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Sharon Bezaly|BEZALY, Sharon: French Delights

BEZALY, Sharon: French Delights

Pierre Sancan - Charles-Marie Widor - Albert Roussel

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Language available : english

Israeli-born Swedish flutist Sharon Bezaly has been in the forefront of a group of players who have rediscovered the virtuoso literature of the flute (and other instruments) from the late nineteenth and early twentieth centuries, in France especially. She yields to no one in the technical arena, flawlessly executing the circular-breathing techniques and the careening arpeggiations written into the six works presented here. But this disc is about something other than sheer virtuosity -- although there is plenty of that on display here (check out the final Valse of Benjamin Godard's Suite de trois morceaux, Op. 116), the listener who is interested purely in technical frontiers might do just as well to check out her recording of Jacques Ibert's flute concerto, also on the BIS label. What's remarkable about this release is the rediscovery of music long since thrown onto the historical scrap heap, and the shaping of that music into a satisfying program. Bezaly brackets the program with showcases of technique -- the little-known Godard suite and the 1946 Sonatine of Pierre Sancan. Next, at each end, comes works with more complex rhythms or textures, the pleasing, slightly jazzy Sonatine of Milhaud, and another obscure work, the Suite for flute and piano, Op. 34, of Charles-Marie Widor, otherwise known mostly for his organ music and just a few pieces at that. In Bezaly's hands and that of pianist Love Derwinger, the flute and piano take on an almost organ-like sound, with dense harmonies filling out basically simple structures. With the center of the program, the listener comes, one might say, to the center of the mystery in the often Eastern-flavored Joueurs de flûte, Op. 27, and most surprisingly the Deux poèmes de Ronsard, Op. 26, for the rare combination of soprano and flute. Try playing the album for someone without describing its contents -- the ethereal African-American-Swedish singer Barbara Hendricks seems to come out of nowhere and lead the listener into a charmed realm to which Bezaly's playing has pointed the way. The program as a whole is light but wholly absorbing. If there's a complaint it's the sound, which does pick up the technical details but is on the harsh side, with lots of breathing noise that audiences simply wouldn't have heard or wanted to hear when these works were originally performed.
© TiVo

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BEZALY, Sharon: French Delights

Sharon Bezaly

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Sonatine (Pierre Sancan)

1
Sonatine
Sharon Bezaly
00:09:03

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

Flute Suite, Op. 34 (Charles-Marie Widor)

2
I. Moderato
Sharon Bezaly
00:04:17

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

3
II. Scherzo. Allegro vivace
Sharon Bezaly
00:02:25

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

4
III. Romance. Andantino
Sharon Bezaly
00:04:41

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

5
IV. Final. Vivace
Sharon Bezaly
00:05:25

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

Joueurs De Flute, Op. 27 (Albert Roussel)

6
I. Pan
Sharon Bezaly
00:02:56

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

7
II. Tityre
Sharon Bezaly
00:01:06

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

8
III. Krishna
Sharon Bezaly
00:03:23

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

9
IV. Monsieur de la Pejaudie
Sharon Bezaly
00:01:45

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

2 Poèmes de Ronsard, Op. 26 (Albert Roussel)

10
No. 1, Rossignol, mon mignon
Barbara Hendricks
00:05:00

Sharon Bezaly, flute - Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

11
No. 2, Ciel, aer et vens
Barbara Hendricks
00:03:24

Sharon Bezaly, flute - Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

Flute Sonatina, Op. 76 (Darius Milhaud)

12
I. Tendre
Sharon Bezaly
00:03:28

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

13
II. Souple
Sharon Bezaly
00:01:59

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

14
III. Clair
Sharon Bezaly
00:02:40

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

Suite in 3 Movements, Op. 116 (Benjamin Godard)

15
I. Allegretto
Sharon Bezaly
00:01:58

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

16
II. Idylle
Sharon Bezaly
00:04:11

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

17
III. Valse
Sharon Bezaly
00:04:40

Sharon Bezaly, flute - Love Derwinger, piano

(C) 2007 BIS (P) 2007 BIS

Album Description

Israeli-born Swedish flutist Sharon Bezaly has been in the forefront of a group of players who have rediscovered the virtuoso literature of the flute (and other instruments) from the late nineteenth and early twentieth centuries, in France especially. She yields to no one in the technical arena, flawlessly executing the circular-breathing techniques and the careening arpeggiations written into the six works presented here. But this disc is about something other than sheer virtuosity -- although there is plenty of that on display here (check out the final Valse of Benjamin Godard's Suite de trois morceaux, Op. 116), the listener who is interested purely in technical frontiers might do just as well to check out her recording of Jacques Ibert's flute concerto, also on the BIS label. What's remarkable about this release is the rediscovery of music long since thrown onto the historical scrap heap, and the shaping of that music into a satisfying program. Bezaly brackets the program with showcases of technique -- the little-known Godard suite and the 1946 Sonatine of Pierre Sancan. Next, at each end, comes works with more complex rhythms or textures, the pleasing, slightly jazzy Sonatine of Milhaud, and another obscure work, the Suite for flute and piano, Op. 34, of Charles-Marie Widor, otherwise known mostly for his organ music and just a few pieces at that. In Bezaly's hands and that of pianist Love Derwinger, the flute and piano take on an almost organ-like sound, with dense harmonies filling out basically simple structures. With the center of the program, the listener comes, one might say, to the center of the mystery in the often Eastern-flavored Joueurs de flûte, Op. 27, and most surprisingly the Deux poèmes de Ronsard, Op. 26, for the rare combination of soprano and flute. Try playing the album for someone without describing its contents -- the ethereal African-American-Swedish singer Barbara Hendricks seems to come out of nowhere and lead the listener into a charmed realm to which Bezaly's playing has pointed the way. The program as a whole is light but wholly absorbing. If there's a complaint it's the sound, which does pick up the technical details but is on the harsh side, with lots of breathing noise that audiences simply wouldn't have heard or wanted to hear when these works were originally performed.
© TiVo

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