Your cart is empty
Emil Gilels - Beethoven: Trio No. 7 in B-Flat Major, Op. 97 "Archduke": IV. Allegro moderato
Cet élément a bien été ajouté / retiré de vos favoris.
Listen to this album in high quality now on our appsStart my trial period and start listening to this album
Enjoy this album on Qobuz apps with your subscriptionSubscribe
Enjoy this album on Qobuz apps with your subscription
Select Audio Quality
Beethoven: Trio No. 7 in B-Flat Major, Op. 97 "Archduke": IV. Allegro moderato
You are currently listening to samples.
Listen to over 60 million songs with an unlimited streaming plan.
Listen to this album and more than 60 million songs with your unlimited streaming plans.
1 month free, then €19.99/ month
Ludwig van Beethoven, Composer - Mstislav Rostropovich, MainArtist - Emil Gilels, MainArtist - Leonid Kogan, MainArtist
2020 The state51 Conspiracy Ltd 2020 The state51 Conspiracy Ltd
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:06:56
- Main artist: Emil Gilels
- Composer: Ludwig van Beethoven
- Label: The state51 Conspiracy Ltd
- Genre: Klassiek Kamermuziek
16-Bit CD Quality 44.1 kHz - Stereo
2020 The state51 Conspiracy Ltd 2020 The state51 Conspiracy LtdImprove this page
Why buy on Qobuz...
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.
A favourite of Louis XIV, François Couperin (1668-1733) was the harpsichord superstar of the 18th century. At the time, the harpsichord was a prestigious instrument which was at the height of its fame (although it would return to obscurity in the following century), and Couperin revolutionised the way it was played, breaking a path that would later be trod by other virtuosos of the period like Dandrieu or Rameau. The Quebecois harpsichordist Olivier Fortin tells Qobuz the story of "Couperin the Great".
It was a rainy October night in the Bugey. On October nights, it's always raining in the Bugey. It was around midnight. There were fifty of us, waiting in the cold, the wet and the rapt silence at the Ambronay Festival. All of a sudden, and without a sound, Jordi Savall was there, sopping wet in a white raincoat, like Bogart in Casablanca, holding onto a hard case shaped like a human body. Moving slowly, he drew out not a person but a viola de gamba, which he started tuning and stringing with the greatest care. And then the miracle descended upon the auditorium.
What do you mean, you haven’t heard about Mason Bates (yet)? He is one of the hottest names on the North-American music scene. Born in 1977, Bates is a symphonic and lyrical composer as well as an electro DJ (under the alias DJ Masonic) – two completely opposing genres which he takes great delight in mixing. Around half of his symphonic and lyrical work consists, in one way or another, of electronic sounds. The majority of these sounds are “every day sounds”, which are prerecorded and later put into a score. On the release date of his brilliant opera The (R)evolution of Steve Jobs, Qobuz interviewed this extraordinary person.