Purcell Choir, Orfeo Orchestra, György Vashegyi Conti : Missa Sancti Pauli

Conti : Missa Sancti Pauli

Purcell Choir, Orfeo Orchestra, György Vashegyi

Verschenen op 19 oktober 2018 bij Glossa

Hoofdartiest: György Vashegyi

Genre: Klassiek > Religieuze vocale muziek > Missen, passies, requiems

Onderscheidingen: Diapason d'or ( februari 2019) - Le Choix de France Musique ( februari 2019) - 5 étoiles de Classica ( februari 2019)

Inbegrepen: 1 Booklet

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The modern-day appreciation of Francesco Bartolomeo Conti takes a decisive turn in the direction of his church music with this early eighteenth-century composer’s Missa Sancti Pauli given an ideal recording on Glossa by György Vashegyi, the Purcell Choir and Orfeo Orchestra.
Conti was a Florentine who worked for much of his career in the Imperial Court in Vienna, generating much attention there – the ever-observant Johann Sebastian Bach and Zelenka were both known to have been attracted by his music. Curiously, it was liturgical works like this 1715 Missa Sancti Pauli which kept Conti’s name known until near to the end of the nineteenth century rather than the operas, oratorios and cantatas with which he delighted the Viennese Court and which have hitherto been receiving the attention of artists and record labels today.
If Conti’s church music is less fledgling Classical than his dramatic fare, there is much in the way of melodic tunefulness and concertato style – for both voices and instruments – to combine with fugalimitative writing reminiscent of the “stile antico”.
The work is a “Credo Mass” (both Mozart and Beethoven were to write examples of this genre, with its rondolike restatement of the word in the Credo section. The tone, control, presence and unity of the Purcell Choir have been amply demonstrated already on Glossa in music of the French Baroque – Rameau and Mondonville in particular – and the singers are given full opportunity to shine in Conti’s mass – as are the orchestra, comprised mainly of strings, and the vocal soloists, who include Adriána Kalafszky, Péter Bárány, Zoltán Megyesi and Thomas Dolié. Bárány and Megyesi are also soloists in two additional works: the motet, Fastos caeli audite and the aria Pie Jesu, ad te refugio. © Glossa

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Album : 1 album - 28 tracks Totale duur : 01:07:06

    Missa Sancti Pauli (Francesco Bartolomeo Conti)
  1. 1 Kyrie: Kyrie eleison

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  2. 2 Kyrie: Christe eleison

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Thomas Dolié, Bass - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  3. 3 Kyrie: Kyrie eleison II

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  4. 4 Gloria: Gloria in excelsis Deo

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  5. 5 Gloria: Et in terra pax

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  6. 6 Gloria: Laudamus te

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  7. 7 Gloria: Propter magnam gloriam tuam

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  8. 8 Gloria: Domine Deus

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Thomas Dolié, Bass - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  9. 9 Gloria: Qui tollis

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  10. 10 Gloria: Qui tollis II

    Zoltan Megyesi, Tenor - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  11. 11 Gloria: Qui sedes

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  12. 12 Gloria: Quoniam tu solus sanctus

    Adriána Kalafszky, Soprano - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  13. 13 Sonata: Largo - Allegro assai

    Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  14. 14 Fastos caeli audite: Fastos caeli audite

    Peter Barany, Countertenor - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  15. 15 Fastos caeli audite: Exultent filii Sion

    Peter Barany, Countertenor - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  16. 16 Fastos caeli audite: Alleluja

    Peter Barany, Countertenor - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  17. 17 Credo: Credo in unum Deum

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Lóránt Najbauer, Bass - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  18. 18 Credo: Crucifixus

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  19. 19 Credo: Et resurrexit

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  20. 20 Credo: Et in Spiritum Sanctum

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  21. 21 Credo: Et vitam venturi

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  22. 22 Sanctus: Sanctus

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  23. 23 Sanctus: Benedictus

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  24. 24 Sanctus: Hosanna

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  25. 25 Agnus Dei: Agnus Dei

    Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  26. 26 Agnus Dei: Agnus Dei II

    Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  27. 27 Agnus Dei: Dona nobis pacem

    Adriána Kalafszky, Soprano - Peter Barany, Countertenor - Zoltan Megyesi, Tenor - Lóránt Najbauer, Bass - Thomas Dolié, Bass - Purcell Choir - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  28. 28 Agnus Dei: Pie Jesu, ad te refugio

    Zoltan Megyesi, Tenor - Orfeo Orchestra - György Vashegyi, Conductor - Francesco Bartolomeo Conti, Composer Auteursrecht : (C) 2018 Glossa (P) 2018 Glossa

  • Beschrijving van het album
  • The modern-day appreciation of Francesco Bartolomeo Conti takes a decisive turn in the direction of his church music with this early eighteenth-century composer’s Missa Sancti Pauli given an ideal recording on Glossa by György Vashegyi, the Purcell Choir and Orfeo Orchestra.
    Conti was a Florentine who worked for much of his career in the Imperial Court in Vienna, generating much attention there – the ever-observant Johann Sebastian Bach and Zelenka were both known to have been attracted by his music. Curiously, it was liturgical works like this 1715 Missa Sancti Pauli which kept Conti’s name known until near to the end of the nineteenth century rather than the operas, oratorios and cantatas with which he delighted the Viennese Court and which have hitherto been receiving the attention of artists and record labels today.
    If Conti’s church music is less fledgling Classical than his dramatic fare, there is much in the way of melodic tunefulness and concertato style – for both voices and instruments – to combine with fugalimitative writing reminiscent of the “stile antico”.
    The work is a “Credo Mass” (both Mozart and Beethoven were to write examples of this genre, with its rondolike restatement of the word in the Credo section. The tone, control, presence and unity of the Purcell Choir have been amply demonstrated already on Glossa in music of the French Baroque – Rameau and Mondonville in particular – and the singers are given full opportunity to shine in Conti’s mass – as are the orchestra, comprised mainly of strings, and the vocal soloists, who include Adriána Kalafszky, Péter Bárány, Zoltán Megyesi and Thomas Dolié. Bárány and Megyesi are also soloists in two additional works: the motet, Fastos caeli audite and the aria Pie Jesu, ad te refugio. © Glossa

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Known by many as Spain's most international label, and considered by many to be the world's finest in early music, is based in San Lorenzo de El Escorial, in the mountains near Madrid. Founded in 1992 by the musician brothers José Miguel and Emilio Moreno and directed since 1995 by Carlos Céster, it is a landmark not only on account of its extreme artistic coherence - with great names in early music among its exclusive performers, such as Paolo Pandolfo, La Venexiana, Graindelavoix, the Orchestra of the 18th Century, Le Concert Spirituel, Fabio Bonizzoni, or the Moreno brothers themselves - but also because of its always innovative and exquisite formal proposals, such ...

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