Carolyn Sampson, Freiburger Barockorch., Petra Müllejans JS Bach : Cantatas for soprano

JS Bach : Cantatas for soprano

Carolyn Sampson, Freiburger Barockorch., Petra Müllejans

Verschenen op 21 april 2017 bij harmonia mundi

Hoofdartiest: Carolyn Sampson

Genre: Klassiek > Religieuze vocale muziek > Religieuze cantates

Onderscheidingen: Diapason d'or ( juli 2017) - 5 Sterne Fono Forum Klassik ( augustus 2017) - Le Choix de France Musique ( juli 2017)

Inbegrepen: 1 Booklet

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The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz

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Album : 1 album - 23 tracks Totale duur : 01:03:04

    Weichet Nur, Betrübte Schatten, BWV 202 (Johann Sebastian Bach)
  1. 1 I. Aria "Weichet nur, betrübte Schatten"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  2. 2 II. Recitativo "Die Welt wird wieder neu"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  3. 3 III. Aria "Phoebus eilt mil schnellen Pferden"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  4. 4 IV. Recitativo "Drum sucht auch Amor sein Vergnügen"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  5. 5 V. Aria "Wenn die Frühlingslüfte streichen"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  6. 6 VI. Recitativo "Und dieses ist das Glücke"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  7. 7 VII. Aria "Sich üben im Lieben"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  8. 8 VIII. Recitativo "So sei das Band der keuschen Liebe"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  9. 9 IX. Gavotte Sehet in Zufriedenheit

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  10. Tritt auf die Glaubensbahn, BWV 152
  11. 10 I. Sinfonia

    Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  12. 11 II. Aria "Tritt auf die Glaubensbahn" (bass)

    Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  13. 12 III. Recitativo "Der Heiland ist gesetzt" (bass)

    Andreas Wolf, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  14. 13 IV. Aria "Stein, der über alle Schätze" (soprano)

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  15. 14 V. Recitativo "Es ärgre sich die kluge Welt" (bass)

    Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  16. 15 VI. Aria "Wie soll ich dich, Liebster der Seele, umfassen?" (duetto)

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  17. Mein Herze schwimmt im Blut, BWV 199
  18. 16 I. Recitativo "Mein Herze schwimmt im Blut"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  19. 17 II. Aria "Stumme Seufzer, stille Klagen"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  20. 18 III. Recitativo "Doch Gott muß mir genädig sein"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  21. 19 IV. Aria "Tief gebückt und voller Reue"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  22. 20 V. Recitativo "Auf diese Schmerzensreu"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  23. 21 VI. Choral "Ich, dein betrübtes Kind"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  24. 22 VII. Recitativo "Ich lege mich in diese Wunden"

    Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  25. 23 VIII. Aria "Wie freudig ist mein Herz"

    Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer Auteursrecht : harmonia mundi 2017

  • Beschrijving van het album
  • The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz

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