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London Baroque - The Trio Sonata in 17th-Century Italy

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The Trio Sonata in 17th-Century Italy

London Baroque

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Langue disponible : anglais

This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621. These works were published in vocal collections, and they are for all intents and purposes Monteverdi-style opera numbers played on violins. But what you get as the program develops is a capsule history of instrumental music in the whole 17th century, as the pieces cohere into larger chunks and finally, in the piece by Giovanni Legrenzi, into individual movements. Parallel with this development was one that also continued through the entire Baroque: variations over a bass pattern or gorund. Pieces like Il Marcquetta by Giovanni Antonio Pandolfi (1669) or Giovanni Batista Vitali's Ciaconna (1682) are a far cry from Corelli's or Bach's variation pieces, but to hear them as an outgrowth of the earlier operatic style gives one a sense for the entire line of development. The music is enjoyable enough on its own terms, and London Baroque, led by violinists Ingrid Seifert and Richard Gwilt, has a feel for the rhetorical figures in the works of these mostly unknown composers. Recommended as usual with London Baroque for serious Baroque fans.

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The Trio Sonata in 17th-Century Italy

London Baroque

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Concerti ecclesiastic (Giovanni Paolo Cima)

1
Concerti ecclesiastic: Concerti ecclesiastici: Sonata a Tre 00:03:05

London Baroque, Ensemble - Giovanni Paolo Cima, Composer

2012 BIS

Madrigali, Book 1 (Francesco Turini)

2
Madrigali, Book 1: Madrigali, Book 1: Sonata a Tre Secondo Tuono 00:06:06

London Baroque, Ensemble - Francesco Turini, Composer

2012 BIS

Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi (Giovanni Battista Buonamente)

3
Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata 8 sopra La Romanesca 00:03:35

London Baroque, Ensemble - Giovanni Battista Buonamente, Composer

2012 BIS

Sonata decima a 3 (Dario Castello)

4
Sonata decima a 3 00:04:43

London Baroque, Ensemble - Dario Castello, Composer

2012 BIS

Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12 (Tarquinio Merula)

5
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: Chiacona 00:02:42

London Baroque, Ensemble - Tarquinio Merula, Composer

2012 BIS

Sonate, correnti et arie, Op. 4 (Marco Uccelini)

6
Sonate, correnti et arie, Op. 4: Sonate, correnti et arie, Op. 4: Sonata No. 26, "La Prosperina" 00:03:23

London Baroque, Ensemble - Marco Uccellini, Composer

2012 BIS

Il primo libro di canzone, sinfonie, fantasie (Andrea Falconieri)

7
Il primo libro di canzone, sinfonie, fantasie: Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte: Folias echa para mi Senora Dona 00:03:25

London Baroque, Ensemble - Andrea Falconieri, Composer

2012 BIS

Corenti e Balletti, Op. 4 (Maurizio Cazzati)

8
Corenti e Balletti, Op. 4: Corenti e Balletti, Op. 4: Ciaconna 00:02:40

London Baroque, Ensemble - Maurizio Cazzati, Composer

2012 BIS

Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22 (Biagio Marini)

9
Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: Sonata sopra fuggi dolente core 00:02:34

London Baroque, Ensemble - Biagio Marini, Composer

2012 BIS

Musiche sacre concernenti messa, e salmi concertati con istromenti, imni, antifone et sonate (Francesco Cavalli)

10
Musiche sacre concernenti messa, e salmi concertati con istromenti, imni, antifone et sonate: Musiche sacre concernenti messa, e salmi concertati con istromenti, imni, antifone et sonate: Canzon a 3 00:05:31

London Baroque, Ensemble - Francesco Cavalli, Composer

2012 BIS

La Fugazza, Book 3, Op. 8 (Giovanni Battista Legrenzi)

11
La Fugazza, Book 3, Op. 8: La Fugazza, Book 3, Op. 8: Sonata a 3, "La Boiarda" 00:04:19

London Baroque, Ensemble - Giovanni Battista Legrenzi, Composer

2012 BIS

Sonate, cioe balletti (Giovanni Antonio Pandolfi Mealli)

12
Sonate, cioe balletti: Sonate, cioe balletti: Il Marcquetta 00:07:12

London Baroque, Ensemble - Giovanni Antonio Pandolfi Mealli, Composer

2012 BIS

Sonate da chiesa, Op. 6 (Giovanni Maria Bononcini)

13
Sonate da chiesa, Op. 6: Sonate da chiesa, Op. 6: Sonata Quinta dell' Ottavo Tuono un tuono più alto 00:04:58

London Baroque, Ensemble - Giovanni Maria Bononcini, Composer

2012 BIS

Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7 (Giovanni Battista Vitali)

14
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona 00:02:53

London Baroque, Ensemble - Giovanni Battista Vitali, Composer

2012 BIS

Sonata No. 12 (Giacinto Pestolozza)

15
Sonata No. 12: Sonata XII 00:04:46

London Baroque, Ensemble - Giacinto Pestolozza, Composer

2012 BIS

Sonata a 3 in D major, Op. 1, No. 12 (Arcangelo Corelli)

16
Sonata da chiesa a tre in D Major, Op. 1, No. 12: Sonata a 3 in D Major, Op. 1, No. 12 00:06:49

London Baroque, Ensemble - Arcangelo Corelli, Composer

2012 BIS

Descriptif de l'album

This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621. These works were published in vocal collections, and they are for all intents and purposes Monteverdi-style opera numbers played on violins. But what you get as the program develops is a capsule history of instrumental music in the whole 17th century, as the pieces cohere into larger chunks and finally, in the piece by Giovanni Legrenzi, into individual movements. Parallel with this development was one that also continued through the entire Baroque: variations over a bass pattern or gorund. Pieces like Il Marcquetta by Giovanni Antonio Pandolfi (1669) or Giovanni Batista Vitali's Ciaconna (1682) are a far cry from Corelli's or Bach's variation pieces, but to hear them as an outgrowth of the earlier operatic style gives one a sense for the entire line of development. The music is enjoyable enough on its own terms, and London Baroque, led by violinists Ingrid Seifert and Richard Gwilt, has a feel for the rhetorical figures in the works of these mostly unknown composers. Recommended as usual with London Baroque for serious Baroque fans.

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