Les Siècles and François-Xavier Roth Debussy: Jeux, Nocturnes, Prélude à l'aprés midi d'un faune

Debussy: Jeux, Nocturnes, Prélude à l'aprés midi d'un faune

Les Siècles and François-Xavier Roth

Hi-Res 24-bits – 44.10 kHz

Inbegrepen: 1 Booklet

Verschenen op 7 december 2018 bij harmonia mundi

Hoofdartiest: Les Siècles

Genre: Klassiek > Symfonische muziek

Onderscheidingen: Gramophone Editor's Choice (december 2018)

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Album : 1 album - 5 tracks Totale duur : 00:50:49

  1. 1 Prélude à l'après-midi d'un faune, CD 87

    Claude Debussy, Composer - Copyright Control, MusicPublisher - Les Siècles, Orchestra, MainArtist - François-Xavier Roth, Conductor, MainArtist Auteursrecht : harmonia mundi Les Siècles

  2. 2 Jeux, CD 133

    Claude Debussy, Composer - Copyright Control, MusicPublisher - Les Siècles, Orchestra, MainArtist - François-Xavier Roth, Conductor, MainArtist Auteursrecht : harmonia mundi Les Siècles

  3. 3 Nocturnes, CD 98: 1. Nuages

    Claude Debussy, Composer - Copyright Control, MusicPublisher - Les Siècles, Orchestra, MainArtist - François-Xavier Roth, Conductor, MainArtist Auteursrecht : harmonia mundi Les Siècles

  4. 4 Nocturnes, CD 98: 2. Fêtes

    Claude Debussy, Composer - Copyright Control, MusicPublisher - Les Siècles, Orchestra, MainArtist - François-Xavier Roth, Conductor, MainArtist Auteursrecht : harmonia mundi Les Siècles

  5. 5 Nocturnes, CD 98: 3. Sirènes

    Claude Debussy, Composer - Copyright Control, MusicPublisher - Les Siècles, Orchestra, MainArtist - François-Xavier Roth, Conductor, MainArtist - Les Cris de Paris, Choir, MainArtist Auteursrecht : harmonia mundi Les Siècles

Meer informatie

The originality of this recording (which presents works that are, in fact, rather common) comes from the orchestra Les Siècles playing on periodic instruments, in this case from the period in which Debussy wrote these masterpieces. This is particularly relevant for woodwinds and brass, whose mechanisms and sounds around 1900 were very different - more incisive perhaps, and undoubtedly more differentiated - which for music like Debussy's offers a real plus in the orchestral balance. Moreover, the number of strings remains reasonable, this way the woodwind is never swallowed up as it often is with large international orchestras. The listener will be able to hear this music as Debussy heard it, or at least how he would have liked to have heard it because in his time orchestras and conductors did not always have a clear understanding of his style or the infinite colours on his palette. © SM/Qobuz

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