Langue disponible : anglaisA talented English folk artist and multi-instrumentalist, Olivia Chaney has become one of the most celebrated new stars in British folk. A gifted songwriter and interpreter of traditional songs with a clear, expressive voice and a sure hand with a number of instruments, including piano, guitar, harmonium, and cello, Chaney's fluid style evokes genre greats like Sandy Denny, Maddy Prior, and June Tabor. In addition to releasing acclaimed solo outings like The Longest River (2015) and Shelter (2018), Chaney has collaborated with contemporaries like Seth Lakeman, Kronos Quartet, and Alasdair Roberts, and is a member of Offa Rex, an eclectic folk-rock group that also includes the Decemberists. Chaney was born in Florence, Italy in 1982, and spent most of her childhood in Oxford, England. Early on, Chaney took notice of her father's record collection, and began soaking up the influences of noted singer/songwriters (most notably Bob Dylan) and British folk-rock acts (such as Fairport Convention and Bert Jansch), while occasionally playing boogie-woogie with her dad on the family piano. By the time she was 14, Chaney began studying at Chetham's School of Music in Manchester, after she won a scholarship to study piano and voice, and after focusing on the classical repertoire, she moved on to London's Royal Academy of Music, also on scholarship, with an emphasis on jazz and improvisation. After completing her studies, Chaney divided her time between teaching herself the guitar and the harmonium and working as an actress and vocalist with several British theater companies, including Shakespeare's Globe Theatre. In 2010, Chaney recorded and self-released an EP, which garnered enthusiastic reviews for her blend of traditional and contemporary styles and helped spread the word about her in the U.K. folk community. Chaney contributed tracks to a pair of compilations from Folk Police Records, The Oak, Ash and Thorn Project and The Woodbine & Ivy Band, both released in 2011, and she participated in recordings by Seth Lakeman (Hearts & Minds), Alasdair Roberts (A Working Wonder Stone), and Wolf People (Fain). Chaney also performed and recorded with the Balearic Folk Orchestra, and in 2013 she was nominated for two prizes at the BBC Radio 2 Folk Awards, the Horizon Award (for best emerging artist) and Best Original Song (for her composition "Swimming in the Longest River"). Around the time of the Folk Awards, it was announced that Chaney had signed a recording deal with Nonesuch Records, and her first release for the label, the album The Longest River, was issued in April 2015. In 2017 she appeared on a pair of tunes on the Kronos Quartet's Folk Songs LP, and released Queen of Hearts, the Grammy-nominated debut album by Offa Rex, a folk-rock supergroup featuring Chaney and the Decemberists. Chaney returned to the studio later that year to record her second LP for Nonesuch, Shelter. Produced by Thomas Bartlett (David Byrne, Father John Misty, St. Vincent), the album featured eight original songs and two covers, and was released in June 2018.
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Pop - Paru le 15 juin 2018 | Nonesuch
Diplômée de l’England’s Royal Academy of Music et chanteuse confirmée, la pianiste Olivia Chaney avait déjà charmé la critique avec son premier album en 2015, The Longest River. Curieuse des différents genres musicaux, la Britannique née à Florence choisit de se concentrer sur une folk-pop à la fois traditionnelle et moderne. Son second album Shelter, est donc le sublime résultat de ces influences, fusionnées avec le talent de Chaney. Elle collabore musicalement avec Thomas Bartlett qui est aussi le producteur de cette merveille. De sa voix angélique, elle chante une pop légère et mélancolique avec une approche personnelle et poétique. Un accompagnement au piano, quelques cordes qui se faufilent entre les silences, c’est tout ce qui suffit pour faire rayonner ce chant presque lyrique. Chef-d’œuvre composé par Purcell vers 1684, O Solitude tombe littéralement dans le chant lyrique, les vocalises se perdent dans des harmonies intenses et parfaitement maîtrisées, on passe des tonalités majeures aux tonalités mineures en une note sans rien comprendre. Et effectivement il ne faut pas chercher d’explication, Olivia Chaney abrite son auditeur de ballades merveilleuses qui regorgent d’images comme sur House on a Hill, A Tree Grows in Brooklyn ou encore Dragonfly qui permettent de s’abandonner totalement le temps d’une écoute. © Clara Bismuth/Qobuz