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Edgar Moreau - Franck, Poulenc, Strohl, La Tombelle : Cello Sonatas

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Franck, Poulenc, Strohl, La Tombelle : Cello Sonatas

Edgar Moreau - David Kadouch

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No-one could think that Edgar Moreau and David Kadouch had an easy job in selecting the programme for this album, which begins with the expansive and impressive Grand Dramatic Sonata (Grande sonate dramatique) "Titus et Bérénice", by Rita Strohl (1865-1941), a pseudonym of Aimée Marie Marguerite Mercédès Larousse La Villette, a French composer of the same vein as Franck or Saint-Saëns. Rita Strohl has gone down in history as an astounding character: she had the idea of creating a kind of French Bayreuth, La Grange, in Bièvres (!) with the support of Odilon Redon and a number of other artists of the day; it was done in aid of performing Rita's operas - monumental works, more than a match for any of the most colossal excesses of Scriabin: a Christian cycle, a Celtic cycle lasting five days, a Hindu cycle in seven. The sheer size of these projects was overwhelming, to say nothing of other troubles such as the start of the First World War and other personal troubles of Strohl's. All the same, this Sonata reveals in Strohl a figure bursting with talents and ideas, which Moreau and Kadouch bring to life with unstinting devotion. Poulenc's little-performed Sonata for Cello and Piano follows: a delicious taste of Poulenc's "light" output, which almost classes as salon music. The other great moment on the album is Franck's Sonata, as re-written by Jules Desart during the composer's lifetime. The album also offers a little rarity from Fernand de La Tombelle, one of the founding members of the Schola Cantorum, whose score relates to the work of Reynaldo Hahn. This ample album closes with a world-first Poulenc recording (such a thing is still possible!), Souvenirs. It is well-named: the piano part appears to recall (or prefigure) the dramas of Dialogues, while the cello, which only intervenes occasionally, shows off Poulenc's salon voice! © SM/Qobuz

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Franck, Poulenc, Strohl, La Tombelle : Cello Sonatas

Edgar Moreau

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Titus et Bérénice, grande sonate dramatique pour violoncelle & piano (Rita Strohl)

1
I. Allegro moderato
00:13:01

Edgar Moreau, Cello - David Kadouch, Piano - Rita Strohl, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

2
II. Vivace - Molto movimento
00:04:55

Edgar Moreau, Cello - David Kadouch, Piano - Rita Strohl, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

3
III. Lento, Tristamente
00:07:32

Edgar Moreau, Cello - David Kadouch, Piano - Rita Strohl, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

4
IV. Allegro molto movimento
00:09:40

Edgar Moreau, Cello - David Kadouch, Piano - Rita Strohl, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Cello Sonata, FP 143 (Francis Poulenc)

5
I. Allegro - Tempo di marcia
00:05:58

Edgar Moreau, Cello - David Kadouch, Piano - Francis Poulenc, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

6
II. Cavatine
00:06:25

Edgar Moreau, Cello - David Kadouch, Piano - Francis Poulenc, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

7
III. Ballabile
00:03:22

Edgar Moreau, Cello - David Kadouch, Piano - Francis Poulenc, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

8
IV. Finale
00:07:07

Edgar Moreau, Cello - David Kadouch, Piano - Francis Poulenc, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Violin Sonata in A Major, FWV 8 (César Franck)

9
I. Allegretto ben moderato (Arr. Delsart for Cello & Piano)
00:06:36

Edgar Moreau, Cello - David Kadouch, Piano - César Franck, Composer - Jules Delsart, Arranger

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

10
II. Allegro (Arr. Delsart for Cello & Piano)
00:08:36

Edgar Moreau, Cello - David Kadouch, Piano - César Franck, Composer - Jules Delsart, Arranger

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

11
III. Recitativo-Fantasia (ben moderato) [Arr. Delsart for Cello & Piano]
00:07:16

Edgar Moreau, Cello - David Kadouch, Piano - César Franck, Composer - Jules Delsart, Arranger

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

12
IV. Allegretto poco mosso (Arr. Delsart for Cello & Piano)
00:06:35

Edgar Moreau, Cello - David Kadouch, Piano - César Franck, Composer - Jules Delsart, Arranger

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Andante Espressivo (Fernand de La Tombelle)

13
Andante espressivo
00:04:27

Edgar Moreau, Cello - David Kadouch, Piano - Fernand de la Tombelle, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Souvenirs (Francis Poulenc)

14
Souvenirs
00:03:49

Edgar Moreau, Cello - David Kadouch, Piano - Francis Poulenc, Composer

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Album Description

No-one could think that Edgar Moreau and David Kadouch had an easy job in selecting the programme for this album, which begins with the expansive and impressive Grand Dramatic Sonata (Grande sonate dramatique) "Titus et Bérénice", by Rita Strohl (1865-1941), a pseudonym of Aimée Marie Marguerite Mercédès Larousse La Villette, a French composer of the same vein as Franck or Saint-Saëns. Rita Strohl has gone down in history as an astounding character: she had the idea of creating a kind of French Bayreuth, La Grange, in Bièvres (!) with the support of Odilon Redon and a number of other artists of the day; it was done in aid of performing Rita's operas - monumental works, more than a match for any of the most colossal excesses of Scriabin: a Christian cycle, a Celtic cycle lasting five days, a Hindu cycle in seven. The sheer size of these projects was overwhelming, to say nothing of other troubles such as the start of the First World War and other personal troubles of Strohl's. All the same, this Sonata reveals in Strohl a figure bursting with talents and ideas, which Moreau and Kadouch bring to life with unstinting devotion. Poulenc's little-performed Sonata for Cello and Piano follows: a delicious taste of Poulenc's "light" output, which almost classes as salon music. The other great moment on the album is Franck's Sonata, as re-written by Jules Desart during the composer's lifetime. The album also offers a little rarity from Fernand de La Tombelle, one of the founding members of the Schola Cantorum, whose score relates to the work of Reynaldo Hahn. This ample album closes with a world-first Poulenc recording (such a thing is still possible!), Souvenirs. It is well-named: the piano part appears to recall (or prefigure) the dramas of Dialogues, while the cello, which only intervenes occasionally, shows off Poulenc's salon voice! © SM/Qobuz

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