Ship
00:09:36

Kurt Weill, Composer - Ira Gershwin, Author - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH

3
Round Midnight
00:09:34

Thelonious Monk, Composer - Cootie Williams, Composer - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
Dance Of The Infidels
00:04:23

Earl "Bud" Powell, Composer - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

5
It Might As Well Be Spring
00:11:54

Richard Rodgers, Composer - Oscar Hammerstein II , Author - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

6
Everything Happens To Me
00:07:12

Matt Dennis, ComposerLyricist - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Thomas Adair, ComposerLyricist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH

7
Where Can I Go Without You
00:09:32

Victor Young, ComposerLyricist - Peggy Lee, ComposerLyricist - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

8
Every Time We Say Goodbye
00:04:25

Cole Porter, ComposerLyricist - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH

9
Goodbye
00:09:07

Gordon Jenkins, ComposerLyricist - Charlie Haden, MainArtist - Keith Jarrett, Producer, Recording Producer, MainArtist - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel

℗ 2014 ECM Records GmbH

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ECM in 10 Albums

“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.

The Stylish Henry Mancini

Sophistication, humour, sensitivity… These are the words that often come to mind when describing Henry Mancini’s music. 23 years after his death, he is still seen as a major and influential pop composer. No doubt because, in addition to his glossy and light works for which he is renowned (notably Breakfast at Tiffany’s and The Pink Panther), he also knew how to display the complexity of his musical language in more tormented compositions.

Keith Jarrett’s American Quartet

At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.

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