Swedish Radio Choir - Peter Dijkstra Johannes Brahms : Mass & Motets

Johannes Brahms : Mass & Motets

Swedish Radio Choir - Peter Dijkstra

Verschenen op 10 september 2018 bij Channel Classics Records

Hoofdartiest: Peter Dijkstra

Genre: Klassiek > Religieuze vocale muziek

Inbegrepen: 1 Booklet

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Album : 1 album - 13 tracks Totale duur : 00:58:10

    Zwei Motetten op.74
  1. 1 Warum ist das Licht gegeben

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  2. 2 O Heiland, reiss die Himmel auf

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  3. Fest und Gedenkspruche, Op. 109
  4. 3 Unsere Väter hofften auf dich

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  5. 4 Wenn ein starker Gewappneter

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  6. 5 Wo ist ein so herrlich Volk

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  7. Missa Canonica op. posth.
  8. 6 Sanctus

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  9. 7 Benedictus

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  10. 8 Agnus Dei

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  11. Zwei Motetten, Op. 29
  12. 9 Es ist das Heil uns kommen her

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  13. 10 Schaffe in mir, Gott, ein rein Herz

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  14. Drei Motetten Op. 110
  15. 11 Ich aber bin elend

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  16. 12 Ach, arme Welt, du trügest mich

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

  17. 13 Wenn wir in höchsten Nöten sein

    Peter Dijkstra, Conductor - Swedish Radio Choir, Performer

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Label

Channel Classics Records

Specializing in classical music, the Dutch label Channel Classics Records was founded in 1990 by C.Jared Sacks, a young American born in Boston, Massachusetts. Sacks obtained a complete musical education (receiving lessons on trumpet, piano, composition and conducting) at Oberlin Conservatory and then at the Conservatory of Amsterdam, alongside gaining fifteen years of experience as a hornist. Then, in 1987, Sacks decided to focus more fully on his long-time hobby, sound recording, a passion that had driven him for many years. Due to his frustration at the fact that many classical interpretations were not as well recorded as he wished them to be, he decided to crea...

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