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Herbie Hancock|Herbie Hancock Trio with Ron Carter & Tony Williams

Herbie Hancock Trio with Ron Carter & Tony Williams

Herbie Hancock

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Obviously these three have known each other since the playground days − almost at least… During the summer of 1977, the ex-virtuosos of Miles Davis’ Second Great Quintet locked themselves up in the Automatt, a studio in San Francisco, to remind those who may have forgotten how perfect their complicity could sound. These sessions gave birth to two albums: Third Plane with Milestone and Herbie Hancock Trio with Columbia. Same story five years later with a similar exercise released under the title Herbie Hancock Trio With Ron Carter & Tony Williams. Each of them included a personal theme (Dolphin Dance for Hancock, Slight Smile for Carter and Maison Goree for Williams) between two classics (Benny Golson’s Stable Mates and That Old Black Magic by Harold Arlen and Johnny Mercer), creating a particularly refined atmosphere. The three friends obviously put on hold their fusion/jazz-rock inclinations that had defined their music since the mid-1970s, and went back to a sort of velvety, woody-flavoured hard pop. The (new) revolution clearly wasn’t yet on the agenda. But robust swing and inspired improvisations clearly were! © Marc Zisman/Qobuz

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Herbie Hancock Trio with Ron Carter & Tony Williams

Herbie Hancock

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1
Stable Mates
00:11:06

Herbie Hancock, Associated Performer, Main Artist, Piano, Associated Performer, Piano - B.Golson, Composer - Ron Carter, Bass - Tony Williams, Drums - David Rubinson, Producer

(P) 1981 David Rubinson & Friends, Inc. under exclusive license to Columbia Records, a division of Sony Music Entertainment

2
Dolphin Dance
00:10:19

Herbie Hancock, Associated Performer, Composer, Main Artist, Piano, Associated Performer, Composer, Piano - Tony Williams, Drums - David Rubinson, Producer - Ron Carter, Bass

(P) 1981 David Rubinson & Friends, Inc. under exclusive license to Columbia Records, a division of Sony Music Entertainment

3
A Slight Smile
00:09:04

Herbie Hancock, Associated Performer, Main Artist, Piano, Associated Performer, Piano - David Rubinson, Producer - Ron Carter, Bass, Composer - Tony Williams, Drums

(P) 1981 David Rubinson & Friends, Inc. under exclusive license to Columbia Records, a division of Sony Music Entertainment

4
That Old Black Magic
00:08:34

Herbie Hancock, Associated Performer, Main Artist, Piano, Associated Performer, Piano - Arlen Harold, Composer, Lyricist - Ron Carter, Bass - Tony Williams, Drums - David Rubinson, Producer - Johnny Mercer, Lyricist - Henry Mancini, Arranger

(P) 1981 David Rubinson & Friends, Inc. under exclusive license to Columbia Records, a division of Sony Music Entertainment

5
La Maison Goree
00:06:40

Herbie Hancock, Associated Performer, Main Artist, Piano, Associated Performer, Piano - Tony Williams, Composer, Drums, Lyricist - David Rubinson, Producer - Ron Carter, Bass

(P) 1981 David Rubinson & Friends, Inc. under exclusive license to Columbia Records, a division of Sony Music Entertainment

Albumbeschreibung

Obviously these three have known each other since the playground days − almost at least… During the summer of 1977, the ex-virtuosos of Miles Davis’ Second Great Quintet locked themselves up in the Automatt, a studio in San Francisco, to remind those who may have forgotten how perfect their complicity could sound. These sessions gave birth to two albums: Third Plane with Milestone and Herbie Hancock Trio with Columbia. Same story five years later with a similar exercise released under the title Herbie Hancock Trio With Ron Carter & Tony Williams. Each of them included a personal theme (Dolphin Dance for Hancock, Slight Smile for Carter and Maison Goree for Williams) between two classics (Benny Golson’s Stable Mates and That Old Black Magic by Harold Arlen and Johnny Mercer), creating a particularly refined atmosphere. The three friends obviously put on hold their fusion/jazz-rock inclinations that had defined their music since the mid-1970s, and went back to a sort of velvety, woody-flavoured hard pop. The (new) revolution clearly wasn’t yet on the agenda. But robust swing and inspired improvisations clearly were! © Marc Zisman/Qobuz

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