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Bobo Stenson - Canción Contra La Indecisión (single)
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Canción Contra La Indecisión (single)
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Silvio Rodríguez, Composer - Bobo Stenson, Piano, AssociatedPerformer - Manfred Eicher, Producer - Anders Jormin, Double Bass, AssociatedPerformer - Bobo Stenson Trio, MainArtist - Jon Fält, Drums, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel
℗ 2017 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:04:12
- Main artist: Bobo Stenson
- Composer: Silvio Rodriguez
- Label: ECM
- Genre: Jazz
16-Bit CD Quality 44.1 kHz - Stereo
© 2017 ECM Records GmbH ℗ 2017 ECM Records GmbHImprove this page
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Hard bop, hip hop, free jazz, groove, electro, calypso, experimental or Caribbean: the key players of the new British jazz scene are open to everything. They know their classics like the back of their hands though they certainly don’t hold back from exploring all kinds of genres, making for a wonderfully eclectic sound. Here we look back over ten essential albums.
At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.
“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.