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Keith Jarrett - Answer Me
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Carl Sigman, ComposerLyricist - Keith Jarrett, Producer, Piano, MainArtist, AssociatedPerformer - Gerhard Winkler, ComposerLyricist - Fred Rauch, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Martin Pearson, Recording Engineer, StudioPersonnel
℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:04:29
- Main artist: Keith Jarrett
- Composer: Various Composers
- Label: ECM
- Genre: Jazz
- 24-Bit 48.0 kHz - Stereo
© 2020 ECM Records GmbH ℗ 2020 ECM Records GmbHImprove this page
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“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.
Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit, even forty-five years after its release.
At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.