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Heinz Rogner|Händel: Salomo

Händel: Salomo

Heinz Rögner, Rundfunkchor Berlin & Rundfunk-Sinfonieorchester Berlin

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Solomon, the great king of the United Monarchy of Judah and Israel, is a subject that inspires music of special grandeur, and Handel's two-and-a-half-hour oratorio is appropriately elaborately scored, with an orchestra larger than usual and the use of double chorus in some movements. A performance of the work in German, rather than the original English, and one that is not particularly attuned to period performance practice, might not seem like an ideal representation of the work, but this version featuring Rundfunkchor Berlin and Rundfunk-Sinfonie-Orchester Berlin ought not to be rejected out of hand. By the late eighteenth century, Handel's English oratorios had become huge hits in German translation, and they have a centuries-old performance history in German-speaking countries. (A nineteenth century German edition of Handel's works by Friedrich Chrysander, the translator of Salomo, was by far the most ambitious and closest to complete version, until a comprehensive edition was begun in the 1950s.) This recording, while it may not be the version closest to Handel's original performing forces, does in fact represent a strong record of a long tradition of German performance practice, and as such is of considerable interest. Conductor Heinz Rögner's reading of the score may not be especially revelatory, but it is dramatically and musically solid, capturing both the music's majesty and moments of intimacy, and he keeps things moving at an exciting pace. The large cast of soloists is secure and consistent, and their voices are warm and appealing. Their performances are somewhat reserved and a little reverential, but they avoid the vocal mannerisms that can sometimes make English performance of Handel sound painfully affected. In spite of its use of a translation, Rögner's version of Salomo makes a fine introduction to the work and does justice to its standing as one of the composer's finest works.
© TiVo

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Händel: Salomo

Heinz Rogner

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1
Salomo: Overtüre
Heinz Rogner
00:07:05

Heinz Rogner, Conductor

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

2
Salomo, Akt I Szene 1: Chor: Mit Harf und Zimbeln singt
Rundfunkchor Berlin
00:03:37

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

3
Salomo, Akt I Szene 1: Arie: O preist des Herren Allbarmherzigkeit
Hermann Christian Polster
00:04:57

Hermann Christian Polster, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

4
Salomo, Akt I Szene 1: Chor: Aus frommer Brust, in heil'gem Drang
Rundfunkchor Berlin
00:04:52

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

5
Salomo, Akt I Szene 1: Arioso: Allmächt'ge Kraft, die Höh' und Tief umspannt
Marga Schiml
00:02:22

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

6
Salomo, Akt I Szene 1: Rezitativ: Erhab'ner Salomo! du bist erhört
Eberhard Buchner
00:00:43

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

7
Salomo, Akt I Szene 1: Arie: Himmelswonne hebt die Brust
Eberhard Buchner
00:04:45

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

8
Salomo, Akt I Szene 1: Chor: Preist all' im Land Jehova, nah und fern
Rundfunkchor Berlin
00:02:26

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

9
Salomo, Akt I Szene 1: Rezitativ: Dank dir, o Herr! der gnädig du erschienst
Marga Schiml
00:00:30

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

10
Salomo, Akt I Szene 1: Arie: Erforscht' ich gleich jed' Gras und Blum'
Marga Schiml
00:05:19

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

11
Salomo, Akt I Szene 2: Rezitativ: Seht da, mein Weib, mein Trost und Stolz
Marga Schiml
00:00:51

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

12
Salomo, Akt I Szene 2: Arie: Heil dem Tag, da ich geschaut
Regina Werner
00:06:26

Regina Werner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

13
Salomo, Akt I Szene 2: Rezitativ: Wie süß, du Fürstenkind vom Nil
Marga Schiml
00:00:54

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

14
Salomo, Akt I Szene 2: Duett: Lieblich wie des Tages Pracht - Myrtenblüt' und Rosenhain
Marga Schiml
00:03:30

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

15
Salomo, Akt I Szene 2: Rezitativ: Arm ist die flücht'ge Schönheit der Gestalt
Eberhard Buchner
00:00:50

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

16
Salomo, Akt I Szene 2: Arie: O teile Treu- und Liebesschwur
Eberhard Buchner
00:03:28

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

17
Salomo, Akt I Szene 2: Rezitativ: Mein blühend Weib, komm, komm mit mir
Marga Schiml
00:00:21

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

18
Salomo, Akt I Szene 2: Arie: Komm, Komm zu dem Zedernhain
Marga Schiml
00:04:18

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

19
Salomo, Akt I Szene 2: Rezitativ: Ist fern von mir dein Angesicht
Regina Werner
00:00:17

Regina Werner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

20
Salomo, Akt I Szene 2: Arie: Mit dir durch Moor, durch Wüstensand
Regina Werner
00:01:55

Regina Werner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

21
Salomo, Akt I Szene 2: Rezitativ: Durchforscht die Welt
Eberhard Buchner
00:00:19

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

22
Salomo, Akt I Szene 2: Chor: Nie trüb' euch ein Unhold den Frieden bei Nacht
Rundfunkchor Berlin
00:02:57

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

DISC 2

1
Salomo, Akt II Szene 1: Chor: Vom Altare wallend weh'n
Rundfunkchor Berlin
00:05:09

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

2
Salomo, Akt II Szene 1: Rezitativ: Preis sei dem Herrn, der Weisheit mir verlieh'n
Marga Schiml
00:01:08

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

3
Salomo, Akt II Szene 1: Arie: Ob die Sonn' auf Berg und Tal
Marga Schiml
00:03:37

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

4
Salomo, Akt II Szene 1: Rezitativ: O Herr, gerecht ist dein Beschluss
Hermann Christian Polster
00:00:27

Hermann Christian Polster, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

5
Salomo, Akt II Szene 1: Arie: O selig ist der weise Mann
Hermann Christian Polster
00:03:50

Hermann Christian Polster, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

6
Salomo, Akt II Szene 2: Rezitativ: Mein hoher Fürst, zwei Frauen stehen - Lasst sie herein
Hermann Christian Polster
00:02:22

Hermann Christian Polster, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

7
Salomo, Akt II Szene 3: Terzett: Ach, kein Wort benennt mein Weh! - Falsch ist all ihr fein Gesicht - Warnend schwebt die Waage schon
Marga Schiml
00:04:00

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

8
Salomo, Akt II Szene 3: Rezitativ: Was sagt die andre zu so schwerer Schuld? - Nicht kann ich schmücken den Bericht
Marga Schiml
00:01:35

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

9
Salomo, Akt II Szene 3: Arie: Dein Urteil verfügt, was weis ist und klug
Sibylle Suske
00:02:40

Sibylle Suske, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

10
Salomo, Akt II Szene 3: Rezitativ: Halt ein, steh ab vom schreckenvollen Mord
Helga Termer
00:00:17

Helga Termer, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

11
Salomo, Akt II Szene 3: Arie: Kann ich sehn mein Kind zerstückt
Helga Termer
00:03:38

Helga Termer, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

12
Salomo, Akt II Szene 3: Rezitativ: Israel, vernimm, was nun dein König spricht
Marga Schiml
00:01:42

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

13
Salomo, Akt II Szene 3: Duett: Dem König sei Heil! Er ist weis und gut - Der Herr war's, der so mich erhob
Marga Schiml
00:04:32

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

14
Salomo, Akt II Szene 3: Chor: Wer vom Ost bis hin zum West
Rundfunkchor Berlin
00:02:39

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

15
Salomo, Akt II Szene 3: Rezitativ: Von früh bis spät sing' ich in Wonne gern
Eberhard Buchner
00:00:28

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

16
Salomo, Akt II Szene 3: Arie: Sieh, wie die Palm' ihr Haupt hoch trägt
Eberhard Buchner
00:05:03

Eberhard Buchner, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

17
Salomo, Akt II Szene 3: Rezitativ: Bedrohen soll nie mehr Krieg unser Haus
Helga Termer
00:00:27

Helga Termer, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

18
Salomo, Akt II Szene 3: Arie: Am klaren Bach, im stillen Tal
Helga Termer
00:05:53

Helga Termer, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

19
Salomo, Akt II Szene 3: Chor: Schallt. schallt laut, ihr Chöre, zu Salomos Preis
Rundfunkchor Berlin
00:03:08

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

DISC 3

1
Salomo, Akt III: Sinfonia. "Ankunft der Königin von Saba"
Heinz Rogner
00:03:22

Heinz Rogner, Conductor

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

2
Salomo, Akt III Szene 1: Rezitativ: Von Arabiens würz'gem Strand
Marga Schiml
00:01:36

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

3
Salomo, Akt III Szene 1: Arie: Jeder Anblick, der sich beut
Eva-Maria Bundschuh
00:05:57

Eva-Maria Bundschuh, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

4
Salomo, Akt III Szene 1: Chor: Hebt im Chor der Stimmen Klang
Marga Schiml
00:03:19

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

5
Salomo, Akt III Szene 1: Arioso: Nun ein Sang von andrer Glut
Marga Schiml
00:02:05

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

6
Salomo, Akt III Szene 1: Rezitativ: Doch nun stillt die wilden Triebe
Marga Schiml
00:00:35

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

7
Salomo, Akt III Szene 1: Chor: Singt die Qual verschmähter Liebe
Rundfunkchor Berlin
00:02:59

Berlin Radio Chorus, Choir

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

8
Salomo, Akt III Szene 1: Rezitativ: Und nun senk' ein sanftes Lied
Marga Schiml
00:00:16

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

9
Salomo, Akt III Szene 1: Chor: So rollt die Wog' und steigt
Marga Schiml
00:03:36

Marga Schiml, Performer

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

Albumbeschreibung

Solomon, the great king of the United Monarchy of Judah and Israel, is a subject that inspires music of special grandeur, and Handel's two-and-a-half-hour oratorio is appropriately elaborately scored, with an orchestra larger than usual and the use of double chorus in some movements. A performance of the work in German, rather than the original English, and one that is not particularly attuned to period performance practice, might not seem like an ideal representation of the work, but this version featuring Rundfunkchor Berlin and Rundfunk-Sinfonie-Orchester Berlin ought not to be rejected out of hand. By the late eighteenth century, Handel's English oratorios had become huge hits in German translation, and they have a centuries-old performance history in German-speaking countries. (A nineteenth century German edition of Handel's works by Friedrich Chrysander, the translator of Salomo, was by far the most ambitious and closest to complete version, until a comprehensive edition was begun in the 1950s.) This recording, while it may not be the version closest to Handel's original performing forces, does in fact represent a strong record of a long tradition of German performance practice, and as such is of considerable interest. Conductor Heinz Rögner's reading of the score may not be especially revelatory, but it is dramatically and musically solid, capturing both the music's majesty and moments of intimacy, and he keeps things moving at an exciting pace. The large cast of soloists is secure and consistent, and their voices are warm and appealing. Their performances are somewhat reserved and a little reverential, but they avoid the vocal mannerisms that can sometimes make English performance of Handel sound painfully affected. In spite of its use of a translation, Rögner's version of Salomo makes a fine introduction to the work and does justice to its standing as one of the composer's finest works.
© TiVo

About the album

1986 Eterna/Edel Germany GmbH 1986 Eterna/Edel Germany GmbH

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