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Anna Gschwend|Das neugeborne Kindelein

Das neugeborne Kindelein

Sigiswald Kuijken, La Petite Bande

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Christmas, one of the most important celebrations in the Christian calendar, gave rise to an incredible number of liturgical works during the Baroque era. In addition to Bach's obvious Oratorio and Schütz's Weihnachtshistorie, Bach and Telemann, as well as Buxtehude two generations earlier, possessed incredibly infectious joy and gaiety. This is a panoramic vision of the Nativity in northern Germany, between one of Bach's most beautiful cantatas, Ich freue mich in Dir, and one of Telemann’s cantatas (among the approximately one thousand five hundred cantatas that he wrote...) whose rather rigorous contrapuntal style contradicts the totally Italianised theme. Among the pieces, we hear a singular aria Wenn mich Welt und Satan schrecken ("When the world and Satan frightened me") with a delirious accompaniment of satanic "ugliness" that adds a straightforward theatrical effect. The very lyrical motet Das neugeborne Kindelein by Buxtehude is worth a listen, written at a time when Bach and Telemann were still little children themselves, before the end of the 17th century. On the Latin side - because Protestants sometimes used this style for extremely rigorous works, with "cantus firmus" and all the "tralalus" - we find some Telemann again with Ein Kindelein so löbelich - a Kyrie followed by a Gloria. We are also treated to the famous In dulci jubilo, known throughout the Germanic world as one of the great Christmas works. Sigiswald Kuijken's La Petite Bande passionately takes us into the world of the Nativity. © SM/Qobuz

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Das neugeborne Kindelein

Anna Gschwend

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Das neugeborne Kindelein, BuxWV 13 (Dieterich Buxtehude)

1
Das neugeborne Kindelein, BuxWV 13
Anna Gschwend
00:06:39

Christian Wagner, Artist - Dieterich Buxtehude, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

Ein Kindelein so löbelich, TWV 9:5 (Georg Philipp Telemann)

2
Kyrie
Anna Gschwend
00:02:03

Christian Wagner, Artist - Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

3
Gloria
Anna Gschwend
00:05:43

Christian Wagner, Artist - Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

Ich freue mich in dir, BWV 133 (Johann Sebastian Bach)

4
Ich freue mich in dir (Chorus)
Anna Gschwend
00:04:24

Johann Sebastian Bach, Composer - Christian Wagner, Artist - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

5
Aria: Getrost! es fasst ein heilger Leib (Alto)
Lucia Napoli
00:04:19

Johann Sebastian Bach, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Lucia Napoli, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

6
Recitative: Ein Adam mag sich voller Schrecken (Tenor)
Sören Richter
00:00:59

Johann Sebastian Bach, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

7
Aria: Wie lieblich klingt es in den Ohren (Soprano)
Anna Gschwend
00:07:54

Johann Sebastian Bach, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

8
Recitative: Wohlan, des Todes Furcht und Schmerz (Bass)
Christian Wagner
00:00:57

Johann Sebastian Bach, Composer - Christian Wagner, Artist, MainArtist - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor

(C) 2018 Accent (P) 2018 Accent

9
Chorale: Wohlan, so will ich mich (Chorus)
Anna Gschwend
00:01:05

Johann Sebastian Bach, Composer - Christian Wagner, Artist - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

O Jesu Christ, dein Kripplein, TWV 1:1200 (Georg Philipp Telemann)

10
O Jesu Christ, dein Kripplein ist (Choral)
Anna Gschwend
00:00:46

Christian Wagner, Artist - Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

11
Aria: Neugebornes Menschenkind
Anna Gschwend
00:05:45

Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

12
Recitative: O Kind, vor dem das Hollenreich erschrickt
Anna Gschwend
00:01:09

Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

13
Aria: Wenn mich Welt und Satan schrecken
Anna Gschwend
00:03:57

Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

14
Die ihr schwebt in grossem Leiden (Choral)
Anna Gschwend
00:00:51

Christian Wagner, Artist - Georg Philipp Telemann, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Sören Richter, Artist - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

In dulci jubilo, BuxWV 52 (Dieterich Buxtehude)

15
In dulci jubilo, BuxWV 52
Anna Gschwend
00:06:00

Christian Wagner, Artist - Dieterich Buxtehude, Composer - La Petite Bande, Ensemble - Sigiswald Kuijken, Conductor - Lucia Napoli, Artist - Anna Gschwend, Artist, MainArtist

(C) 2018 Accent (P) 2018 Accent

Albumbeschreibung

Christmas, one of the most important celebrations in the Christian calendar, gave rise to an incredible number of liturgical works during the Baroque era. In addition to Bach's obvious Oratorio and Schütz's Weihnachtshistorie, Bach and Telemann, as well as Buxtehude two generations earlier, possessed incredibly infectious joy and gaiety. This is a panoramic vision of the Nativity in northern Germany, between one of Bach's most beautiful cantatas, Ich freue mich in Dir, and one of Telemann’s cantatas (among the approximately one thousand five hundred cantatas that he wrote...) whose rather rigorous contrapuntal style contradicts the totally Italianised theme. Among the pieces, we hear a singular aria Wenn mich Welt und Satan schrecken ("When the world and Satan frightened me") with a delirious accompaniment of satanic "ugliness" that adds a straightforward theatrical effect. The very lyrical motet Das neugeborne Kindelein by Buxtehude is worth a listen, written at a time when Bach and Telemann were still little children themselves, before the end of the 17th century. On the Latin side - because Protestants sometimes used this style for extremely rigorous works, with "cantus firmus" and all the "tralalus" - we find some Telemann again with Ein Kindelein so löbelich - a Kyrie followed by a Gloria. We are also treated to the famous In dulci jubilo, known throughout the Germanic world as one of the great Christmas works. Sigiswald Kuijken's La Petite Bande passionately takes us into the world of the Nativity. © SM/Qobuz

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