Catégories :
Panier 0

Votre panier est vide

George Benson - White Rabbit

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

White Rabbit

George Benson

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

For George Benson's second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such. The idea works best on "California Dreamin'" (whose chords are based on Andalusian harmonies), where, driven by Jay Berliner's exciting Spanish rhythm guitar, Benson comes through with some terrifically inspired playing. On "El Mar," Berliner is replaced by Benson's protégé Earl Klugh (then only 17) in an inauspicious -- though at the time, widely-heralded -- recorded debut. The title track is another winner, marred only by the out-of-tune brasses at the close, and in a good example of the CTI classical/jazz formula at work, Heitor Villa-Lobos' "Little Train of the Caipira" is given an attractive early-'70s facelift. Herbie Hancock gets plenty of nimble solo space on Rhodes electric piano, Airto Moreira contributes percussion and atmospheric wordless vocals, and Ron Carter and Billy Cobham complete the high-energy rhythm section. In this prime sample of the CTI idiom, everyone wins. ~ Richard S. Ginell

Plus d'info

White Rabbit

George Benson

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app
Ecouter sur Qobuz

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 40 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 40 millions de titres avec votre abonnement illimité.

1
White Rabbit (Album Version) 00:06:55

GRACE SLICK, Composer - GRACE SLICK, Lyricist - Billy Cobham, Drums - Airto Moreira, Vocal - Airto Moreira, Percussion - Herbie Hancock, Piano - Don Sebesky, Arranger - Wayne Andre, Trombone - Phil Kraus, Percussion - Creed Taylor, Producer - Jay Berliner, Acoustic Baritone Guitar - John Frosk, Trumpet - John Frosk, Flugelhorn - Romeo Penque, Flute - Romeo Penque, Clarinet - Romeo Penque, Oboe - Romeo Penque, Bass Clarinet - Romeo Penque, English Horn - Alan Rubin, Flugelhorn - Alan Rubin, Trumpet - Phil Bodner, Flute - Phil Bodner, Oboe - Jim Buffington, French Horn - Hubert Laws, Flute - Hubert Laws, Piccolo - Ron Carter, Bass - JANE TAYLOR, Bassoon - Gloria Agostini, Harp - George Benson, Guitar - George Benson, Performer - George Marge, Flute - George Marge, Clarinet - George Marge, Oboe - George Marge, English Horn

Originally released 1971. All rights reserved Columbia Records, a division of Sony Music Entertainment

2
Theme from "Summer of '42" (Album Version) 00:05:05

Phil Kraus, Percussion - Billy Cobham, Drums - Airto Moreira, Vocal - Airto Moreira, Percussion - Don Sebesky, Arranger - Herbie Hancock, Piano - Creed Taylor, Producer - Jay Berliner, Acoustic Baritone Guitar - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Rudy Van Gelder, Engineer - M. Legrand, Composer - M. Legrand, Lyricist

Originally released 1971. All rights reserved Columbia Records, a division of Sony Music Entertainment

3
Little Train (From Bachianas Brasileiras #2) (Album Version) 00:05:46

Phil Kraus, Percussion - Billy Cobham, Drums - H. Villa-Lobos, Composer - H. Villa-Lobos, Lyricist - Airto Moreira, Vocal - Airto Moreira, Percussion - Don Sebesky, Arranger - Herbie Hancock, Piano - Creed Taylor, Producer - Jay Berliner, Acoustic Baritone Guitar - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Rudy Van Gelder, Engineer

Originally released 1971. All rights reserved Columbia Records, a division of Sony Music Entertainment

4
California Dreamin' (Album Version) 00:07:19

Billy Cobham, Drums - Airto Moreira, Vocal - Airto Moreira, Percussion - Jeffrey Phillips, Composer - Jeffrey Phillips, Lyricist - Herbie Hancock, Piano - Wayne Andre, Trombone - M. Phillips, Composer - M. Phillips, Lyricist - Phil Kraus, Percussion - Creed Taylor, Producer - Jay Berliner, Acoustic Baritone Guitar - John Frosk, Trumpet - John Frosk, Flugelhorn - Romeo Penque, Flute - Romeo Penque, Clarinet - Romeo Penque, Oboe - Romeo Penque, Bass Clarinet - Romeo Penque, English Horn - Alan Rubin, Flugelhorn - Alan Rubin, Trumpet - Phil Bodner, Flute - Phil Bodner, Oboe - Jim Buffington, French Horn - Hubert Laws, Flute - Hubert Laws, Piccolo - Ron Carter, Bass - JANE TAYLOR, Bassoon - Gloria Agostini, Harp - George Benson, Guitar - George Benson, Performer - George Marge, Flute - George Marge, Clarinet - George Marge, Oboe - George Marge, English Horn

Originally released 1971. All rights reserved Columbia Records, a division of Sony Music Entertainment

5
El Mar (Album Version) 00:10:48

Phil Kraus, Percussion - Billy Cobham, Drums - G. Benson, Lyricist - G. Benson, Composer - Airto Moreira, Vocal - Airto Moreira, Percussion - Don Sebesky, Arranger - Herbie Hancock, Piano - Earl Klugh, Acoustic Baritone Guitar - Creed Taylor, Producer - Jay Berliner, Acoustic Baritone Guitar - George Benson, Guitar - George Benson, Performer - Ron Carter, Bass - Rudy Van Gelder, Engineer

Originally released 1971. All rights reserved Columbia Records, a division of Sony Music Entertainment

Descriptif de l'album

For George Benson's second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such. The idea works best on "California Dreamin'" (whose chords are based on Andalusian harmonies), where, driven by Jay Berliner's exciting Spanish rhythm guitar, Benson comes through with some terrifically inspired playing. On "El Mar," Berliner is replaced by Benson's protégé Earl Klugh (then only 17) in an inauspicious -- though at the time, widely-heralded -- recorded debut. The title track is another winner, marred only by the out-of-tune brasses at the close, and in a good example of the CTI classical/jazz formula at work, Heitor Villa-Lobos' "Little Train of the Caipira" is given an attractive early-'70s facelift. Herbie Hancock gets plenty of nimble solo space on Rhodes electric piano, Airto Moreira contributes percussion and atmospheric wordless vocals, and Ron Carter and Billy Cobham complete the high-energy rhythm section. In this prime sample of the CTI idiom, everyone wins. ~ Richard S. Ginell

À propos

Distinctions :

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par George Benson
Walking To New Orleans George Benson
Breezin' George Benson
Give Me The Night George Benson
Givin' It Up George Benson
The Ultimate Collection George Benson
Dans la même thématique...
Rubberband Miles Davis
Head Hunters Herbie Hancock
Tutu Miles Davis
Cielo E Terra Al Di Meola
Red & Black Light Ibrahim Maalouf
Les Grands Angles...
Lalo Schifrin, monsieur cinéma

Il n'y a pas que le générique de "Mission Impossible" dans la vie de Lalo Schifrin. Jonglant entre jazz et classique, fusion et rythmes latinos, le compositeur argentin sait tout faire !

Miles Davis, les doigts dans la prise

En 1968, Miles Davis tombe sous le charme de la fée électricité. Envoûté par les révolutions psychédéliques et funky de Jimi Hendrix et autres Sly Stone, le trompettiste fait sa mue et, au passage, celle du jazz.

ECM en 10 albums

Le plus beau son après le silence. C’est la formule qui colle à la peau d’ECM depuis cinquante ans. Manfred Eicher, le charismatique fondateur du label munichois, ne vit pas « hors du temps » mais plus précisément dans « un temps parallèle » à celui de la société, faisant d’ECM une planète de toute beauté où le jazz résonne autrement. Et c’est souvent pour ECM que Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea et tant d’autres ont enregistré leurs disques les plus intenses. Plus encore que pour Blue Note ou Impulse!, se limiter à 10 albums pour raconter toute l’histoire de ce label hors-norme est mission impossible. Aussi, les 10 sélectionnés raconteront « une » histoire d’ECM.

Dans l'actualité...