Langue disponible : anglaisSince leaving New York in 1959, Tony Scott (a top bebop-oriented clarinetist) has been an eager world traveler who enjoys exploring the folk music of other countries. Unfortunately, his post-1959 recordings have been few, far between, difficult-to-locate, and sometimes erratic, but Scott was an unheralded pioneer in both world music and new age. Tony Scott attended Juilliard during 1940-1942, played at Minton's Playhouse, and then after three years in the military he became one of the few clarinetists to play bop. His cool tone (heard at its best on a 1950 Sarah Vaughan session that also includes Miles Davis) stood out from the more hard-driving playing of Buddy DeFranco. Scott worked with a wide variety of major players (including Ben Webster, Trummy Young, Earl Bostic, Charlie Ventura, Claude Thornhill, Buddy Rich, and Billie Holiday), led his own record dates (among his sidemen were Dizzy Gillespie and a young Bill Evans) which ranged from bop and cool to free improvisations (all are currently difficult to locate), and ranked with DeFranco at the top of his field. Unfortunately the clarinet was not exactly a popular instrument in the 1950s (as opposed to during the swing era) and Tony Scott remained an obscure name outside of jazz circles. In 1959, he gave up on the U.S. and began extensive tours of the Far East. He played Eastern classical music, recorded meditation music for Verve, and, other than some brief visits to the U.S, lived in Italy since the 1970s where he sometimes experimented with electronics. Tony Scott passed away in Italy on March 3rd, 2007. ~ Scott Yanow
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Jazz - Paru le 1 janvier 2005 | Verve Records
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Après avoir étudié à la Juilliard puis passé quelques années à l’armée durant les années 40, le clarinettiste Tony Scott devint l’un des solistes réputés des années 50, très régulièrement sollicité auprès des Sarah Vaughan, Ben Webster, Dizzy Gillespie, Bill Evans, Billie Holiday, ou Claude Thornhill. Parallèlement, Tony Scott développa un univers personnel dans ses albums solos dont une production de musiques pour le yoga et la méditation dont ce « Music For Zen Meditation » (1964) est un des plus réussis. JMP©Qobuz
Le fil d'actu Préc. Suiv.
00:05 Qobuz | Joe Armon-Jones en fusionsam. Qobuz | Florian Noack au pays de Baba Yaga
ven. Qobuz | Brittany Howard, de la soul dans le funkjeu. Qobuz | Devendra Banhart, la voix de la sagessemer. Qobuz | Korn, chapitre 13
mar. Qobuz | Arno, quel bazar !lun. Qobuz | Metronomy à la folie !dim. Qobuz | Patricia Kopatchinskaja, un violon pour l'éternité
sam. Qobuz | Patton et Vannier, une rencontreven. Qobuz | Daniel Johnston, un extra-terrestre monte au cieljeu. Qobuz | Acid Jazz not dead !