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Igor Markevitch - Berlioz: La Damnation de Faust

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Berlioz: La Damnation de Faust

Consuelo Rubio, Michel Roux, Orchestre des Concerts Lamoureux, Igor Markevitch, Choeurs Elisabeth Brasseur, Choeur Enfants RTF, Pierre Mollet, Richard Verreau

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A most relevant classic thanks to Markevitch’s fiery and electric direction and the sheer excellence of the Orchestre Lamoureux, which he directed at the time. The conductor of Russian descent is completely frantic, and perfectly conveys the visionary nature of this essential chapter of French romanticism. Listening to this version, one can fully grasp the modernity of Berlioz’s language, which lends itself to the most avant-garde staging, a paradox for a piece written for concerts rather than the stage. The sound recording, captured in the early days of triumphant stereophony, is simply extraordinary. © François Hudry/Qobuz

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Berlioz: La Damnation de Faust

Igor Markevitch

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La Damnation de Faust, Op.24 / Part 1 (Hector Berlioz)

1
Scène 1. "Le vieil hiver a fait place au printemps" 00:05:56

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

2
Ronde des Paysans. "Les bergers quittent" - Scène 2. "Mais d'un éclat guerrier" 00:04:05

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

3
Marche hongroise 00:04:25

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Günter Hermanns, Editor, Balance Engineer, StudioPersonnel - Hans Ritter, Producer, Recording Producer - Werner Wolf, Balance Engineer, StudioPersonnel

℗ 1960 Deutsche Grammophon GmbH, Berlin

La Damnation de Faust, Op.24 / Part 2 (Hector Berlioz)

4
Scène 3. "Sans regrets j'ai quitté les riantes campagnes" 00:04:18

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

5
Chant de la fête de Pâques. "Christ vient de ressusciter!" 00:03:45

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

6
Scène 4. "O pure émotion!" 00:02:04

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

7
Scène 5. Choeur de buveurs. "A boire encor!" 00:02:36

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Pierre Mollet, Baritone, MainArtist, AssociatedPerformer - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

8
Chanson de Brander. "Certain rat, dans une cuisine" 00:01:55

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Pierre Mollet, Baritone, MainArtist, AssociatedPerformer - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

9
Fugue sur le thème de la chanson. "Amen" 00:02:36

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Pierre Mollet, Baritone, MainArtist, AssociatedPerformer - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

10
Chanson de Méphistophélès. "Une puce gentille" 00:04:00

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

11
Scène 6. Air de Méphistophélès. "Voici des roses" 00:02:26

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator

℗ 1960 Deutsche Grammophon GmbH, Berlin

12
Songe de Faust. "Dors! heureux Faust" 00:06:21

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

13
Ballet des Sylphes 00:03:25

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

14
Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées" - "Jam nox stellata velamina pandit" 00:04:11

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

La Damnation de Faust, Op.24 / Part 3 (Hector Berlioz)

15
(Prélude: La retraite) 00:00:50

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator

℗ 1960 Deutsche Grammophon GmbH, Berlin

16
"Merci, doux crépuscule!" - "Je l'entends!" (Faust / Méphistophélès, Faust) 00:04:55

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

17
Scène 10. "Que l'air est étouffant" 00:03:14

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

18
Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé" 00:04:57

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

19
Scène 11. Evocation. "Esprits des flammes inconstantes" 00:01:45

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator

℗ 1960 Deutsche Grammophon GmbH, Berlin

20
Menuet des Follets - Scène 12. "Maintenant chantons à cette belle" 00:03:56

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator

℗ 1960 Deutsche Grammophon GmbH, Berlin

21
Sérénade de Méphistophélès. "Devant la maison" 00:01:59

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

22
Scène 13. "Grands dieux!" 00:04:59

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

23
Scène 14. "Allons, il est trop tard!" - "Je connais donc enfin" 00:04:24

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

La Damnation de Faust, Op.24 / Part 4 (Hector Berlioz)

24
Scène 15. Romance. "D'amour l'ardente flamme" 00:07:52

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

25
"Au son des trompettes" 00:01:54

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Consuelo Rubio, Soprano, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

26
Scène 16. Invocation à la Nature. "Nature immense" 00:04:10

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

27
Scène 17. Récitatif et Chasse. "A la voûte azurée" 00:02:25

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Richard Verreau, Tenor, MainArtist, AssociatedPerformer

℗ 1960 Deutsche Grammophon GmbH, Berlin

28
Scène 18. La course à l'abîme. "Dans mon choeur retentit sa voix" 00:03:18

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Richard Verreau, Tenor, MainArtist, AssociatedPerformer - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

29
Scène 19. Pandaemonium. "Has! Irimiru Karabrao!" - "Tradioun marexil" 00:05:01

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - Michel Roux, Bass, MainArtist, AssociatedPerformer - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

30
Scène 21. Le Ciel. "Laus! Laus!" - Apothéose de Marguerite. "Remonte au ciel, âme naïve" 00:04:44

Hector Berlioz, ComposerLyricist - Orchestre des Concerts Lamoureux, Orchestra, MainArtist - Igor Markevitch, Conductor, MainArtist - Almire Gandonnière, Author - GERARD DE NERVAL, Translator - Choeurs Elisabeth Brasseur, Choir, MainArtist - Choeur Enfants RTF, Choir, MainArtist

℗ 1960 Deutsche Grammophon GmbH, Berlin

Album Description

A most relevant classic thanks to Markevitch’s fiery and electric direction and the sheer excellence of the Orchestre Lamoureux, which he directed at the time. The conductor of Russian descent is completely frantic, and perfectly conveys the visionary nature of this essential chapter of French romanticism. Listening to this version, one can fully grasp the modernity of Berlioz’s language, which lends itself to the most avant-garde staging, a paradox for a piece written for concerts rather than the stage. The sound recording, captured in the early days of triumphant stereophony, is simply extraordinary. © François Hudry/Qobuz

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