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Tõnu Kaljuste - Arvo Pärt : The Symphonies

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Arvo Pärt : The Symphonies

NFM Wrocław Philharmonic - Tonu Kaljuste

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Pärt's four symphonies stretch across a period of 45 years, from 1964 and 1966 respectively for the first two, 1971 for the third, and 2008 for the fourth. His first steps into the works of the symphony were still marked by dodecaphonism, although Pärt would not resist the gradual appearance of tonal poles in his work and "accidental" encounters between consonant notes and the harmonies that resulted; but the discourse remains very much linked to modernist principles, while exploring older forms of prelude and fugue, or indeed polyphony. With the Second, Pärt's avant-gardist period came to an end. From the 1970s, Pärt would completely revise his language, and come to concentrate on religious and medieval music, in such a way that his Third Symphony throws out dodecaphonism and all its theories, developing in their place a tonal, melodic, modal idiom (the old ecclesiastical styles, in fact). And within this personal revolution, Pärt would take a step into "tintinnabulum", which formed the basis of the Fourth Symphony, written for strings, harp and percussion: a wide world of meditation, stunning, unreal, intangible, and fundamentally tonal, in which the movements from one phenomenon to another move immensely slowly, allowing the listener to savour every moment. © SM/Qobuz

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Arvo Pärt : The Symphonies

Tõnu Kaljuste

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Symphony No. 1 "Polyphonic" (Arvo Pärt)

1
1. Canons
00:11:18

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

2
2. Prelude And Fugue
00:07:56

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Symphony No. 2 (Arvo Pärt)

3
I
00:03:36

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
II
00:02:14

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

5
III
00:04:47

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Symphony No. 3 (Arvo Pärt)

6
I
00:06:29

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

7
II
00:05:48

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

8
III
00:08:05

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Symphony No. 4 "Los Angeles" (Arvo Pärt)

9
1. Con sublimità. Marcando con maestà. Pacato
00:09:14

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

10
2. Affannoso. Un poco più affannato
00:11:47

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

11
3. Insistentemente. Con intimo sentimento Coda. Deciso
00:08:08

NFM Wrocław Philharmonic - Tonu Kaljuste, Conductor - Arvo Pärt, Composer

℗ 2018 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Album Description

Pärt's four symphonies stretch across a period of 45 years, from 1964 and 1966 respectively for the first two, 1971 for the third, and 2008 for the fourth. His first steps into the works of the symphony were still marked by dodecaphonism, although Pärt would not resist the gradual appearance of tonal poles in his work and "accidental" encounters between consonant notes and the harmonies that resulted; but the discourse remains very much linked to modernist principles, while exploring older forms of prelude and fugue, or indeed polyphony. With the Second, Pärt's avant-gardist period came to an end. From the 1970s, Pärt would completely revise his language, and come to concentrate on religious and medieval music, in such a way that his Third Symphony throws out dodecaphonism and all its theories, developing in their place a tonal, melodic, modal idiom (the old ecclesiastical styles, in fact). And within this personal revolution, Pärt would take a step into "tintinnabulum", which formed the basis of the Fourth Symphony, written for strings, harp and percussion: a wide world of meditation, stunning, unreal, intangible, and fundamentally tonal, in which the movements from one phenomenon to another move immensely slowly, allowing the listener to savour every moment. © SM/Qobuz

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