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Fabrice Ferez|At the Heart of the 20th Century

At the Heart of the 20th Century

Fabrice Ferez & Marc Pantillon

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The works recorded here, with the obvious exception of Philippe Hersant’s solo, were written between 1930 and 1956. Following the CD that Marc and I had dedicated to the memory of the Jewish composer Pavel Haas, murdered by the Nazis, we wanted to delve further into this moment of History and tackle French and Swiss composers who had, naturally, been spared, but who were implicated in this most particular of periods. Olivier Messiaen, upon his return from Stalag, was appointed professor at the Paris Conservatoire in 1942. Henri Dutilleux was then composing his first works marked by his brother’s captivity and the poetry of the resistant Jean Cassou, alias Jean Noir. Pierre Sancan won the Rome Prize in 1943 and Frank Martin, who had just signed up with the prestigious Viennese Universal editions in 1940, produced some of his major works during this same period, of which Cinderella (Le Conte de Cendrillon) in 1941. In 1943 in Geneva, he also met the wonderful Romanian pianist Dinu Lipatti who was to become a faithful friend and the dedicatee of his Eight Preludes. © Claves Records

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At the Heart of the 20th Century

Fabrice Ferez

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1
Petite complainte
Fabrice Ferez
00:03:47

Frank Martin, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

2
Vocalise-Étude
Fabrice Ferez
00:04:54

Olivier Messiaen, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

3
Trois Mélodies, adaptation pour hautbois d’amour et piano: I. Pourquoi ?
Fabrice Ferez
00:02:10

Olivier Messiaen, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

4
Trois Mélodies, adaptation pour hautbois d’amour et piano: II. Le Sourire
Fabrice Ferez
00:01:25

Olivier Messiaen, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

5
Trois Mélodies, adaptation pour hautbois d’amour et piano: III. La Fiancée perdue
Fabrice Ferez
00:02:25

Olivier Messiaen, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

6
La Geôle, adaptation pour hautbois d’amour et piano
Fabrice Ferez
00:05:13

Henri Dutilleux, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

7
Shehnaï pour hautbois seul
Fabrice Ferez
00:05:17

Philippe Hersant, Composer - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

8
Huit Préludes pour piano: I. Grave - Plus animé - Grave - Andante - Grave
Marc Pantillon
00:03:38

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

9
Huit Préludes pour piano: II. Allegretto tranquillo
Marc Pantillon
00:01:49

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

10
Huit Préludes pour piano: III. Tranquillo ma con moto
Marc Pantillon
00:02:49

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

11
Huit Préludes pour piano: IV. Allegro
Marc Pantillon
00:01:10

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

12
Huit Préludes pour piano: V. Vivace
Marc Pantillon
00:02:17

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

13
Huit Préludes pour piano: VI. Andantino grazioso
Marc Pantillon
00:02:02

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

14
Huit Préludes pour piano: VII. Lento - Con moto - Andante - Tempo I
Marc Pantillon
00:06:41

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

15
Huit Préludes pour piano: VIII. Vivace
Marc Pantillon
00:04:02

Frank Martin, Composer - Marc Pantillon, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

16
Sonate pour hautbois & piano: I. Aria. Grave
Fabrice Ferez
00:02:53

Henri Dutilleux, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

17
Sonate pour hautbois & piano: II. Scherzo. Vif
Fabrice Ferez
00:03:53

Henri Dutilleux, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

18
Sonate pour hautbois & piano: III. Final. Assez allant
Fabrice Ferez
00:04:14

Henri Dutilleux, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

19
Sonatine pour hautbois et piano: I. Modéré
Fabrice Ferez
00:03:08

Pierre Sancan, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

20
Sonatine pour hautbois et piano: II. Andante
Fabrice Ferez
00:03:10

Pierre Sancan, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

21
Sonatine pour hautbois et piano: III. Presto
Fabrice Ferez
00:01:41

Pierre Sancan, Composer - Marc Pantillon, MainArtist - Fabrice Ferez, MainArtist

(C) 2018 Claves Records (P) 2018 Claves Records

Albumbeschreibung

The works recorded here, with the obvious exception of Philippe Hersant’s solo, were written between 1930 and 1956. Following the CD that Marc and I had dedicated to the memory of the Jewish composer Pavel Haas, murdered by the Nazis, we wanted to delve further into this moment of History and tackle French and Swiss composers who had, naturally, been spared, but who were implicated in this most particular of periods. Olivier Messiaen, upon his return from Stalag, was appointed professor at the Paris Conservatoire in 1942. Henri Dutilleux was then composing his first works marked by his brother’s captivity and the poetry of the resistant Jean Cassou, alias Jean Noir. Pierre Sancan won the Rome Prize in 1943 and Frank Martin, who had just signed up with the prestigious Viennese Universal editions in 1940, produced some of his major works during this same period, of which Cinderella (Le Conte de Cendrillon) in 1941. In 1943 in Geneva, he also met the wonderful Romanian pianist Dinu Lipatti who was to become a faithful friend and the dedicatee of his Eight Preludes. © Claves Records

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