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Kate Lindsey - Arianna

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Arianna

Kate Lindsey, Arcangelo, Jonathan Cohen

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Several composers have written music inspired by the story of Arianna (also commonly known as Ariadne) abandoned by Theseus on the island of Naxos. The American mezzo-soprano Kate Lindsey, lauded for her intelligent and luminous singing, chose to illustrate this story by means of three composers: Alessandro Scarlatti, Handel and Haydn and with the help of the Arcangelo ensemble, founded by harpsichordist and organist Jonathan Cohen. The archetype of the woman abandoned, the character of Arianna offers composers and performers alike vast expressive possibilities for an audience always eager to identify themselves with the scarred heroine.
Monteverdi was without a doubt one of the first ones to put the young woman’s perils to music, in an opera which has since been lost (the only surviving part is the sublime lamento). In the cantata Ebra d’amor fuggia, Alessandro Scarlatti conjures Arianna’s state of mind in a very baroque way, tenderly, dreamily, rebelliously… Handel would also use the same influence during his Roman years with his cantata Ah! crudel, nel planto moi, an exact contemporary of Scarlatti’s work, as the two were composed in 1707.
At the later end of the century, in 1789, Haydn also wrote Arianna a Naxos, a cantata for solo voice accompanied by a single keyboard. The expression is intense but the absence of vocal virtuosity pushes one to think this is work destined for more experienced performers just as much as talented amateurs. We know that Haydn planned on adding instruments to his cantata, a project that was completed by several composers including his student Sigismund Neukomm, whose work from 1808, the year before the Haydn’s death, is presented here. © François Hudry/Qobuz

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Arianna

Kate Lindsey

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L'Arianna (Ebra d'amor fuggia), H. 242 (Alessandro Scarlatti)

1
I. Introduzione (Allegrissimo - Allegro) - II. Recitativo "Ebra d'amor fuggia"
00:03:10

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

2
III. Aria "Pur ti stringo o moi diletto"
00:03:01

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

3
IV. Recitativo "Ribaciolla Teseo"
00:01:29

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

4
V. Aria "Stringa si dolce nodo ardente amore"
00:03:20

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

5
VI. Recitativo "Ma poi che desta vide"
00:00:58

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

6
VII. [Aria] "Ingoiatelo"
00:01:30

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

7
VIII. [Accompagnato] "Ah che son con Teseo"
00:01:10

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

8
IX. [Aria] "Struggiti, o core"
00:07:19

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

9
X. [Recitativo - Arioso] "Si disse e tanto pianse"
00:01:15

ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Ah! Crudel, nel pianto mio, HWV 78 (Georg Friedrich Händel)

10
I. Sonata
00:08:18

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

11
II. Aria "Ah, crudel, nel pianto mio"
00:06:55

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

12
III. Recitativo "Non sdegnerai d'amar"
00:00:50

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

13
IV. Aria "Di quel bel che il ciel ti diede"
00:03:58

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

14
V. Recitativo accompagnato "Balena il cielo"
00:01:57

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

15
VI. Aria "Per trofei di mia costanza"
00:07:16

George Frideric Handel, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Arianna a Naxos, Hob. XXVIb:2 (Joseph Haydn)

16
I. Recitativo "Teseo moi ben, ove sei?"
00:06:29

Franz Joseph Haydn, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

17
II. Aria "Dove sei, moi bel tesoro"
00:04:50

Franz Joseph Haydn, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

18
III. Recitativo "Ma, a chi parlo?"
00:03:59

Franz Joseph Haydn, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

19
IV. Aria "Ah! che morir vorrei"
00:04:18

Franz Joseph Haydn, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Album Description

Several composers have written music inspired by the story of Arianna (also commonly known as Ariadne) abandoned by Theseus on the island of Naxos. The American mezzo-soprano Kate Lindsey, lauded for her intelligent and luminous singing, chose to illustrate this story by means of three composers: Alessandro Scarlatti, Handel and Haydn and with the help of the Arcangelo ensemble, founded by harpsichordist and organist Jonathan Cohen. The archetype of the woman abandoned, the character of Arianna offers composers and performers alike vast expressive possibilities for an audience always eager to identify themselves with the scarred heroine.
Monteverdi was without a doubt one of the first ones to put the young woman’s perils to music, in an opera which has since been lost (the only surviving part is the sublime lamento). In the cantata Ebra d’amor fuggia, Alessandro Scarlatti conjures Arianna’s state of mind in a very baroque way, tenderly, dreamily, rebelliously… Handel would also use the same influence during his Roman years with his cantata Ah! crudel, nel planto moi, an exact contemporary of Scarlatti’s work, as the two were composed in 1707.
At the later end of the century, in 1789, Haydn also wrote Arianna a Naxos, a cantata for solo voice accompanied by a single keyboard. The expression is intense but the absence of vocal virtuosity pushes one to think this is work destined for more experienced performers just as much as talented amateurs. We know that Haydn planned on adding instruments to his cantata, a project that was completed by several composers including his student Sigismund Neukomm, whose work from 1808, the year before the Haydn’s death, is presented here. © François Hudry/Qobuz

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