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Danielle Bradbery|I Don't Believe We've Met

I Don't Believe We've Met

Danielle Bradbery

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Language available : english

Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.

© Stephen Thomas Erlewine /TiVo

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I Don't Believe We've Met

Danielle Bradbery

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1
Sway
00:03:32

Johan Fransson, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

2
Potential
00:03:36

Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist - Johan Lindbrandt, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

3
What Are We Doing
00:03:18

Sam Ellis, ComposerLyricist - Thomas Rhett, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

4
Worth It
00:03:26

Jeff Pardo, ComposerLyricist - Molly Reed, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

5
Can't Stay Mad
00:03:26

Steph Jones, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Andrew Haas, ComposerLyricist - Ian Franzino, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

6
Messy
00:03:24

Danielle Bradbery, MainArtist, ComposerLyricist - Josh Kerr, ComposerLyricist - Hannah Ellis, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

7
Red Wine + White Couch
00:03:09

Nicolle Galyon, ComposerLyricist - Danielle Bradbery, MainArtist - Emily Weisband, ComposerLyricist - Alysa Vanderheym, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

8
Hello Summer
00:03:00

Rhett Akins, ComposerLyricist - Julian Bunetta, ComposerLyricist - Jaren Johnston, ComposerLyricist - Thomas Rhett, ComposerLyricist - Danielle Bradbery, MainArtist

℗ 2017 Big Machine Label Group, LLC

9
Human Diary
00:03:43

Danielle Bradbery, MainArtist - Emily Weisband, ComposerLyricist - Josh Kerr, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

10
Laying Low
00:02:52

Heather Morgan, ComposerLyricist - Jason Gantt, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

Albumbeschreibung

Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.

© Stephen Thomas Erlewine /TiVo

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