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Donovan - Catch the Wind

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Catch the Wind

Donovan

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While this album is not to be confused with Donovan's debut album (which was released under two different titles, Catch the Wind and What's Bin Did and What's Bin Hid), this particular collection is devoted to material from the same period in the singer/songwriter's career, his early years recording for Pye Records when his work was most strongly influenced by Bob Dylan's days as the king of poetic protest music. The tracks on Catch the Wind are a good bit different than the sunny pop-psychedelic sides Donovan would make his trademark a few years down the line, but one can hear glimmers of this style in the playful "Sunny Goodge Street" and the possible double meanings of "Candy Man." Otherwise, this is a solid (if not quite definitive) study of Donovan the Folkie, and if this work is less resonant than his subsequent pop recordings, it shows he was already a fine vocalist and a promising songwriter, as well as a keen judge of the work of others (his cover of Buffy Sainte-Marie's "Universal Soldier" was a well-deserved hit). Catch the Wind [Castle 2003 Collection] overlaps with a number of other collections of Donovan's early sides, but the track selection and audio are good enough that it would be a fine purchase for fans who are lacking the artist's formative works.
© Mark Deming /TiVo

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Catch the Wind

Donovan

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1
Colours
00:02:46

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

2
Sunny Goodge Street
00:02:56

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

3
Candy Man
00:03:28

Donovan, Composer, MainArtist - Donovan Leitch, Arranger, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

4
Jersey Thursday
00:02:15

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

5
Universal Soldier
00:02:12

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Buffy Sainte-Marie, Composer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

6
The War Drags On
00:03:41

Donovan, Composer, MainArtist - Donovan Leitch, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Mick Softley, Composer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

7
Do You Hear Me Now
00:01:49

Donovan, Composer, MainArtist - Donovan Leitch, Vocals - Geoff Stephens, Producer - Bert Jansch, Composer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

8
Turquoise
00:03:29

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

9
Josie
00:03:27

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer - L. Donovan Philips, Writer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

10
To Sing for You
00:02:44

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

11
Donna Donna
00:02:56

Aaron Zeitlin, Composer - Donovan, Composer, MainArtist - Donovan Leitch, Vocals - Geoff Stephens, Producer - Sholom Secunda, Composer - Peter Eden, Producer - SHELDON SECUNDA, Composer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

12
Why Do You Treat Me Like You Do
00:02:55

Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

13
Catch the Wind
00:02:54

Donovan Phillips Leitch, Composer - Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

14
Catch The Wind (Single Version with Strings)
00:02:16

Donovan Phillips Leitch, Composer - Donovan, Composer, MainArtist - Donovan Leitch, Composer, Vocals - Geoff Stephens, Producer - Peter Eden, Producer - Terry Kennedy, Producer

© 2003 Sanctuary Records Group Ltd., a BMG Company ℗ 1965 Sanctuary Records Group Ltd., a BMG Company

Album Description

While this album is not to be confused with Donovan's debut album (which was released under two different titles, Catch the Wind and What's Bin Did and What's Bin Hid), this particular collection is devoted to material from the same period in the singer/songwriter's career, his early years recording for Pye Records when his work was most strongly influenced by Bob Dylan's days as the king of poetic protest music. The tracks on Catch the Wind are a good bit different than the sunny pop-psychedelic sides Donovan would make his trademark a few years down the line, but one can hear glimmers of this style in the playful "Sunny Goodge Street" and the possible double meanings of "Candy Man." Otherwise, this is a solid (if not quite definitive) study of Donovan the Folkie, and if this work is less resonant than his subsequent pop recordings, it shows he was already a fine vocalist and a promising songwriter, as well as a keen judge of the work of others (his cover of Buffy Sainte-Marie's "Universal Soldier" was a well-deserved hit). Catch the Wind [Castle 2003 Collection] overlaps with a number of other collections of Donovan's early sides, but the track selection and audio are good enough that it would be a fine purchase for fans who are lacking the artist's formative works.
© Mark Deming /TiVo

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