Categories:
Cart 0

Your cart is empty

Berliner Philharmoniker - Brahms : Symphony No.1 - Tragic Overture

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Brahms : Symphony No.1 - Tragic Overture

Berliner & Wiener Philharmoniker - Karl Böhm

Unlimited Streaming

Listen to this album in high quality now on our apps

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

Brahms : Symphony No.1 - Tragic Overture

Berliner Philharmoniker

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app
Listen on Webplayer

Copy the following link to share it

You are currently listening to samples.

Listen to over 40 million songs with an unlimited streaming plan.

Listen to this album and more than 40 million songs with your unlimited streaming plans.

Symphony No. 1 in C minor, Op. 68 (Johannes Brahms)

1
1. Un poco sostenuto - Allegro - Meno allegro 00:12:33

Johannes Brahms, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Karl Böhm, Conductor, MainArtist - Wolfgang Lohse, Producer, Recording Producer - Helmut Elbl, Editor, StudioPersonnel - Walter Alfred Wettler, Balance Engineer, StudioPersonnel

℗ 1960 Deutsche Grammophon GmbH, Berlin

2
2. Andante sostenuto 00:09:29

Johannes Brahms, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Karl Böhm, Conductor, MainArtist - Wolfgang Lohse, Producer, Recording Producer - Helmut Elbl, Editor, StudioPersonnel - Walter Alfred Wettler, Balance Engineer, StudioPersonnel

℗ 1960 Deutsche Grammophon GmbH, Berlin

3
3. Un poco allegretto e grazioso 00:04:32

Johannes Brahms, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Karl Böhm, Conductor, MainArtist - Wolfgang Lohse, Producer, Recording Producer - Helmut Elbl, Editor, StudioPersonnel - Walter Alfred Wettler, Balance Engineer, StudioPersonnel

℗ 1960 Deutsche Grammophon GmbH, Berlin

4
4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro 00:16:31

Johannes Brahms, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Karl Böhm, Conductor, MainArtist - Wolfgang Lohse, Producer, Recording Producer - Helmut Elbl, Editor, StudioPersonnel - Walter Alfred Wettler, Balance Engineer, StudioPersonnel

℗ 1960 Deutsche Grammophon GmbH, Berlin

Tragic Overture, Op. 81 (Johannes Brahms)

5
Brahms: Tragic Overture, Op.81 00:13:35

Johannes Brahms, Composer - Wiener Philharmoniker, Orchestra, MainArtist - Karl Böhm, Conductor, MainArtist - Jürgen Bulgrin, Editor - Günter Hermanns, Balance Engineer, StudioPersonnel - Werner Mayer, Producer, Recording Producer - Manfred Bartel, Recording Engineer, StudioPersonnel

℗ 1977 Deutsche Grammophon GmbH, Berlin

About the album

Distinctions:

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
More on Qobuz
By Berliner Philharmoniker

Playlists

You may also like...
In your panoramas...
Danny Elfman in Ten Albums

From fairy tales to wacky comedies, from the most extraordinary orchestral works to understated pieces, for almost forty years now Danny Elfman has been crafting his unique sound and injecting it into Hollywood productions by the likes of Tim Burton or Gus Van Sant. We look back over ten albums from his career, exploring both his essential works and less well-known compositions.

Martha Argerich: The Untameable Pianist

For over 60 years the Argentinian pianist Martha Argerich has amazed audiences all over the world with her wild, impulsive playing and her constant risk-taking, overcoming every technical difficulty by turning each of her performances into a fascinating journey.

Women Composers: A Secret History

From Sappho of Mytilene to Kaija Saariaho, music history has been marked by female figures who “dared” to write music. Is creation a male privilege? Our sound museum does hold more well-known and recognised male than female composers. Yet their works are no less exciting and there is absolutely no reason for them to play second fiddle, or be ignored altogether. Below, you’ll find a defence and illustration of female composition works through eleven musical portraits.

In the news...