Edith Mathis
Langue disponible : anglaisSoprano Edith Mathis has had one of the leading international vocal careers of the twentieth century and was particularly well known for her Mozart and Strauss roles. She studied at the Lucerne Conservatory and made her stage debut there as the Second Boy in Mozart's Die Zauberflöte. After singing in Zürich, she joined the Cologne Opera in 1959. Remaining with the company until 1963, she began singing the major repertory roles. She also made guest appearance during these years at the Hamburg State Opera, Glyndebourne (where she first appeared in 1962 singing Cherubino in Mozart's Marriage of Figaro), and the Salzburg Festival opera. In 1963, she joined the Deutsche Oper, Berlin. Her Covent Garden debut was in 1970, as Susanna. She went on to sing in the major opera houses of the world, including the Bavarian State Opera in Munich, the Vienna State Opera, the Metropolitan Opera in New York, and the Opéra de Paris. She sang regularly at the Salzburg and Munich Festivals. Among her other roles were Zerlina in Don Giovanni, Marzelline in Fidelio, and Mélisande in Debussy's Pélleas et Mélisande, and Pamina in the Magic Flute. She was considered outstanding in the role of Sophie in Strauss' Der Rosenkavalier. As the list of roles indicates, she had a bright voice suggesting youth and freshness, and she was regarded an excellent actress. Other roles with which she was particularly associated include the Marschallin in Der Rosenkavalier, the Countess in Le Nozze di Figaro, and Agathe in Der Freischütz. Mathis is also a highly regarded oratorio and recital singer, known for direct, simple expression of the classic lieder repertory, and is also highly regarded as a Bach singer, as well as singing the oratorios of Joseph Haydn and numerous works of Mozart and Handel. She has made many recordings and received numerous recording prizes, including the Prix Mondial du Disque. Other honors include the Hans-Reinhard-Ring from the Swiss Society for Theater, the Arts Prize of the city of Lucerne, the Buxtehude Prize from the Senate of Lübeck, and the Mozart Medal of the Mozarteum in Salzburg. In 1979 the Bavarian government declared her a Bayerische Kammersangerin.
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Soprano Edith Mathis has had one of the leading international vocal careers of the twentieth century and was particularly well known for her Mozart and Strauss roles. She studied at the Lucerne Conservatory and made her stage debut there as the Second Boy in Mozart's Die Zauberflöte. After singing in Zürich, she joined the Cologne Opera in 1959. Remaining with the company until 1963, she began singing the major repertory roles. She also made guest appearance during these years at the Hamburg State Opera, Glyndebourne (where she first appeared in 1962 singing Cherubino in Mozart's Marriage of Figaro), and the Salzburg Festival opera.
In 1963, she joined the Deutsche Oper, Berlin. Her Covent Garden debut was in 1970, as Susanna. She went on to sing in the major opera houses of the world, including the Bavarian State Opera in Munich, the Vienna State Opera, the Metropolitan Opera in New York, and the Opéra de Paris. She sang regularly at the Salzburg and Munich Festivals.
Among her other roles were Zerlina in Don Giovanni, Marzelline in Fidelio, and Mélisande in Debussy's Pélleas et Mélisande, and Pamina in the Magic Flute. She was considered outstanding in the role of Sophie in Strauss' Der Rosenkavalier. As the list of roles indicates, she had a bright voice suggesting youth and freshness, and she was regarded an excellent actress. Other roles with which she was particularly associated include the Marschallin in Der Rosenkavalier, the Countess in Le Nozze di Figaro, and Agathe in Der Freischütz.
Mathis is also a highly regarded oratorio and recital singer, known for direct, simple expression of the classic lieder repertory, and is also highly regarded as a Bach singer, as well as singing the oratorios of Joseph Haydn and numerous works of Mozart and Handel.
She has made many recordings and received numerous recording prizes, including the Prix Mondial du Disque. Other honors include the Hans-Reinhard-Ring from the Swiss Society for Theater, the Arts Prize of the city of Lucerne, the Buxtehude Prize from the Senate of Lübeck, and the Mozart Medal of the Mozarteum in Salzburg. In 1979 the Bavarian government declared her a Bayerische Kammersangerin.
© TiVo
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Schumann : Spanisches Liederspiel - Brahms : 18 Liebeslieder Waltzes (Live)
Edith Mathis
Lieder (Allemagne) - Paru chez Orfeo le 19 oct. 2018
Diapason d'orOh le disque réjouissant que voilà ! La recette en paraît simple : prenez quatre chanteurs rompus à la pratique théâtrale et qui se connaissent bien e ...
24-Bit 96.0 kHz - Stereo -
Mahler: Symphony No.4
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1979
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Airs de concert (Les indispensables de Diapason)
Edith Mathis
Musique vocale (profane et sacrée) - Paru chez Les Indispensables de Diapason le 25 oct. 2013
Diapason d'or16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Die Zauberflöte - Highlights
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1981
16-Bit CD Quality 44.1 kHz - Stereo -
Haydn: Die Jahreszeiten (The Seasons), Hob. XXI:3
Edith Mathis
Classique - Paru chez Orfeo le 1 janv. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Mendelssohn: Symphony No.2 "Lobgesang"
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1973
16-Bit CD Quality 44.1 kHz - Stereo -
The Art Of Edith Mathis
Edith Mathis
Musique vocale (profane et sacrée) - Paru chez Deutsche Grammophon (DG) le 12 janv. 2018
4 étoiles Classica« DG consacre à Edith Mathis un joli ensemble regroupant quasiment tout ce qu'elle aura donné au label jaune. Sa voix fraîche, ses mots éclatants, son ...
16-Bit CD Quality 44.1 kHz - Stereo -
Brahms: Liebeslieder-Walzer
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1983
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Coronation Mass; Vesperae solennes de Confessore; Ave verum corpus
Edith Mathis
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Mendelssohn: 5 Symphonies
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1990
Symphonies: N°1 en ut mineur, op.11 - N°5 en ré mineur, op.107 - "Réformation" - N°2 en si bémol majeur, op.52 - "Symphonie-cantate" - N°3 en la mineu ...
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: La Damnation De Faust, Op. 24
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1974
16-Bit CD Quality 44.1 kHz - Stereo -
Lucerne Festival Historic Performances [Live]
Edith Mathis
Classique - Paru chez audite Musikproduktion le 6 sept. 2019
Diapason d'or« Témoignage inespéré que cette publication, d'après les bandes radio, d'un concert lucernois du 3 septembre 1975 qui fait entendre Edith Mathis et Ka ...
24-Bit 48.0 kHz - Stereo -
J.S. Bach: St. Matthew Passion, Choruses and Arias
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1980
16-Bit CD Quality 44.1 kHz - Stereo -
HAYDN: Schopfung (Die) (The Creation)
Edith Mathis
Classique - Paru chez BIS le 31 oct. 1990
16-Bit CD Quality 44.1 kHz - Stereo -
Bach: Schwingt freudig euch empor, BWV 36c / Non sa che sia dolore, BWV 209
Edith Mathis
Cantates sacrées - Paru chez Eterna le 26 mai 1981
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Lieder
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Mendelssohn: A Midsummer Night's Dream, The Hebrides
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Mahler: Symphony No.2 - "Resurrection"
Edith Mathis
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1969
16-Bit CD Quality 44.1 kHz - Stereo -
Bach, J.S.: Entfliehet, Verschwindet, Entweichet, Ihr Sorgen / Concerto for Oboe and Violin in D Minor
Edith Mathis
Classique - Paru chez Musicaphon le 1 janv. 1967
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Claudine von Villa Bella, D. 239, Fernando, D. 220 & Kantate zu Ehren von Josef Spendou, Op. 128, D. 472
Edith Mathis
Classique - Paru chez Orfeo le 1 janv. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Loewe: Lieder & Balladen (Complete Edition, Vol. 5)
Edith Mathis
Musique vocale (profane et sacrée) - Paru chez CPO le 1 janv. 2000
16-Bit CD Quality 44.1 kHz - Stereo