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Jörg Demus|Badura-Skoda & Demus Play Mozart (Wolfgang Amadeus Mozart)

Badura-Skoda & Demus Play Mozart (Wolfgang Amadeus Mozart)

Wolfgang Amadeus Mozart

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Austrian pianists Jörg Demus and Paul Badura-Skoda were pioneers in the use of historical instruments in the music of Mozart and Beethoven, undertaking their experiments with little institutional support. There was no market for fortepiano recordings in the 1960s and 1970s. Both were born in the late 1920s and made this recording in 2010, well into their eighties. There is precious little to indicate you are not listening to players half that age, and the entire project has a relaxed, satisfied feel, as if Demus and Badura-Skoda were looking at the rise of historical piano performance and showing the world that they still have a thing or two to contribute. They play works for both one and two pianos. The highlight of the program is probably the opening Sonata for two pianos in D major, K. 448, where there is deep coordination between the two masters: the music twists and turns through plenty of slight tempo variations and individual points of expression but seems to breathe as a single organism. One of the other duo works is a genuine Mozart rarity; the Larghetto and Allegro for two pianos in E flat major, K. deest, was apparently left unfinished by Mozart and completed later. That work and the Andante con variazioni in G major for piano four hands, K. 501, seem to hint at mysteries. To round out the program, Demus and Badura-Skoda divide up Mozart's minor-key fantasias and give each of them sharp, percussive readings that capture the dark, improvisatory quality of the music. With fine engineering accomplished at Salzburg's Irnberger Foundation, this is a satisfying Mozart romp with some past masters.
© TiVo

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Badura-Skoda & Demus Play Mozart (Wolfgang Amadeus Mozart)

Jörg Demus

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1
Sonata for 2 Pianos in D major, K. 448: I. Allegro con spirito
00:07:59

Jorg Demus, piano - Jorg Demus, piano

2
Sonata for 2 Pianos in D major, K. 448: II. Andante
00:09:09

Jorg Demus, piano - Jorg Demus, piano

3
Sonata for 2 Pianos in D major, K. 448: III. Molto allegro
00:06:35

Jorg Demus, piano - Jorg Demus, piano

4
5 Variations in G major for Piano Duet, K. 501
00:08:06

Jorg Demus, piano - Jorg Demus, piano

5
Fantasia in C minor, K. 396
00:09:04

Jorg Demus, piano - Jorg Demus, piano

6
Fantasia in D minor, K. 397
00:05:28

Jorg Demus, piano - Jorg Demus, piano

7
Larghetto and Allegro for 2 Pianos in E flat major, K. deest (completed by M. Stadler)
00:07:43

Jorg Demus, piano - Jorg Demus, piano

8
Fantasia in C minor, K. 475
00:11:12

Jorg Demus, piano - Jorg Demus, piano

Albumbeschreibung

Austrian pianists Jörg Demus and Paul Badura-Skoda were pioneers in the use of historical instruments in the music of Mozart and Beethoven, undertaking their experiments with little institutional support. There was no market for fortepiano recordings in the 1960s and 1970s. Both were born in the late 1920s and made this recording in 2010, well into their eighties. There is precious little to indicate you are not listening to players half that age, and the entire project has a relaxed, satisfied feel, as if Demus and Badura-Skoda were looking at the rise of historical piano performance and showing the world that they still have a thing or two to contribute. They play works for both one and two pianos. The highlight of the program is probably the opening Sonata for two pianos in D major, K. 448, where there is deep coordination between the two masters: the music twists and turns through plenty of slight tempo variations and individual points of expression but seems to breathe as a single organism. One of the other duo works is a genuine Mozart rarity; the Larghetto and Allegro for two pianos in E flat major, K. deest, was apparently left unfinished by Mozart and completed later. That work and the Andante con variazioni in G major for piano four hands, K. 501, seem to hint at mysteries. To round out the program, Demus and Badura-Skoda divide up Mozart's minor-key fantasias and give each of them sharp, percussive readings that capture the dark, improvisatory quality of the music. With fine engineering accomplished at Salzburg's Irnberger Foundation, this is a satisfying Mozart romp with some past masters.
© TiVo

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