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Aimo Pagin|Chopin: Complete Waltzes

Chopin: Complete Waltzes

Aimo Pagin

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The life and career of Frederic Chopin, whom Claude Debussy described as a “man of generous ideas,” have elicited many writings, and have been the source of many legends, excessive tales, and caricatures. Chopin’s genius, expressed in many different manners, reveals the complex personality of a secretive musician who kept to himself but was also driven by an all-encompassing passion. “Externally I am joyful,” Chopin would confide, “but internally I am consumed. (...) The pleasure of living, and immediately thereafter a desire for death”.

In articles dedicated to Chopin in La France Musicale starting in February 1851, less than two years after the composer’s death, Liszt would speak to that effect: “Even tempered and jovial, he seldom let on to the secret convulsions that racked him”. Aside from exceptional virtuosity, Chopin’s music – which does not stem from any literary source – evokes in turn feelings of passion or enthusiasm, emotion or melancholy, perhaps owing to his estrangement from his native Poland, which he left in 1830 never to return. In the words of his friend Henri Heine, “his real homeland was the enchanted kingdom of fantasy”.

Chopin dedicated the quasi-totality of his efforts to the piano, an instrument to which he gave a new voice, because he did not wish to dissipate his inspiration in the “hubbub” of the orchestra. He preferred concentrating on the delicate tonality of the keyboard instrument, with which he thoroughly identified. According to George Sand, “his creation was spontaneous, miraculous. He found it without looking for it, with no planning. It would come to his piano suddenly, complete and sublime. (...) He never needed expansive means to express his genius”. Pianist George Mathias, a former student of Chopin’s, would say that his piano only ever existed under his fingers. It is no surprise that composer Charles Koelchin considered Chopin to be one the most authentic creators of modern music. Aimo Pagin performs here the 19 Waltzes of the composer. © Paraty

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Chopin: Complete Waltzes

Aimo Pagin

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1
Waltz No. 1 in E-Flat, Op. 18 "Grande valse brillante": Vivo
00:05:50

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

2
Waltz No. 2 in A-Flat, Op. 34 No. 1 "Grande valse brillante": Vivace
00:06:05

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

3
Waltz No. 3 in A Minor, Op. 34 No. 2 "Grande valse brillante": Lento
00:05:52

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

4
Waltz No. 4 in F, Op. 34 No. 3 "Grande valse brillante": Vivace
00:02:38

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

5
Waltz No. 5 in A-Flat, Op. 42 "Grande valse": Vivace
00:04:37

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

6
Waltz No. 6 in D-Flat, Op. 64 No. 1 "Minute": Molto vivace
00:02:01

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

7
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2: Tempo giusto
00:04:10

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

8
Waltz No. 8 in A-Flat, Op. 64 No. 3: Moderato
00:03:50

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

9
Waltz No. 9 in A-Flat, Op. 69 No. 1 "Farewell": Lento
00:04:02

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

10
Waltz No. 10 in B Minor, Op. 69 No. 2: Moderato
00:03:39

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

11
Waltz No. 11 in G-Flat, Op. 70 No. 1: Molto vivace
00:02:07

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

12
Waltz No. 12 in F Minor/A-Flat, Op. 70 No. 2: Tempo giusto
00:03:18

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

13
Waltz No. 13 in D-Flat, Op. 70 No. 3: Moderato
00:02:50

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

14
Waltz No. 16 in A-Flat, Op. posth. B. 21
00:01:18

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

15
Waltz No. 15 in E, Op. posth. B. 44: Tempo di valse
00:02:36

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

16
Waltz No.14 in E Minor, Op. Posth. B. 56: Vivace
00:03:15

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

17
Waltz No. 18, Op. posth. B. 133: Sostenuto
00:02:09

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

18
Waltz No. 19, Op. posth. B. 150: Allegretto
00:03:02

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Aimo Pagin, Soloist, MainArtist

2020 Paraty 2020 Paraty

Albumbeschreibung

The life and career of Frederic Chopin, whom Claude Debussy described as a “man of generous ideas,” have elicited many writings, and have been the source of many legends, excessive tales, and caricatures. Chopin’s genius, expressed in many different manners, reveals the complex personality of a secretive musician who kept to himself but was also driven by an all-encompassing passion. “Externally I am joyful,” Chopin would confide, “but internally I am consumed. (...) The pleasure of living, and immediately thereafter a desire for death”.

In articles dedicated to Chopin in La France Musicale starting in February 1851, less than two years after the composer’s death, Liszt would speak to that effect: “Even tempered and jovial, he seldom let on to the secret convulsions that racked him”. Aside from exceptional virtuosity, Chopin’s music – which does not stem from any literary source – evokes in turn feelings of passion or enthusiasm, emotion or melancholy, perhaps owing to his estrangement from his native Poland, which he left in 1830 never to return. In the words of his friend Henri Heine, “his real homeland was the enchanted kingdom of fantasy”.

Chopin dedicated the quasi-totality of his efforts to the piano, an instrument to which he gave a new voice, because he did not wish to dissipate his inspiration in the “hubbub” of the orchestra. He preferred concentrating on the delicate tonality of the keyboard instrument, with which he thoroughly identified. According to George Sand, “his creation was spontaneous, miraculous. He found it without looking for it, with no planning. It would come to his piano suddenly, complete and sublime. (...) He never needed expansive means to express his genius”. Pianist George Mathias, a former student of Chopin’s, would say that his piano only ever existed under his fingers. It is no surprise that composer Charles Koelchin considered Chopin to be one the most authentic creators of modern music. Aimo Pagin performs here the 19 Waltzes of the composer. © Paraty

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