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Jean-Efflam Bavouzet|Haydn: Piano Sonatas, Vol. 1

Haydn: Piano Sonatas, Vol. 1

Jean-Efflam Bavouzet

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Perhaps one of classical music's least noted but most important stories of the new millennium has been the profusion of recordings of Haydn's keyboard sonatas, each as different from the others as are the major schools of playing Beethoven, if not more so. Part of the reason for the variety is that, as French pianist Jean-Efflam Bavouzet points out here, Haydn's manuscripts contained very little in the way of interpretive markings, leaving the field open for future performers and editors. Bavouzet, operating in the sonically superb environment of Suffolk, England's Potton Hall and playing a modern Yamaha, nevertheless adopts the fruits of historical research in his approach. He takes the repeats and heavily ornaments them, without, however, drawing attention to himself in the process. More generally, his tone is clean, very quiet, and rather harpsichord-like. In the slow movements of these four middle-period sonatas he's low-key indeed, but his playing holds up under attentive listening; his playing successfully draws the listener into an intimate space. Bavouzet's readings generally have the sort of Haydn X factor that leaves the listener completely unsure of what's coming next. Strongly recommended and whets the appetite for other albums in the occasional series that Bavouzet promises is coming.

© TiVo

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Haydn: Piano Sonatas, Vol. 1

Jean-Efflam Bavouzet

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Sonata No. 39 in D Major, Hob. XVI: 24 (Joseph Haydn)

1
I. Allegro
00:07:10

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

2
II. Adagio
00:03:26

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

3
III. Finale. Presto
00:02:23

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

Sonata No. 47 in B Minor, Hob. XVI: 32 (Joseph Haydn)

4
I. Allegro moderato
00:06:32

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

5
II. Menuet
00:03:56

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

6
III. Finale. Presto
00:04:24

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

Sonata No. 31 in A-Flat Major, Hob. XVI: 46 (Joseph Haydn)

7
I. Allegro moderato
00:11:06

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

8
II. Adagio (Cadenza by J.E. Bavouzet)
00:09:16

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

9
III. Finale. Presto
00:03:51

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

Sonata No. 49 in C-Sharp Minor, Hob. XVI: 36 (Joseph Haydn)

10
I. Moderato
00:07:30

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

11
II. Scherzando. Allegro con brio
00:03:05

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

12
III. Menuetto. Moderato
00:04:51

Franz Joseph Haydn, Composer - Jean-Efflam Bavouzet, Piano, MainArtist

2010 Chandos Records 2010 Chandos Records

Albumbeschreibung

Perhaps one of classical music's least noted but most important stories of the new millennium has been the profusion of recordings of Haydn's keyboard sonatas, each as different from the others as are the major schools of playing Beethoven, if not more so. Part of the reason for the variety is that, as French pianist Jean-Efflam Bavouzet points out here, Haydn's manuscripts contained very little in the way of interpretive markings, leaving the field open for future performers and editors. Bavouzet, operating in the sonically superb environment of Suffolk, England's Potton Hall and playing a modern Yamaha, nevertheless adopts the fruits of historical research in his approach. He takes the repeats and heavily ornaments them, without, however, drawing attention to himself in the process. More generally, his tone is clean, very quiet, and rather harpsichord-like. In the slow movements of these four middle-period sonatas he's low-key indeed, but his playing holds up under attentive listening; his playing successfully draws the listener into an intimate space. Bavouzet's readings generally have the sort of Haydn X factor that leaves the listener completely unsure of what's coming next. Strongly recommended and whets the appetite for other albums in the occasional series that Bavouzet promises is coming.

© TiVo

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