Saxophonist Jim Snidero is an adroit jazz improviser, composer, and educator with a bent toward acoustic post-bop. Emerging in the 1980s, he issued a handful of highly regarded albums like 1987's Mixed Bag and 1996's Vertigo. An author of several books on jazz improvisation, Snidero has also led clinics and taught at the Jazz and Contemporary Music Program at the New School University, Indiana University, and Princeton. Along with his teaching he remains an active performer, issuing albums like 2011's Interface, and 2016's MD66. Born in Redwood City, California in 1958, Snidero actually grew up in Prince George's County, Maryland where he first began playing saxophone at age ten. However, it wasn't until junior high that he became interested in jazz. While playing in his school concert and jazz ensembles, Snidero also fell under the influence of hard bop saxophonist Phil Woods, with whom he was able to study. After high school, Snidero enrolled in the University of North Texas music program. During his summer vacations, he spent time in New York studying with saxophonist David Liebman, and after graduating in 1981, he moved to the city. By 1982, he was touring the country with organist Jack McDuff, with whom he also recorded three albums. From there, he found work with such established outfits as the Mingus Big Band and the Toshiko Akiyoshi Jazz Orchestra, of which he was a member from 1983 to 2003. Snidero has also performed with a bevy of names including David Murray, Frank Wess, Mel Lewis, Jim Rotondi, Maria Schneider, and many others. As a solo artist, Snidero made his debut with On Time in 1984. Recorded at Rudy Van Gelder's studio, the album included fellow Akiyoshi bandmate and trumpeter Brian Lynch, pianist Kenny Kirkland, bassist George Mraz, and drummer Billy Hart. From there, he delivered several more albums for the Criss Cross and Red labels, including 1987's Mixed Bag and 1989's Blue Afternoon. The '90s were also a fertile period for Snidero, who began branching out creatively, playing with legendary singer Frank Sinatra from 1990 to 1995, and authoring several jazz pedagogy books. During this period, he continued to release a steady stream of hard bop-influenced albums including 1990's Storm Rising, 1991's Urban Tales with trumpeter Tom Harrell, and 1997's Standards + Plus, his first largely standards-oriented recording. He rounded out the decade with a tribute to saxophonist Joe Henderson with 1999's The Music of Joe Henderson on the Double-Time label. At the turn of the millennium, Snidero began refocusing his work on his own original compositions with albums like 2002's orchestral Strings, featuring pianist Renee Rosnes, and 2004's Close Up, with saxophonist Eric Alexander. Beginning with 2007's Tippin', Snidero developed a fruitful relationship with Savant Records, returning with albums like 2009's Crossfire and 2011's Interface, both of which featured guitarist Paul Bollenback. Subsequent Savant albums, like 2013's Stream of Consciousness and 2015's Main Street, also found Snidero continuing to push himself creatively, collaborating on new material with bassist Linda Oh and drummer Rudy Royston. In 2016, Snidero released MD66, which found him drawing inspiration from Miles Davis' second great quintet of the '60s, backed by a stellar ensemble featuring Royston, trumpeter Alex Sipiagin, pianist Andy Laverne, and bassist Ugonna Okegwo. The tribute album, Jubilation!: Celebrating Cannonball Adderley, followed two years later and found him paired with trumpeter Jeremy Pelt. Pelt was also on board for the saxophonist's 2019 quintet date Waves of Calm, which also featured Orrin Evans on piano and Fender Rhodes, Nat Reeves on bass, and Jonathan Barber on drums. ~ Matt Collar
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